Sterling Roswell

This article has multiple issues. Please help or discuss these issues on the talk page. (Learn how and when to remove these template messages) The topic of this article may not meet Wikipedia's notability guideline for music. Please help to demonstrate the notability of the topic by citing reliable secondary sources that are independent of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be merged, redirected, or deleted. Find sources:  –  ·  ·  · scholar · JSTOR (May 2020) (Learn how and when to remove this template message) This biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. Find sources:  –  ·  ·  · scholar · JSTOR (May 2020) (Learn how and when to remove this template message) (Learn how and when to remove this template message)

Sterling Roswell (also known as Rosco) is a British multi-instrumentalist and artist, known as being a former member of Spacemen 3.

Career[]

Roswell joined Spacemen 3 in 1987 as drummer, and performed on the albums The Perfect Prescription^[1] and Performance.^[2]

After leaving Spacemen 3, he joined The Darkside in 1989 – alongside Spacemen 3 bandmate Pete Bain – and recorded three albums with the band.^[3]

He then moved to Rome, Italy, where he worked with film-maker Massimo Di Felice. He subsequently relocated to London and released an AAA associated 'space pop' single on the 'Mint' label subsidiary of Jungle Records.

In 2004 he issued the solo album the Psychedelic Ubik under his own name on Mint/Jungle Records. More recent recording credits include producing the Transparency LP with Sky Saxon of The Seeds on Jungle Records, guest percussion on Geraint Watkins' Dial 'W' for Watkins on Proper Records, keyboards on Tres Chicas Bloom, Red & the Ordinary Girl on Yep Roc Records and guitar with The Odeon Beat Club on Beatclub Recordings and a guest performance on Martin Belmont's album The Guest List.

References[]