Stillmatic

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Stillmatic
Nas-stillmatic-music-album.jpg
Studio album by
Nas
ReleasedDecember 18, 2001
Recorded2000–01
Genre
Length56:34
Label
Producer
Nas chronology
Nastradamus
(1999) 		Stillmatic
(2001) 		The Lost Tapes
(2002)
Singles from Stillmatic
  1. "Rule"
    Released: October 6, 2001
  2. "Got Ur Self A..."
    Released: December 4, 2001
  3. "The Flyest"
    Released: December 16, 2001
  4. "One Mic"
    Released: April 16, 2002

Stillmatic is the fifth studio album by American rapper Nas, released on December 18, 2001 by Ill Will and Columbia Records. In contrast to his previous work's gangsta rap themes, the album contains socially conscious and philosophical themes similar to that of his 1994 debut Illmatic. Nas' lyrics address topics such as ghetto life, American politics, and his feud with rapper Jay-Z.

Stillmatic was a commercial and critical success and helped re-establish Nas' career, following a period of critical disappointment with his previous album Nastradamus (released in 1999).[1][2] It debuted at number 8 on the US Billboard 200 and sold over 342,600 in its first week of sales, eventually going on to sell over 2,026,000 copies in the United States.[3] It has been certified Platinum by Recording Industry Association of America.[4]

Background[]

Though he had gained critical acclaim with his classic debut album Illmatic in 1994, Nas' image had been quickly deteriorating in the hip-hop community with his change of theme, from the philosophical topics of Illmatic to the gangsta rap and commercialized sound that became the focus of his later albums.[5] While his second album, It Was Written received positive reviews and introduced him to a greater audience, the follow-ups I Am... and Nastradamus were considered mediocre in comparison by critics.[5][6] The release of Stillmatic was an attempt by Nas to reestablish his credibility in the hip-hop community, with the title signifying his intentions to continue where Illmatic left off.

Feud with Jay-Z[]

Jay-Z had previously dissed Nas in his single "Takeover", taken from his September 2001 release, The Blueprint.[5] On Stillmatic, Nas retaliated with the anticipated song, "Ether," a response to "Takeover" which insinuated that Jay-Z had stolen lyrics from The Notorious B.I.G. several times, that he had sold out, and that he was a misogynist, among other things. Several hip-hop aficionados believe Nas won the feud based on this track, which many felt was much more vicious and ruthless than "Takeover", although this is still a subject of debate within hip-hop circles. Jay-Z would respond with "People Talkin", "Don't You Know" and the radio freestyle "Supa Ugly."[7]

Singles[]

The first single from Stillmatic was "Rule" featuring R&B singer Amerie. It was not heavily promoted but still managed to reach number 67 on the Hot R&B/Hip-Hop Singles & Tracks chart.[8] It did not receive a video and was issued on compact disc, so many are unaware that it was a single. "Got Ur Self A..." was believed to have been the first single from Stillmatic. "Got Ur Self A...", produced by Megahertz, contains a sample from the theme song on the HBO drama The Sopranos. The third single was "One Mic", which received acclaim for its content and video.[citation needed]

Critical reception[]

Professional ratings
Review scores
SourceRating
AllMusic3/5 stars[9]
Blender3.5/5 stars[10]
Encyclopedia of Popular Music3/5 stars[11]
Los Angeles Times3.5/4 stars[12]
NME7/10[13]
Q3/5 stars[14]
Rolling Stone2.5/5 stars[15]
Spin7/10[16]
USA Today3.5/4 stars[17]
Vibe3.5/5[18]

Stillmatic was met with generally positive reviews. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 69, based on 12 reviews.[19]

Reviewing for The Village Voice in 2002, Selwyn Seyfu Hinds said: "Stillmatic isn't merely a reunion or rehash of Illmatic themes. The Nas on this record has grown, with the emotional expansion such maturation suggests. For one, he has never before drawn upon his anger, with a burning focus and controlled intensity that underscores nearly every song. Some of it can surely be ascribed to the Jay-Z battle, but more seems due to the deeper, internal struggle Nas has waged against the fallout from his early, precocious success".[7] Blender magazine's Alex Pappademas described the album as "a surprising return to form" and said, "even if it’s a fluke, Stillmatic still feels like a ren-Nas-sance".[10] Steve Jones of USA Today stated, "dis songs aside, Nas' strength has always been his incisive lyrical analyses of current events."[17] John Bush from AllMusic said: "Dropping many of the mainstream hooks and featured performers in order to focus his rapping, Nas proves he's still a world-class rhymer, but he does sound out of touch in the process of defending his honor. Despite the many highlights, a few of the tracks just end up weighing him down".[9] Elizabeth Mendez Berry of Vibe called it "infuriatingly inconsistent" but also "an exercise in lyrical courage and musical might".[18]

Some reviewers were more critical. Rolling Stone magazine's Kathryn McGuire said: "Striving to maintain street cred while reaching for pop success has left Nas vacillating clumsily on past projects, and this record is riddled with similar inconsistencies. One moment he casts himself as a gritty cat who feels most at home on a project bench, calling out neighborhood snakes ('Destroy and Rebuild') and ducking gunshots ('One Mic'). The next, he’s delivering dumbed-down verses over the Track Masters' rinky-dink rendition of Tears for Fears' 'Everybody Wants to Rule the World.'"[15] In The Village Voice's "Consumer Guide", Robert Christgau found the release unworthy of a review and instead relegated it to a listing of ungraded "duds" in the column.[20]

Retrospective appraisals have been relatively positive. In The New Rolling Stone Album Guide (2004), Chris Ryan wrote that Stillmatic "finds Nas sticking with what works, creative storyraps and trenchant social commentary. He still errs when he makes attempts at club tracks, but the album is largely a success."[6] In 2005, Chris Rock compiled a list of his Top 25 Hip-Hop Albums of all time, to which he ranked Stillmatic at number 20, commenting "It's like Mama Said Knock You Out eleven years earlier, where a guy just reclaimed his spot with some great records".[21] It was also included in The Source magazine's list of "5 Mic Hip Hop Classics".[22]

Track listing[]

No.TitleWriter(s)Producer(s)Length
1."Stillmatic (The Intro)"
Hangmen 32:11
2."Ether"
Ron Browz4:37
3."Got Ur Self a Gun"
Megahertz3:48
4."Smokin'"
  • Jones
Nas, Precision3:47
5."You're da Man"
Large Professor3:26
6."Rewind"
Large Professor2:13
7."One Mic"
Nas, Chucky Thompson for The Hitmen4:28
8."2nd Childhood"
DJ Premier3:51
9."Destroy & Rebuild"
  • Jones
  • Lawrence Parker
  • Paul Hendricks
  • Michael Risko
Baby Paul, Mike Risko5:24
10."The Flyest" (featuring AZ)
L.E.S.4:38
11."Rule" (featuring Amerie)
Trackmasters4:32
12."My Country" (featuring Millennium Thug)
Lofey5:12
13."What Goes Around" (featuring Keon Bryce)
  • Jones
Salaam Remi4:59
14."Every Ghetto" (featuring Blitz) (bonus track)
  • Jones
  • Lewis
L.E.S.3:28
Total length:56:34
Disc 2 (Limited Edition)
No.TitleProducerLength
1."No Idea's Original"The Alchemist3:07
2."U Gotta Love It (Snippet)"L.E.S.1:33
3."My Way (Snippet)"The Alchemist1:36
4."Make It Last (Snippet)"L.E.S.1:57
5."Doo Rags (Snippet)"Precision1:22
Total length:9:35
Notes
  • "Got Ur Self a Gun" was later retitled "Got Ur Self A..." on the clean version of the album.
  • The track "Braveheart Party", written by Nasir Jones and Jean-Claude Olivier and produced by Swizz Beatz, was removed from later pressings of Stillmatic at Mary J. Blige's request.[23]
  • The Japanese release of Stillmatic features three additional tracks: "No Idea's Original," "Everybody's Crazy" and "Black Zombies." Each can also be found on The Lost Tapes, a compilation album that was released in 2002.
  • A limited edition version of Stillmatic contains a bonus disc with snippets from five songs on The Lost Tapes.
Samples

Personnel[]

Credits for Stillmatic adapted from Allmusic.[24]

Charts[]

Weekly charts[]

Chart (2001–02) Peak
position
Australian Albums (ARIA)[25] 54
Dutch Albums (Album Top 100)[26] 40
French Albums (SNEP)[27] 124
German Albums (Offizielle Top 100)[28] 64
Japanese Albums (Oricon)[29]
[30] 		95
Swiss Albums (Schweizer Hitparade)[31] 56
US Billboard 200[32] 5
US Top R&B/Hip-Hop Albums (Billboard)[33] 1

Year-end charts[]

Chart (2002) Peak
position
US Billboard 200[32] 31
US Top R&B/Hip-Hop Albums (Billboard)[33] 5

Certifications[]

Region Certification Certified units/sales
United States (RIAA)[34] 2× Platinum 2,000,000^

^ Shipments figures based on certification alone.

References[]

  1. ^ Ryan et. al Hoard (2004), p. 568.
  2. ^ Leroy, Dan. "Nas Reviews". Yahoo! Music. Yahoo!. Archived from the original on 2013-01-02. Retrieved 2012-06-15.
  3. ^ "More Than Words". Billboard (Nielsen Business Media) 120 (27): 33. Retrieved 2011-08-12.
  4. ^ "Archived copy". Archived from the original on June 26, 2007. Retrieved February 13, 2009.CS1 maint: archived copy as title (link)
  5. ^ Jump up to: a b c Birchmeier, Jason. Biography: Nas. Allmusic. Retrieved on 2009-11-21.
  6. ^ Jump up to: a b The New Rolling Stone Album Guide (2004), p. 569.
  7. ^ Jump up to: a b Hinds, Selwyn Seyfu. Review: Stillmatic. The Village Voice. Retrieved on 2009-11-21.
  8. ^ Billboard Singles: Stillmatic. Allmusic. Retrieved on 2009-11-22.
  9. ^ Jump up to: a b Bush, John. Review: Stillmatic. Allmusic. Retrieved on 2009-11-21.
  10. ^ Jump up to: a b Pappademas, Alex (February 2002). "Review: Stillmatic". Blender. Alpha Media Group (5): 114.
  11. ^ Larkin, Colin (2011). The Encyclopedia of Popular Music (5th ed.). Omnibus Press. p. 1993. ISBN 978-0857125958.
  12. ^ Baker, Soren. Review: Stillmatic[permanent dead link]. Los Angeles Times. Retrieved on 2009-11-21.
  13. ^ Needham, Alex (January 11, 2002)."Review: Stillmatic". Archived from the original on October 2, 2002. Retrieved October 16, 2010.CS1 maint: unfit URL (link) . NME. Retrieved on 2010-10-16.
  14. ^ "Review". Q. February 2002. p. 112.
  15. ^ Jump up to: a b McGuire, Kathryn. Review: Stillmatic. Rolling Stone. Retrieved on 2012-02-14.
  16. ^ Ryan, Chris (February 2002). "Reviews". Spin. p. 107.
  17. ^ Jump up to: a b Jones, Steve. "Review: Stillmatic". USA Today: D.06. December 18, 2001.
  18. ^ Jump up to: a b Berry, Elizabeth Mendez. "Review: Stillmatic". Vibe: 120. February 2002.
  19. ^ Stillmatic (2001): Reviews. Metacritic. Retrieved on 2010-10-16.
  20. ^ Christgau, Robert (March 12, 2002). "Consumer Guide". The Village Voice. Retrieved September 17, 2019 – via robertchristgau.com.
  21. ^ Chris Rock's Top 25
  22. ^ Kazeem (August 4, 2010). The Complete List Of 5 Mic Hip-Hop Classics. "The Source." Retrieved 2012-07-25.
  23. ^ Reid, Shaheem. "Mary J. Blige Track On Nas' Stillmatic To Be Cut For 'Personal Reasons'". MTV.com. January 25, 2002. Retrieved August 11, 2008.
  24. ^ Credits: Stillmatic. Allmusic. Retrieved on 2009-11-22.
  25. ^ Ryan, Gavin (2011). Australia's Music Charts 1988-2010. Mt. Martha, VIC, Australia: Moonlight Publishing.
  26. ^ "Dutchcharts.nl – NAS – Stillmatic" (in Dutch). Hung Medien. Retrieved November 12, 2013.
  27. ^ "Lescharts.com – NAS – Stillmatic". Hung Medien. Retrieved November 12, 2013.
  28. ^ "Officialcharts.de – NAS – Stillmatic". GfK Entertainment Charts. Retrieved November 12, 2013.
  29. ^ "Oricon Top 50 Albums: {{{date}}}" (in Japanese). Oricon. Retrieved November 12, 2013.
  30. ^ http://www.oricon.co.jp/prof/artist/17729/products/music/460453/1/
  31. ^ "Swisscharts.com – NAS – Stillmatic". Hung Medien. Retrieved November 12, 2013.
  32. ^ Jump up to: a b "Nas Chart History (Billboard 200)". Billboard. Retrieved November 12, 2013.
  33. ^ Jump up to: a b "Nas Chart History (Top R&B/Hip-Hop Albums)". Billboard. Retrieved November 12, 2013.
  34. ^ "American album certifications – Nas – Stillmatic". Recording Industry Association of America.

Notes[]

External links[]

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