The Pros and Cons of Hitch Hiking

The Pros and Cons of Hitch Hiking
Studio album by Roger Waters
Released	30 April 1984
Recorded	February–December 1983
Genre	Progressive rock blues rock
Length	42:07
Label	Harvest Columbia
Producer	Roger Waters Michael Kamen
Roger Waters chronology
Music from The Body (1970) The Pros and Cons of Hitch Hiking (1984) When the Wind Blows (1986)
Roger Waters studio chronology
The Pros and Cons of Hitch Hiking (1984) Radio K.A.O.S. (1987)
Singles from The Pros and Cons of Hitch Hiking
"The Pros and Cons of Hitch Hiking" Released: 9 April 1984 "Every Stranger's Eyes" Released: 12 June 1984

Professional ratings

Review scores
Source	Rating
AllMusic	[1]
Rolling Stone	[2]
The Rolling Stone Album Guide	[3]
Sputnikmusic	[4]

The Pros and Cons of Hitch Hiking is the first solo album by Roger Waters; it was released in 1984, the year before Waters announced his departure from Pink Floyd. The album was certified gold in the United States by the Recording Industry Association of America in April 1995.

Concept history and production[]

The concept was originally envisioned by Waters in 1977 and refined in the early 1980s. In its completed form, it rotates around a man's scattered thoughts during his midlife crisis. These are explored on a dream journey during which he takes a road trip through California, commits adultery with a hitchhiker he picks up along the way, attempts to reconcile with his wife by moving to the wilderness, and finally ends up alone but with greater insight into a common human compassion. Along the way he also faces other fears and paranoia.

The entire story is framed in real time as a fitful dream taking place in the early morning hours of 4:30:18 am to 5:12:32 am on an unspecified day. At the end of the dream, the man wakes up lonely and contrite and turns to his real wife for comfort, presumably having processed his crisis.

In July 1978, Waters played some of the music demos of what he had pieced together, but he also played parts of another album he was preparing titled Bricks in the Wall to the rest of his bandmates in the group Pink Floyd.^[5][6] After a long debate, they decided that they preferred the concept of Bricks in the Wall instead,^[6] even though their manager at the time, Steve O'Rourke, thought that Pros and Cons was a better-sounding concept,^[7] and David Gilmour deemed Pros and Cons stronger musically.^[6]

Well, the idea for the album came concurrently with the idea for The Wall – the basis of the idea. I wrote both pieces at roughly the same time. And in fact, I made demo tapes of them both, and in fact presented both demo tapes to the rest of the Floyd, and said "Look, I'm going to do one of these as a solo project and we'll do one as a band album, and you can choose." So, this was the one that was left over. Um...I mean, it's developed an awful lot since then, I think.

— Roger Waters, ^[8]

Bricks in the Wall, retitled The Wall, became the next Pink Floyd album in 1979, and Waters shelved Pros and Cons. In early 1983, Waters undertook the shelved project himself.^[9] The album was recorded in three different studios between February and December 1983 in London, the Olympic Studios, Eel Pie Studios and in Waters' own Billiard Room, the studio where his demos were constructed. The album features musical conductor Michael Kamen, the vocal talents of actor Jack Palance, saxophonist David Sanborn and rock and blues guitarist Eric Clapton.

Roger's a very different sort of person [i.e. different from Eric Clapton or David Gilmour, described as easygoing]. I have tremendous respect for him. He's a very clever man, but he is very serious. When Eric and I toured with him, he wanted everything exactly the same as the record, which, unfortunately, kind of took the fun out of performing.

— Tim Renwick, guitar player^[10]

Track 7, 4.50 am (Go Fishing), includes the same refrain as "The Fletcher Memorial Home" from Pink Floyd's The Final Cut: "The Fletcher Memorial Home for incurable tyrants and kings". This song also includes one of the car sounds, and the slightly changed chorus melody, from that album's "Your Possible Pasts".

Notes on real time[]

The original album was released in 1984 on the traditional two-sided vinyl LP and cassette formats. In keeping with Waters' concept, there are five seconds missing between sides one and two to allow the listener to flip the record (or turn the cassette) in order to keep the second half starting at exactly 4:50 am as planned.

An unintended consequence of the album being released on CD a few years later was that this gap was lost due to continuous play, moving the start of the second half back to 4:49:55 am, and also moving the start of the final track, 5:11 am (The Moment of Clarity), back to 5:10:59 am.

Track 6 on the first side, "4:47 am (The Remains of Our Love)", actually begins at 4:46:46 am.

Packaging[]

The censored cover, which is commonly used on physical editions of the album

Gerald Scarfe, who had created the album artwork and some animation for Pink Floyd's The Wall album, created all the graphics and animation for the Pros and Cons album. Its cover prompted controversy for featuring a rear-view nude photograph of model and softcore porn actress Linzi Drew. Although it was originally released with the nudity intact, subsequent editions distributed by Columbia Records censored Drew's buttocks with a black box.

Possible film[]

A film based on the concept was proposed, and in 1987 a press release for the Radio K.A.O.S. album claimed a film adaptation of Pros and Cons... had been completed, though nothing has been heard of it since. The screenplay was written by BBC/Radio Times Drama Award winner Pete Ward, who used excerpts from Waters' songs/lyrics from 1967 to 1987 as background to his award-winning play, Yesterday's Triumph,^[11] exploring the 20-year relationship of two close friends – one who attempts to fake mental illness to be with the other, who is an institutionalized 'catastrophic schizophrenic'. Ward was commissioned to expand the plot and characters in The Pros and Cons around the album's 42-minute real-time dream sequence based on Waters' own dreams.

A film was made in 1984 and 1985 which combined Gerald Scarfe's animations and Nicolas Roeg's live-action footage with slit-scan photography created by Peter Truckel at The Moving Picture Company. Also directed by Nicolas Roeg the film was projected on a backdrop behind the stage as the band played. Three promotional videos were also directed by Roeg. "The Pros and Cons of Hitch Hiking" features snippets of the live action material from the screen films interspersed with footage of "Shane" and other cowboy films. "Sexual Revolution" also featured screen film material interspersed with footage Waters singing the song and playing his bass. "Every Stranger's Eyes" is identical to the screen projection, except for the fact that footage of Waters is also interspersed here.

Track listing[]

Side one[]

All tracks are written by Roger Waters^[9].

Side two[]

Personnel[]

Credits adapted from the album's liner notes.^[12]

Chart positions[]

References[]

External links[]

• REG:International Roger Waters FanClub