Stroke order
 | This article is missing information about Burmese stroke order. (April 2021) |
| Stroke order | |||
|---|---|---|---|
| Chinese name | |||
| Traditional Chinese | 筆順 | ||
| Simplified Chinese | 笔顺 | ||
| |||
| Korean name | |||
| Hangul | 필순 | ||
| Hanja | 筆順 | ||
| |||
| Alternative Korean name | |||
| Hangul | 획순 | ||
| Hanja | 劃順 | ||
| |||
| Japanese name | |||
| Kanji | 筆順 | ||
| |||
| Alternative Japanese name | |||
| Kanji | 書き順 | ||
| |||
Stroke order is the order in which the strokes of a Chinese character (or Chinese derivative character) are written. A stroke is a movement of a writing instrument on a writing surface. Chinese characters are used in various forms in Chinese, Japanese, Korean and formerly Vietnamese. They are known as Hanzi in (Mandarin) Chinese (Traditional form: 漢字; Simplified form: 汉字), kanji in Japanese (かんじ), Hanja in Korean (한자) and Chữ Hán in Vietnamese. Stroke order is also attested in other logographic scripts, e.g. cuneiform.[1]
Basic principles[]
Chinese characters are basically logograms constructed with strokes. Over the millennia a set of generally agreed rules have been developed by custom. Minor variations exist between countries, but the basic principles remain the same, namely that writing characters should be economical, with the fewest hand movements to write the most strokes possible. This promotes writing speed, accuracy, and readability. This idea is particularly important since as learners progress, characters often get more complex. Since stroke order also aids learning and memorization, students are often taught about it from a very early age in schools and encouraged to follow them.
The Eight Principles of Yong (永字八法 Pinyin: yǒngzì bā fǎ; Japanese: eiji happō; Korean: 영자팔법, yeongjapalbeop, yŏngjap'albŏp) uses the single character 永, meaning "eternity", to teach eight of the most basic strokes in Regular Script.
Stroke order per style[]
Ancient China[]
In ancient China, the Jiǎgǔwén characters carved on ox scapula and tortoise plastrons showed no indication of stroke order. The characters show huge variations from piece to piece, sometimes even within one piece. During the divination ceremony, after the cracks were made, the characters were written with a brush on the shell or bone (to be carved in a workshop later). Although the brush-written stroke order is not discernible after carving, there exists some evidence that it was not entirely idiosyncratic: a few of the characters, often marginal administrative notations recording the provenance of the shells or bones, were not later recarved, and the stroke order of these characters tends to resemble traditional and modern stroke order.[2] For those characters (the vast majority) which were later engraved into the hard surface using a knife, perhaps by a separate individual, there is evidence (from incompletely engraved pieces) that in at least some cases all the strokes running one way were carved, then the piece was turned, and strokes running another way were then carved.[2]
Imperial China[]
In early Imperial China, the common script was the Xiaozhuan style. About 220 BC, the emperor Qin Shi Huang, the first to conquer all of China, imposed Li Si's character uniformisation, a set of 3300 standardized Xiǎozhuàn characters.[3] Its graphs on old steles—some dating from 200 BC—reveal indications of the stroke order of the time. However, stroke order could still not yet be ascertained from the steles, and no paper from that time is extant.
The true starting point of stroke order is the Lìshū style (clerical script) which is more regularized, and in some ways similar to modern text. In theory, by looking at the Lìshū style steles' graphs and the placement of each stroke, one can see hierarchical priority between the strokes, which indicates the stroke order used by the calligrapher or stele sculptors.[citation needed]
Kǎishū style (regular script)—still in use today—is more regularized, allowing one to more easily guess the stroke order used to write on the steles. The stroke order 1000 years ago was similar to that toward the end of Imperial China.[citation needed] For example, the stroke order of 广 is clear in the Kangxi dictionary of 1716; but in a modern book, the official stroke order (the same) will not appear clearly. The Kangxi and current shapes have tiny differences, while current stroke order is still the same, according to the old style.[4] However, the stroke orders implied by the Kangxi dictionary are not necessarily similar to nowadays' norm.
Cursive styles and hand-written styles[]
Cursive styles such as Xíngshū (semi-cursive or running script) and Cǎoshū (cursive or grass script) show stroke order more clearly than Regular Script, as each move made by the writing tool is visible.
Stroke order per polity[]
The modern governments of mainland China, Hong Kong,[5] Taiwan,[6] and Japan[7] have standardized official stroke orders to be taught in schools. These stroke order standards are prescribed in conjunction to each government's standard character sets. The various official stroke orders agree on the vast majority of characters, but each have their differences. No governmental standard matches traditional stroke orders completely. The differences between the governmental standards and traditional stroke orders arise from accommodation for schoolchildren who may be overwhelmed if the rules about stroke orders are too detailed, or if there are too many exceptions.[citation needed] The differences listed below are not exhaustive.
- Traditional stroke order: Widely used in Imperial China, currently used in the Chinese cultural sphere secondary to each region's governmental standards. Practiced mainly by informed scholars of calligraphy. Also called "calligraphic" stroke order. These stroke orders are established by study of handwritten documents from pre-Republic China, especially those of notable calligraphers. These stroke orders are most conservative regarding etymology, character construction, character evolution, and tradition. Many characters have more than one stroke correct form. Stroke orders may vary depending on the script style. Unlike the other standards, this is not a governmental standard.
- Japanese stroke order: Prescribed mostly in modern Japan. The standard character set of the MEXT is the Jōyō kanji, which contains many characters reformed in 1946. The MEXT lets editors freely prescribe a character's stroke order, which all should "follow commonsensical orders which are widely accepted in the society"[citation needed]. This standard diverges from the traditional stroke order in that the two sides of the grass radical (艹) are joined, and written with three strokes. Also, this standard is influenced by semi-cursive script, leading to some vertical strokes to precede intersecting horizontal strokes if the vertical stroke does not pass through the lowest horizontal stroke, as in 隹 and 生. 必 is written with the top dot first, while the traditional stroke order writes the 丿 first.
- Taiwan stroke order (Li & al. 1995): Prescribed mostly in modern Taiwan. The standard character set of the ROC Ministry of Education is the Standard Form of National Characters. This standard diverges from the traditional stroke order in that the upper-right dot of the 戈 component is written second to last. The vertical stroke in 忄 is written second. 成 starts with the horizontal. Also, the WIKI