Stefania Mosca

This article does not cite any sources. Please help by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources:  –  ·  ·  · scholar · JSTOR (December 2018) (Learn how and when to remove this template message)

show This article may be expanded with text translated from the corresponding article in Spanish. (January 2012) Click [show] for important translation instructions. View a machine-translated version of the Spanish article. Machine translation like DeepL or Google Translate is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 4,535 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary Content in this edit is translated from the existing Spanish Wikipedia article at [[:es:Stefania Mosca]]; see its history for attribution. You should also add the template {{Translated|es|Stefania Mosca}} to the talk page. For more guidance, see Wikipedia:Translation.

Stefania Mosca (1957–2009) was a Venezuelan writer.

Works published[]

• Jorge Luis Borges: Utopia and Reality (1984)
• Memory and Forgetting (1986)
• Everyday people (1990)
• The Last Supper (1991)
• Banal (1993)
• My little world (1996)
• Booklet No. 69 (2001)
• Motherhood (2004)
• The ordeal of the times
• Ferdinand The Circus (2006)

References[]

This article about a Venezuelan writer or poet is a stub. You can help Wikipedia by .

• v
• t