Stefan Roloff

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Stefan Roloff (born 1953 Berlin) is a German-American painter, video artist and filmmaker, living and working in New York and Berlin. Roloff's documentary, The Red Orchestra, a portrait of his late father, Helmut Roloff, an anti-Nazi resistance fighter, was nominated for Best Foreign Film 2005 by the US Women Critics Circle.[1]

Life[]

Stefan Roloff was born in West Berlin in 1953. In 1981 he graduated as a student of painting and video from the Hochschule der Künste (the Berlin Academy of Arts). The following year he moved to New York City.

In 1984 the New York Institute of Technology gave Roloff the opportunity to experiment on prototypes of digital video and imaging computers. He produced "Big Fire", a blend of painting with digital media which was shown in 1986 at the Bronx Museum of the Arts.[2] Also at NYIT, he developed "Moving Painting", a process in which a painting is set in motion by filming each stage that it passes through during its creation. In recognition for this concept and for collaborated with musicians Suicide, Martin Rev,[3] and Andrew Cyrille,[4] and with Peter Gabriel, with whom he produced FACE, a prototype for his video Sledgehammer, as well as the video ZAAR, for the album Passion,[5][6] in 1989, Roloff received a Fellowship from the New York Foundation for the Arts.[7]

He has since produced and directed numerous videos and two documentary films. Each film is accompanied by an art installation, providing a three-dimensional space which the viewers can enter for a direct experience of the subject matter. From 1989 to 1999, he worked on his first documentary film “Seeds”. Traveling through remote areas of West Virginia, he followed the story of a 22- year old woman who committed suicide in 1981 in an isolation cell at the State Prison for Women. The film was combined with an installation, “Pence Springs Resort”, a life-size three-dimensional photographic rendering of the isolation cell which the viewers could physically enter. It was shown at Threadwaxing Space in New York in 1995.[8]

In 1997 he began to work on his second documentary film The Red Orchestra,[9] a portrait of his late father, Helmut Roloff, a resistance fighter against the Nazis. It was nominated for best foreign film 2005 by the US Women Critics Circle. As have number of researchers,[10][11] the documentary takes issue with the Abwehr, and later Cold-War, characterisation of the loosely-connected resistance groups with which his father was associated as a Soviet-controlled espionage network, "Die Rote Kapelle" (The Red Orchestra). For this film, Stefan Roloff received a 2002 New York City Media Arts grant from the Jerome Foundation.[12] He also wrote a book in German, Die Rote Kapelle, published by Ullstein in 2002. In 2015, through an initiative by Stefan Roloff, Gustin Reichbach and Ellen Meyers, The Red Orchestra was incorporated into the United States Holocaust Memorial Museum's permanent exhibition. Roloff's source interviews with members of the Red Orchestra are accessible on the HMM's database.[13]

In 2017, Roloff had a 229 meter-long installation at the East-Side Gallery in Berlin facing the Spree. It combined in large-format still images from film he had made of the GDR border regime at various of the Berlin Wall in 1984, with silhouetted portraits video of contemporary GDR witnesses. Viewers could access their testimony through smartphone links.[14] Roloff's related video installation "Life in the Death Zone" is permanently installed at Villa Schöningen.[15]

References[]

  1. ^ "Roloff, Stefan | DEFA Film Library". ecommerce.umass.edu. Retrieved 2021-08-08.
  2. ^ Cancel, Luis R. (1987). The Artist and the Computer (PDF).
  3. ^ Rev, Martin (1984–2010). "R&R". When 6 is 9 Productions.
  4. ^ "Big Fire".
  5. ^ Gabriel, Peter (1993). "All About Us". World Cat. OCLC 050710599.
  6. ^ "Good Morning America".
  7. ^ "Artists' Fellowships" (PDF). 2003-07-06.
  8. ^ Pence Springs Resort. 1995. OCLC 40884996.
  9. ^ Martel, Ned (March 2, 2005). "Fighting the Dangerous Fight Under the Nazis". The New York Times.
  10. ^ Tuchel, Johannes (1988). "Weltanschauliche Motivationen in der Harnack/Schulze-Boysen-Organisation: ("Rote Kapelle")". Kirchliche Zeitgeschichte. 1 (2): 267–292, pp. 267 n.1, 281, 284. ISSN 0932-9951. JSTOR 43750615.
  11. ^ Nelson, Anne (2009-04-07). Red Orchestra: The Story of the Berlin Underground and the Circle of Friends Who Resisted Hitle r. Random House Publishing Group. ISBN 978-1-58836-799-0.
  12. ^ "New York City Film and Video Grant". 2002.
  13. ^ "Holocaust Memorial".
  14. ^ Hoenen, Anja (2017-08-13). "Stefan Roloff. BEYOND THE WALL". Bild-Akademie (in German). Retrieved 2021-08-08.
  15. ^ "Leben im Todesstreifen" (in German).

External links[]

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