The House of Flowers Presents: The Funeral

The House of Flowers Presents: The Funeral
Spanish	La Casa de las Flores: El funeral
Directed by	Manolo Caro
Written by	Mara Vargas
Starring	Cecilia Suárez Aislinn Derbez Darío Yazbek Bernal Juan Pablo Medina Paco León
Narrated by	Claudette Maillé
Music by	Yamil Rezc
Production company	Netflix
Release date	November 1, 2019 (2019-11-01)
Running time	35 minutes
Country	Mexico
Language	Spanish

The House of Flowers Presents: The Funeral (Spanish: La Casa de las Flores: El funeral) is a 2019 special of the Mexican dark comedy telenovela The House of Flowers. It was released on November 1, 2019, without any forewarning, as a separate short film on the Netflix streaming platform where the television series airs. It was written by Mara Vargas and directed by series creator Manolo Caro.

It stars members of the show's cast as the de la Mora family, mourning matriarch Virginia, who died between seasons one and two; though released only a few weeks after season two, it fits chronologically between the first two seasons.^[a]

Background[]

In August 2018, shortly after the release of the first season, Verónica Castro announced that she would not be returning as matriarch Virginia de la Mora on The House of Flowers, which was confirmed by Manolo Caro a few days later. At this point, Netflix had not renewed the show for a second season, but Caro also said that following stories would be focused on the de la Mora children.^[3] Promotion for season 2 then revealed that the character had died, with shots of the funeral included in the trailer. Within the episodes of the second season, the funeral is only referenced as having happened, but no details beyond Paulina doing something dramatic are revealed.^[4][5]

Cast[]

• Cecilia Suárez as Paulina de la Mora
• Aislinn Derbez as Elena de la Mora
• Darío Yazbek Bernal as Julián de la Mora
• Juan Pablo Medina as Diego Olvera
• Paco León as María José Riquelme

There was also an extensive guest cast of other characters.

Plot[]

The de la Mora family matriarch, Virginia, has mysteriously died in Houston, having not been in contact with her family. Now, beleaguered husband Ernesto (Arturo Ríos) must transport her coffin back to Mexico City, while their children assemble at the family florists for the wake. The eldest, Paulina, awaits the arrival of her transgender partner María José and their son Bruno (Luis de La Rosa) to make her less anxious; Bruno is also nervous, though, as he and María José left for Spain without the chance to say goodbye to his grandmother.

With Ernesto taking longer than expected, youngest child, Julián organizes for a coffin to arrive on loan; when it does, the guests think that Virginia is in it. He is sent around to greet all the guests as his siblings try to fix the issue by disallowing people from touching it; having been a "mama's boy", he suffers a bit of an identity crisis now that his mother has died. The middle child, Elena, is also waiting for her new boyfriend, a biker, and has dressed in dark make-up and a leather jacket to match him; a string of her past boyfriends arrive before him, and she tries to keep them all happy without disturbing the more stuck-up guests.

All seems to be falling apart as Ernesto is stopped at the Texas-Mexico border for not having certified translations of his wife's documents; Paulina is triggered by meeting her old school friends and starts snapping at the homophobic and transphobic acquaintances who are at the wake. Julián meets an old friend, Oliver, who has come to give him support and a business proposition as a male escort. Bruno has become progressively more drunk throughout the wake, unable to deal with his guilt and his unofficial babysitting role for Micaéla (Alexa de Landa), but his parents are too distracted to notice.

Ernesto's friend comes up with a plan to smuggle Virginia's body back to Mexico, by disguising her as sleeping and moving the coffin to the trunk. Uncomfortable but desperate, Ernesto agrees. They are then loaned the use of distinguished friend Carlos's private jet to fly to the capital. Ernesto arrives, revealing Virginia's coffin to be bright pink and fluffy – the family distracts the guests in the courtyard as they also swap the coffins. He also notes that the hospital in Houston is having her things sent to them by courier, which could take a while.

During the tributes, Paulina has a breakdown, seemingly about her mother's fake friends and their reactions to her relationship. María José calms Paulina by sending her to a back room to hide away from the guests, where she encounters her siblings who are also hiding. After having a heart-to-heart, they realize they are sitting on the bright pink coffin and leave to socialize. Outside, Julián's ex and family accountant Diego has returned from hiding to give his sympathies; Oliver stops him and claims that Julián is too angry to see him, despite the opposite being true. Julián is then approached by his ex-girlfriend Lucía (Sheryl Rubio), who tries to come on to him. Elena's new boyfriend finally shows up, but shrugs her off, and Ernesto gets the chance to thank Carlos for the jet. Carlos, who was not known for his generosity, says that his mind has been opened up by an elite sect called the Flock, inviting Ernesto to join.

Release and marketing[]

The special was released on Día de muertos (November 1) 2019, the Mexican celebration of dead relatives. References to Virginia's funeral through season two had been popular among viewers before it was released; it also connects other plot points from the second season.^[4][5][6][7] It was released in a special priority slot to the site, meaning that during its 'premiere' it was one of the first media that users would be shown and occupied the header.^[8]

The only marketing for the surprise funeral episode came shortly after its release to the platform, in a tweet from Manolo Caro.^[9] Netflix released a poetic press release about the episode after this.^[10]

Remezcla's Manuel Betancourt noted that fans of the show were expecting to see the funeral during season 2, and were left wanting to know what happened after binge-watching the second season. He believes that the writing of season 2, making fans curious when the character Paulina says that she can't remember what happened at the funeral, was designed for the Netflix platform, both because it helps create word-of-mouth promotion and because the answer can be released at any time. He says that the episode "is proof that creator Manolo Caro is as cheeky as the show itself".^[11]

Response[]

Vanesa Soto for Vanidad calls it "one of the best episodes of the series by far".^[12] She notes that as well as wrapping up season 2, it leaves some clues about season 3.^[12] Ángel Balán writes in his review for La Verdad that the funeral special is "what nobody expected but what we needed", also saying that Paulina making a scene was "tremendous".^[13] He suggests that what he called Caro's "overconfidence" in the face of mixed criticism for season 2 was present because the series creator had the funeral special as "an ace up his sleeve".^[13] Milenio says that the special is "a fundamental piece of the second season",^[14] and Álvaro Cueva writing for Milenio also adds that "It is a historic event even for a platform as successful as Netflix."^[8]

Balán suggested that the special would have fitted better in its chronological place, arguing that the second season could have been received better with the funeral as its opening episode; he explains that it would have book-ended season 2 well, as the season finale was a good closing episode and one of the best finales that he had seen in a long time, and would have introduced viewers more subtly to how the family dynamics had changed between seasons 1 and 2.^[13]

Notes[]

References[]

Sources[]

External links[]

• La Casa de las Flores: El Funeral at IMDb
• The House of Flowers Presents: The Funeral on Netflix