The End of an Ear
The End of an Ear | ||||
---|---|---|---|---|
![]() Original album cover design | ||||
Studio album by | ||||
Released | 4 December 1970 | |||
Recorded | August 1970 | |||
Studio | Sound Techniques, Chelsea, London | |||
Genre | Free jazz | |||
Length | 47:02 | |||
Label | CBS, Esoteric Recordings | |||
Producer | Robert Wyatt | |||
Robert Wyatt chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
The End of an Ear is the debut solo album by Soft Machine's Robert Wyatt.
Background[]
The album was recorded in August 1970, while Wyatt took a break from Soft Machine, the band he would eventually leave the following year. Containing mostly free jazz and experimental music, the music has no lyrics, only vocal experimentation by Wyatt. It includes Soft Machine's Elton Dean on saxophone and Caravan's Dave Sinclair on organ who, in 1971, would join Wyatt in the group Matching Mole. About half of the album is filled by a two-part cover of Gil Evans' "Las Vegas Tango". The track "To Carla, Marsha and Caroline (For Making Everything Beautifuller)" is based on the music of "Instant Pussy", a song Wyatt first recorded solo during a Soft Machine BBC session in late 1969 and which eventually appeared, also in instrumental form, on Matching Mole's first album.[citation needed]
Re-issue[]
The album was re-issued, in remastered form, with a booklet and fully restored artwork and essay, by Esoteric Recordings in July 2012.
Paul Sexton of Prog magazine commented: "It begins with deranged, high-speed voices like something out of The Goon Show, in a vaguely Latin mood and set to discordant piano. It ends 47 minutes later having made barely a concession to the protocols of melody, lyrics or song construction. The debut solo album by Robert Wyatt was a law unto itself in 1970 and is just as enigmatic today." While Marcus O'Dair of Jazzwise magazine said, "At moments it sounds like free jazz, at others modernist sound collage, at one point, Hendrix's "Purple Haze"."[2]
Track listing[]
All tracks composed by Robert Wyatt; except where indicated
- Side A
- "Las Vegas Tango Part 1 (Repeat)" (Gil Evans) (8:13)
- "To Mark Everywhere" [3] (2:26)
- "To Saintly Bridget" (2:22)
- "To Oz Alien Daevyd and Gilly" (2:09)
- "To Nick Everyone" (9:15)
- Side B
- "To Caravan and Brother Jim" (5:22)
- "To the Old World (Thank You For the Use of Your Body, Goodbye)" (3:18)
- "To Carla, Marsha and Caroline (For Making Everything Beautifuller)" (2:47)
- "Las Vegas Tango Part 1" (Gil Evans) (11:07)
The song titles refer to the following people or groups: Mark Ellidge (Wyatt's half brother), Bridget St John, Daevid Allen and Gilli Smyth, Nick Evans, Caravan and Jimmy Hastings, Kevin Ayers' The Whole World, Carla Bley, Marsha Hunt and Caroline Coon.
Personnel[]
Characters in order of appearance:
- Robert Wyatt - drums, piano, organ, keyboards, harmonica
- Neville Whitehead - bass
- Mark Charig - cornet
- Elton Dean - alto saxophone, saxello
- Mark Ellidge - piano
- Cyrille Ayers - assorted percussion
- Dave Sinclair - organ
- Technical
- Vic Gamm - engineer
References[]
- ^ Allmusic review
- ^ "The End of an Ear". cherryred.co.uk. Retrieved 26 July 2020.
- ^ On the sampler album, this track is credited to Carla Bley
- Robert Wyatt albums
- 1970 debut albums
- Albums produced by Robert Wyatt
- Free jazz albums
- CBS Records albums
- Columbia Records albums