The End of the Affair (opera)

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The End of the Affair
Chamber opera by Jake Heggie
Jake Heggie 2015 low res.jpg
The opera's composer
Librettist
Based onThe End of the Affair
by Graham Greene
Premiere
2004 (2004)
Houston Grand Opera

The End of the Affair is a chamber opera with music by Jake Heggie and a libretto by Heggie, Heather McDonald and Leonard Foglia.

Based on the Graham Greene novel of the same title, it is set in London in 1944 and 1946 and focuses on Maurice and Sarah, who vows to end their illicit affair if his life is spared in a bombing. His survival leads to Sarah's religious conversion and Maurice's railing against God for it. After Sarah returns to her husband, Maurice hires a private detective to investigate her under direction of her husband Henry.

Performance history[]

It premiered in March 2004 at Houston Grand Opera. The libretto's last ten minutes were revised to alter the ending for performances at Madison Opera and Seattle Opera.

The second version of the opera was recorded live in 2007 at the Lyric Opera of Kansas City with Emily Pulley (soprano) as Sarah Miles, Keith Phares (baritone) as Maurice Bendrix, Joyce Castle (mezzo-soprano) as Mrs. Bertram, Victor Benedetti (baritone) as Henry Miles, Robert Orth (baritone) as private Mr. Parkis, and Gerard Powers (tenor) as Richard Smythe.

Critical reaction[]

Reaction to the version of the novel was decidedly mixed. "In what is a kind of on-stage musical equivalent of the slow fade into a flashback, he tells the story while bits and pieces are sung by the other characters until we are firmly in the flashback. That was an interesting effect that worked well,"[1] The same reviewer comments: "That is a good message but the response from most was so what. The connection between that and the love of God was not communicated."[1]

Roles[]

Role Voice type Premiere cast, March 2004
Conductor: Patrick Summers[2]
Sarah Miles soprano Cheryl Barker
Maurice Bendrix, Sarah's lover baritone Teddy Tahu Rhodes
Henry Miles, Sarah's husband baritone Peter Coleman-Wright
Mr. Parkis, a private detective baritone Robert Orth
Richard Smythe, a rationalist tenor Joseph Evans
Mrs. Bertram, Sarah's mother mezzo-soprano Katherine Ciesinski
Lancelot, young son speaking role  

References[]

  1. ^ a b Kennedy, Steven A. "FSM review". Film Score Monthly. Retrieved 2007-10-15.
  2. ^ About the opera, jakeheggie.com

External links[]

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