The Power (1968 film)

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This article is about the 1968 film. For the unrelated 1984 film, see The Power (1984 film).
The Power
The-power-movie-poster-md.jpg
Theatrical release poster
Directed byByron Haskin
Written byJohn Gay
Based onThe Power
by Frank M. Robinson
Produced byGeorge Pal
StarringGeorge Hamilton
Suzanne Pleshette
CinematographyEllsworth Fredericks
Edited byThomas J. McCarthy
Music byMiklós Rózsa
Distributed byMetro-Goldwyn-Mayer
Release date
  • 1968 (1968)
Running time
108 minutes
LanguageEnglish

The Power is a 1968 American Tech noir, science fiction thriller film from MGM,[1] produced by George Pal, directed by Byron Haskin (his final film), that stars George Hamilton and Suzanne Pleshette. It is based on the 1956 science fiction novel The Power by Frank M. Robinson.

The storyline concerns two men who have the ability to control or slay others with their minds.[2]

Plot[]

The Committee on Human Endurance conducts experiments on the human body's ability to withstand pain and the related ordeals anticipated for astronauts. Professor Henry Hallson, an anthropologist on the committee has designed a series of exams needed to screen astronauts with higher mental capabilities, using his own co-workers as test subjects. Reviewing the results, Hallson discovers evidence that one of the subjects, one of his colleagues on the committee, is not only above average, but also in possession of superhuman psychic powers.

Hallson reveals his findings at a meeting of his incredulous colleagues, biologist Dr. Jim Tanner, geneticist Dr. Margery Lansing, physicist Dr. Carl Melnicker, biologist Dr. Talbot Scott and chairman Norman Van Zandt. While they dismiss his findings, government liaison Arthur Nordlund, also at the meeting, expresses interest. Hallson warns the committee that the anonymous test subject possesses a super-intellect beyond human measurement, capable of controlling other human minds, and even manipulating the committee itself. When no one admits to having Hallson's theorized powers, Dr. Melnicker suggests a telekinesis test using a simple psi wheel, which fails to turn. Knowing that the test subject will never reveal himself, Hallson insists that all of them concentrate on it together, which now sends the wheel spinning.

Later that night, Hallson is found murdered in the laboratory's human centrifuge, with the name "Adam Hart" scrawled on a piece of paper in his office. Hallson's widow Sally Hallson tells Tanner that "Adam Hart" was the name of her husband's childhood friend.

As part of the investigation, The police conduct background checks of the members of the committee. Tanner immediately becomes the prime suspect in Hallson's murder when it is found that he apparently lied about his distinguished academic credentials. In fact, all records documenting his past have been inexplicably erased. Desperate to clear himself, Tanner searches for Hart, visits Hallson's hometown. He speaks with people who claim to remember Hart, but give different descriptions of his appearance. Others still obey commands that Hart gave them years earlier. Tanner soon deduces that Adam Hart is a superhuman, possessing the powers claimed by Hallson.

As Tanner seeks Hart, he finds that he himself is being pursued, likely by the superhuman himself. As Tanner tries to connect with his former colleagues, Melnicker and Van Zandt are murdered, and Nordlund apparently survives a brush with Hart. Tanner returns to the committee's building, with the police close behind. In the building's apparently empty auditorium, Tanner confronts Talbot Scott. Scott insists he's innocent, but panics when the police enter, and is shot by them.

With almost all of the other committee members out of the war, Arthur Nordlund confronts Tanner, revealing that Nordlund had been Adam Hart the entire time. Hart unleashes a psychic assault on Tanner, apparently killing him. Instead, in the final scene, Tanner survives the attack, revealing that he too has powers. Turning the tables on Hart, Tanner kills him. With Hart out of the way, Tanner realizes that he was the superhuman uncovered by Hallson's tests, and that Hart was trying to eliminate any competition from others like himself.

Cast[]

Production[]

The novel by Frank M. Robinson was published in 1956 (it was his first novel[3]) and had already been filmed for television in 1956.

In June 1964 it was announced that MGM bought the screen rights to the novel for George Pal to produce. John Gay was writing the script.[4][5]

The source novel's plot was substantially changed in John Gay's screenplay, moving the location to San Marino, California, changing most of the characters' names (although retaining the surnames of Tanner, Nordlund, and department head Professor Van Zandt), and eliminating several subplots and characters, presumably to fit the film's 108-minute run time.

In September 1964 Pal announced his slate of pictures for MGM were The Power, The Disappearance, Arabian Nights and Odd John.[6]

In March 1965 Pal said MGM wanted a star to play the lead in The Power but "that would ruin the basis for the story because no one is supposed to know who 'the power' is."[7] In January 1966 Pal was reportedly discussing the film with Cliff Robertson.[8]

In June 1966 George Pal announced he would make seven projects over the next four years: Project SFW, The Power, Odd John, The Last Revolution, Odd John, R.U.R. and a remake of Metropolis.[9] (Of these only The Power would be made.) That month The Power was cast.[10]

Hamilton starred as Professor Jim Tanner, with Pleshette as his teammate and romantic interest Margery Lansing (Marge Hanson in the novel), and Michael Rennie (famous among science fiction film fans as Klaatu in The Day the Earth Stood Still) as new government liaison Mr. Nordlund. Otherwise, the story unfolds in a fashion similar to the novel, except for a somewhat different twist to the conclusion. In the film Tanner defeats Hart but retains his humanity; in the novel, Tanner sheds his humanity after killing Hart, and looks forward to "playing God" with normal humans, just as Hart did.

Pal said he was inspired by the art of Salvador Dalí and Hieronymus Bosch.[11]

"I have my own frame of reference for power," said Hamilton. "This film has nothing to do with my religion but I hope I can make the part somehow significant."[12]

Filming started April 1967.[13] The film was shot at Culver City and Santa Monica.[14]

This film is memorable for a number of intriguing scenes, including murder by centrifuge, a seemingly possessed "Walk/Don't Walk" pedestrian sign, toy soldiers firing with real gunpowder, and "winking out" inanimate objects (the last two also in the novel). The soundtrack also memorably features a beating heart to signal the mind-control attempts and eerie music from a cymbalum (a hammered dulcimer-like instrument) accompanying the film's more suspenseful moments.

The music, written by Oscar-winning composer Miklós Rózsa, contributes an amusing fourth wall-breaking moment when Tanner, hearing the haunting tune, seems to expect a new disaster, only to be visibly relieved when he finds a cymbalum-violin duet being performed in the hotel lobby. This was Rózsa's final score for a film produced by MGM, for which he had scored numerous films throughout his career.

Legacy[]

There is a scene of what may be the first appearance and operation by telekinesis of a psi wheel in a film.[15]

See also[]

References[]

  1. ^ Meehan, Paul (2008). Tech-noir: the fusion of science fiction and film noir. McFarland. p. 130. ISBN 978-0-7864-3325-4.
  2. ^ Kael, Pauline (1991), 5001 nights at the movies, Macmillan, p. 593, ISBN 0-8050-1367-9
  3. ^ Chicago Scene of New Novel of Suspense Reinsberg, Mark. Chicago Daily Tribune 6 May 1956: c10.
  4. ^ Singing Discovery in 'Major, Private' Los Angeles Times 5 June 1964: C12.
  5. ^ Harve Presnell Signs for Non-Singing Role Los Angeles Times 9 June 1964: C8.
  6. ^ 'King Rat' Sparks Invasion by British: Pal's 'Odd John' Sci-Fic; 'Crossbow' at Crossroads Scheuer, Philip K. Los Angeles Times 17 Sep 1964: C13.
  7. ^ Eleanor Bron Finds Favor With Beatles: Moptops Busy in Bahamas; Pal's All-Technique Movie Scheuer, Philip K. Los Angeles Times5 Mar 1965: C11.
  8. ^ 'Whiskers' on 20th Slate Martin, Betty. Los Angeles Times 12 Jan 1966: c13.
  9. ^ Gavin Signs Universal Pact Martin, Betty. Los Angeles Times 3 June 1966: d12.
  10. ^ Pal: master of science fiction: Famed for special effects Science-fiction subject By Kimmis Hendrick. The Christian Science Monitor 17 June 1966: 5.
  11. ^ Pal Hits Pay Dirt With Sci-Fi Scott, John L. Los Angeles Times 12 June 1967: d24.
  12. ^ 'Life is not just words': Likes challenges By Kimmis Hendrick. The Christian Science Monitor 26 Apr 1967: 6.
  13. ^ Second 'Navarone' Film Set Martin, Betty. Los Angeles Times 13 Apr 1967: d19.
  14. ^ Cities Turn a Profit When Movie, TV Units Come to Town: MOVIE, TV UNITS Los Angeles Times 21 May 1967: ws1.
  15. ^ "Hollywood Telekinesis and Psychokinesis Movie List". Retrieved September 28, 2012. Also, the psi wheel scene can be seen in the film's trailer on YouTube.

External links[]

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