The Sweet Sad Story of Elmo and Me

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"'The Sweet Sad Story of Elmo and Me"
Wednesday Theatre episode
Episode no.Season 1
Episode 30
Directed byHenri Safran
Teleplay byRic Throssell
Based onstage play Dr. Homer Speaks : 'Oh, Ai-lar-tsua Farewell by Ric Throssell
Produced byJohn Hicks
Featured musicNigel Butterley
Frank Lyons[1]
Original air date28 July 1965 (Melbourne, Sydney)[2]
Running time45 mins[3]
Episode chronology
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"The Winds of Green Monday"

The Sweet Sad Story of Elmo and Me is a 1965 Australian television film which aired on ABC as part of Wednesday Theatre.[4]

A satire about suburbia, it was written by Canberra-based writer Ric Throssell, and [5] Aired in a 60-minute time-slot, it was produced in ABC's Sydney studios by Henri Safran.[6]

Per a search of their website, the National Archives of Australia may hold an (incomplete?) copy of this program, with running time listing as 43:44.

According to one paper "throughout the play the author pokes his tongue at suburbia, materialism, education and television, among other things. "[7]

Plot[]

"Digger" Smith returns from World War II to his wife Shirl a baby girl, Betty, and a modest house in the suburbs. A happy, uncomplicated man, "Digger" Smith stays so until prosperity catches up with him and he makes strenuous efforts to "keep up with the Joneses." Betty's boyfriend is Elmo.

Cast[]

  • Ron Haddrick as "Digger" Smith
  • Lynette Curran as Betty
  • Chuck Kehoe as Elmo Senior
  • Brian Hannan as Elmo Junior
  • Doreen Warburton as Shirl
  • Alexander Hay as a teacher
  • John Armstrong as lift attendant
  • Bill Mullikie as parson
  • Lynette Haddrick as Betty as a child
  • Max Brophy as Elmo as a Child

Original Play Dr Homer Speaks[]

It was based on a stage play by Ric Throssell that was first performed at the Canberra Festival in 1963 under the title Dr Homer Spakes.[8][9] It was the 25th play by Throssell who worked for the Department of External Affairs. He called the play a comic cartoon for the theatre.[10] He also said it was a satire on crew cuts and king sized culture.[11]

The theatre viewer for the Canberra Times said "it has little to' recommend it save an inconsequential humor. The situations are strained, the plot is weak, the dialogue empty and what message it may have is soon lost in boredom induced by strident over-emphasis. Last night's presentation did little to assist one to take it seriously as a work of art."[12] This review prompted several responses.[13]

Production[]

Throssell said the play was twice the length of the TV version. Dr Homer was a prologue character in the play who had been cut and Throssell said the style had been changed.[14]

Ron Haddrick's real life daughter, Lynette, player his on screen daughter.[7] It was the first and last time she acted as a child although she became an actor as an adult.[15]

It was directed by Henri Safran who said "If they play could be described in one word, 'satire' would be as close as you could get."[16]

Barbara Major did the design.[8]

Reception[]

The Sun Herald critic wrote "it was well done, whatever it was.... It was fast moving, all right. Elmo started out as a baby, and finished up as a grey-haired tycoon. Somewhere in the one hour of bafflement there was also Ron Haddrick brilliantly playing something or other, and Doreen Warburton as his wife. Accents switched from Australian to American, dollar bills floated from the sky, and it wound up in what looked like the Australian bush. Somewhere there was a message, but it escaped me. At any rate, it is good to see the A.B.C. with enough courage to tackle such an offbeat offering... Whatever it was, they did it extremely well."[17]

The TV critic for The Sydney Morning Herald wrote "the price of experimentation either by producer or audience is high and half way through The Sweet Sad Story... many viewers must have switched off and gone to their beds shaking their heads and muttering 'I thought it was modern but it's beyond me'... a gallant effort t drag television out of its depressing orthodoxy...[but] a few hunks of raw and undissolved irony in a pale gruel of unreality."[16]

The Canberra Times called it "pleasant... Slight it was (and only 45 minutes in this version), but considerably entertaining. It was, I would say, as well written and better produced than an f.a.q. import from the BBC or Redif fusion. The satire was mostly gentle, mostly familiar - to aficionados of Barry Humphries and university revues, it was from time to time a little stronger, a little more jolting than we are accustomed to see on television...The satire was made at once more palatable and more beneficial by Mr Safran's choice of cast and designer."[8]

The Age called it "a bright effort, well staged, well acted and with an ingenious script."[18]

The Bulletin said his "only possible reaction is to sit like a stunned mullet wondering was it all a ridiculous dream, and finally peering around to discover whether he is alone in all this."[19]

See also[]

  • List of live television plays broadcast on Australian Broadcasting Corporation (1950s)

References[]

  1. ^ "TV Guide". The Age. 22 July 1965. p. 31.
  2. ^ "Play Satirises Keeping Up". The Age. 22 July 1965. p. 11.
  3. ^ "TV Guide". Sydney Morning Herald. 26 July 1965. p. 23.
  4. ^ Vagg, Stephen (18 February 2019). "60 Australian TV Plays of the 1950s & '60s". Filmink.
  5. ^ http://nla.gov.au/nla.news-article105762798
  6. ^ "WEDNESDAY". The Canberra Times. 39 (11, 217). Australian Capital Territory, Australia. 26 July 1965. p. 14. Retrieved 20 March 2017 – via National Library of Australia.
  7. ^ Jump up to: a b "Play tilts at suburbia". Sydney Morning Herald. 26 July 1965. p. 22.
  8. ^ Jump up to: a b c "Leisure TV Drama Music Art Books Radio The Arts TELEVISION Budding Pinter in our midst". The Canberra Times. 39 (11, 221). Australian Capital Territory, Australia. 30 July 1965. p. 13. Retrieved 28 November 2020 – via National Library of Australia.
  9. ^ Dr Homer Speaks at Ausstage
  10. ^ "PLAYWRIGHT HARD AT WORK". The Canberra Times. 37 (10, 462). Australian Capital Territory, Australia. 16 February 1963. p. 14. Retrieved 28 November 2020 – via National Library of Australia.
  11. ^ "Proceeds Of Play For New Theatre". The Canberra Times. 37 (10, 477). Australian Capital Territory, Australia. 6 March 1963. p. 9. Retrieved 28 November 2020 – via National Library of Australia.
  12. ^ "PREMIER OF PLAY 'Dr. Homer' Is An Aberration". The Canberra Times. 37 (10, 485). Australian Capital Territory, Australia. 15 March 1963. p. 2. Retrieved 28 November 2020 – via National Library of Australia.
  13. ^ "Letters To The Editor". The Canberra Times. 37 (10, 450). Australian Capital Territory, Australia. 21 March 1963. p. 2. Retrieved 28 November 2020 – via National Library of Australia.
  14. ^ "Canberra writer's play on ABC this week". The Canberra Times. 39 (11, 217). Australian Capital Territory, Australia. 26 July 1965. p. 13. Retrieved 28 November 2020 – via National Library of Australia.
  15. ^ Hogan, Christine (21 August 1980). "Father Knows Best, Says Lynette". Sydney Morning Herald. p. 13.
  16. ^ Jump up to: a b Cotton, Leicester (30 July 1965). ""The Sweet Sad Story of Elmo and Me" on ABN2". Sydney Morning Herald. p. 7.
  17. ^ Marshall, Valda (1 August 1965). "Well done whatever it was". Sydney Morning Herald. p. 104.
  18. ^ Monitor (7 August 1965). "Images on Melbourne Screens". The Age. p. 23.
  19. ^ Miller, Dale (7 August 1965). "TELEVISION Tailor-made for Technicians". The Bulletin.

External links[]

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