The Family Dog Denver

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1601 W. Evans Ave, Denver, CO, 80223. Home of the Family Dog Denver, 1967-1968
The Family Dog Denver
"The Dog," "The Denver Dog"
Full nameThe Family Dog Denver
Location1601 West Evans Avenue
Denver, Colorado
Coordinates39°40′43.22″N 105°0′23.64″W / 39.6786722°N 105.0065667°W / 39.6786722; -105.0065667
OwnerChet Helms, Bob Cohen, Barry Fey
OpenedSeptember 8, 1967
ClosedJuly 19, 1968

The Family Dog Denver, (also known as "The Family Dog," or simply "The Dog,") was a concert dance hall located at 1601 West Evans Avenue in Denver, Colorado. Opened from September 1967 to July 1968, it is regarded as a seminal music venue that launched Denver on its trajectory to its current status as a major concert destination by introducing never-before-seen acts like The Doors, Van Morrison, Jimi Hendrix, Cream, Buffalo Springfield, Janis Joplin, Chuck Berry, and many others. Many acts, like The Doors and Van Morrison, for example, had yet to become famous when they played The Dog, evidenced by the poster artists having to stylize the names of their leading songs into the poster art for the shows. The Family Dog is also seen as a cultural turning point in Denver from the conservative, western-minded sensibility of the early and mid-20th century to the current, liberal-minded climate.[1] The venue's history, surrounding drama and ultimate impact had been largely unknown and unrealized until it was unearthed and detailed for the first time in the 2021 documentary, The Tale of the Dog[2][3], produced and directed by Dan Obarski & Scott Montgomery[4] and distributed by Cinedigm.[5] As there are no useful photos, no video and little written history remaining of the Family Dog Denver, the film's oral history format told in first person by the people who were there serves as a definitive reference for “The Dog.”[6]

History[]

Pre-1967[]

Denver, prior to the opening of the Family Dog, was not a major music destination. There had been a modest jazz scene in the Five Points neighborhood which hosted international acts such as Louis Armstrong and Duke Ellington.[7] Beginning in the early 1960s there had also been a folk music scene, led by Harry Tuft at the Denver Folklore Center,[8] who brought in the likes of Bob Dylan, Joan Baez and Judy Collins.[9] Otherwise, most music venues, like the Exodus, Catacombs and The Cave, featured local bands with limited, if any, national exposure.

1967: Barry Fey Meets Chet Helms[]

In early 1967, Barry Fey, a budding businessman who had been booking concert acts like The Association, Alice Cooper and Eric Burdon at the University of Denver, flew with his wife, Cynthia Slade, to San Francisco to meet with Chet Helms, co-owner (with Bob Cohen) of Family Dog Productions. At that time Helms was a primary figure in the San Francisco hippie scene, with his Family Dog Productions running the legendary Avalon Ballroom, where he cultivated acts like the Grateful Dead, the Jefferson Airplane, and Janis Joplin and Big Brother and the Holding Company.

Fey brought with him a demo tape of a Denver psychedelic rock band named The Eighth Penny Matter as evidence that the music was popular in Denver and that importing the Haight-Ashbury music scene to Denver could be a successful business venture. He subsequently convinced Helms and Cohen to open up a music venue similar to the Avalon Ballroom, in Denver.

Summer 1967: The Human Be-In and the Love-In[]

The hippie scene had already been germinating in Denver by mid 1967. That summer, a Love- In was held in Washington Park . It is unclear by whom it was organized and what bands played there.

In order to jumpstart the Family Dog Denver, Barry Fey, and the leaders of the Dog, including Tony Guillory, James “Butch” Grayer, Marc Arno Richardson, and others, put on a Human Be-In Denver's City Park that summer, modeled on the famed event that took place in San Francisco in January of that year. The goal of the Be-In, in addition to generating interest in the Family Dog Denver, was to organize an event around the common sentiments of that time, including peace, love and brotherhood. Bands that played the Be-In included the Grateful Dead, Odetta, and Captain Beefheart. 5,000 people were reported to have attended.

Psychedelic Poster Art[]

With the impending opening of the Family Dog Denver, the arrangement was made for each of the concert posters to be done by the legendary San Francisco psychedelic poster artists, including Rick Griffin, Stanley Mouse, Alton Kelley, Victor Moscoso, Bob Schnepf, Bob Fried, and Dennis Nolan.

September 8 & 9, 1967: The Family Dog Denver Opens[]

The first concert at the Dog was Janis Joplin & Big Brother & The Holding Company, Blue Cheer & The Eighth Penny Matter.[10] The poster for the show was designed by Rick Griffin.

Psychedelic Lightshow[]

As a result of bringing the San Francisco scene directly to Denver, Denver for a brief time had one of the first and potentially biggest, liquid light shows on earth, run by Diogenes Lantern Works and owner Marc Arno Richardson. The liquid light show was a groundbreaking experience where light was projected through textured glass that was filled with colored liquids and onto the walls of the Family Dog while the bands were playing. This was the precursor to the modern concert light show.

Lothar & The Hand People[]

A group of musicians from Denver formed the band Lothar and the Hand People in 1965. Using a theremin as their primary instrument, and subsequently being sponsored by Robert Moog, inventor of the synthesizer, Lothar and the Hand People took top billing over The Doors and Captain Beefheart when they played the Family Dog Denver for the first time in 1967. They went on to become enormously influential as one of the pioneers of electronic music and had an outsized impact on the development of rock & roll, with its members opening Electric Lady Land Studios with Jimi Hendrix, and helping to produce some of the most famous rock albums ever made.

Fall 1967: Police Take Notice[]

As the popularity of the venue exploded that fall, and the so-called hippie phenomenon and drug use that accompanied it became more prevalent around the city, parents and city leaders became concerned and exerted pressure on the police to shut down the Family Dog and eradicate the city of the hippies. Detective John Gray became the face of the police leading the efforts to get a hold of the situation at the Family Dog. This involvement lead to numerous municipal court cases as well as a federal court case.

Canned Heat Bust[]

One of the most controversial and dramatic episodes of the Family Dog's tenure was the bust of Canned Heat for marijuana possession,[11] at the Ranch Motor Inn, located at Santa Fe and Florida Ave, prior to their scheduled show at the Family Dog on October 21, 1967. During this episode, Canned Heat claimed the Denver police planted the drugs on them. The Denver police deny this was the case. In order to pay their bail, Canned Heat signed over their publishing rights to of Liberty Records. Regardless of who was telling the truth, the result was that Canned Heat has never made a dime off of their major hits, including the Woodstock anthem, Going Up the Country.[12]

December 1967: Chet Helms Pulls Out & Barry Fey Takes Over[]

Due to a combination of pressure from the city and miss-management of funds by the venue, by December 1967, after four months in operation, Family Dog Productions left Denver. After a brief closure, Fey reopened the Dog and ran it himself, bringing in acts like Cream, The Byrds Jimi Hendrix, and Janis Joplin.

July 1968: The Dog Closes for Good[]

As Barry Fey's vision grew, The Dog closed and he moved on to become one of the world's biggest and most influential rock promoters. He started Feyline Productions, and, along with Chuck Morris, helped pioneer and define the era of Rock promotion. He held the 1968 Denver Pop Festival, opened up the Denver concert venue Ebbets Field, re-developed Red Rocks Amphitheater into a major concert venue, and opened the Rainbow Music Hall. Along the way he was pivotal in the early promotion of countless bands like Led Zeppelin, Queen and Black Sabbath. Of particular note was his promotion of the 1983 U2 Live at Red Rocks: Under a Blood Red Sky, which has been credited for catapulting U2 to global fame as well as making Red Rocks Amphitheater an internationally recognized music venue. He is also heavily responsible for helping save the Colorado Symphony Orchestra[13] and for a decade-plus long effort to bring Major League Baseball to Denver,[14] which helped land the Colorado Rockies franchise. He was inducted into the Colorado Music Hall of Fame in 2012.[15]

Influence[]

According to the primary sources in the documentary The Tale of the Dog, the Family Dog Denver was the genesis of the city's current flourishing, world-class music scene. Specifically, it was Barry Fey's vision of bringing an Avalon Ballroom- type of venue to Denver and his successful efforts to convince Chet Helms to open up the Family Dog in Denver that put Denver on the so-called music map permanently.[12]

Complete list of known concerts[]

References[]

  1. ^ "Art Professor's Film Re-Animates the Family Dog Rock Club". The University of Denver. January 2, 2018.{{cite web}}: CS1 maint: url-status (link)
  2. ^ "The Tale of the Dog and Dreams Unreal". . March 30, 2020.{{cite web}}: CS1 maint: url-status (link)
  3. ^ "Now Streaming: The Tale of the Dog". . June 8, 2021.{{cite web}}: CS1 maint: url-status (link)
  4. ^ Wheeler, Lisa (February 23, 2020). "The Tale of the Dog - The Untold Story of Denver's Greatest Rock Club". .{{cite web}}: CS1 maint: url-status (link)
  5. ^ "Cinedigm Acquires North American Rights To New Music Documentary 'The Tale Of The Dog'". Variety. April 28, 2021.{{cite web}}: CS1 maint: url-status (link)
  6. ^ "The Tale of the Dog Screening & Talkback". The University of Denver. February 22, 2020.{{cite web}}: CS1 maint: url-status (link)
  7. ^ "The Jazz Roots of Denver's Five Points, Uncovered". . February 25, 2016.{{cite web}}: CS1 maint: url-status (link)
  8. ^ Malkoski, Paul (2012). The Denver Folk Music Tradition: An Unplugged History, from Harry Tuft to Swallow Hill and Beyond. The History Press. ISBN 9781609495329.
  9. ^ "Harry Tuft, Denver Folklore Center Exhibit - Colorado Music Hall of Fame". Colorado Music Hall of Fame.{{cite web}}: CS1 maint: url-status (link)
  10. ^ "The Tale of the Dog Documentary Uncovers a Gem from the 1960s". 5280. July 9, 2021.{{cite web}}: CS1 maint: url-status (link)
  11. ^ Roberts, Michael (August 16, 2017). "The Mystery of the Family Dog, Denver's Most Storied Rock Venue". Westword.{{cite web}}: CS1 maint: url-status (link)
  12. ^ a b Solomon, Jon (June 8, 2021). "Hippie History: The Tale of the Dog Chronicles a Denver Rock Landmark". Westword.{{cite web}}: CS1 maint: url-status (link)
  13. ^ "Barry Fey and Colorado Symphony make beautiful music together again". Westword. April 30, 2012.{{cite web}}: CS1 maint: url-status (link)
  14. ^ "Mile High Salute: 1980s - Welcome to the Elway years". The Denver Post. December 17, 2000.
  15. ^ "Inductee Barry Fey In Colorado". Colorado Music Hall of Fame. Retrieved 2021-07-15.

External links[]

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