The Twelve Chairs

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This article may be expanded with text translated from the corresponding article in Russian. (September 2016) Click [show] for important translation instructions. View a machine-translated version of the Russian article. Machine translation like DeepL or Google Translate is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 2,291 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Russian Wikipedia article at [[:ru:Двенадцать стульев]]; see its history for attribution. You should also add the template {{Translated|ru|Двенадцать стульев}} to the talk page. For more guidance, see Wikipedia:Translation.

The Twelve Chairs

The monument in Odessa
Author	Ilf and Petrov
Original title	Двенадцать стульев
Country	Soviet Union
Language	Russian
Publication date	1928

The Twelve Chairs (Russian: Двенадцать стульев, tr. Dvenadtsat stulyev) is a classic satirical novel by the Odessan Soviet authors Ilf and Petrov, published in 1928. Its plot follows characters attempting to obtain jewelry hidden in a chair. A sequel was published in 1931. The novel has been adapted to other media, primarily film.

Plot[]

In the Soviet Union in 1927, a former Marshal of Nobility, Ippolit Matveyevich "Kisa" Vorobyaninov, works as the registrar of marriages and deaths in a sleepy provincial town. His mother-in-law reveals on her deathbed that her family jewellery was hidden from the Bolsheviks in one of the twelve chairs from the family’s dining room set. Those chairs, along with all other personal property, were taken away by the Communists after the Russian Revolution. Vorobyaninov wants to find the treasure. The “smooth operator” and con-man Ostap Bender forces Kisa to become his partner, as they set out to find the chairs. Bender's street smarts and charm are invaluable to the reticent Kisa, and Bender comes to dominate the enterprise.

The "conсessioners" find the chairs, which are to be sold at auction in Moscow. They fail to buy them and learn that the chairs have been split up for resale individually. Roaming all over the Soviet Union in their quest to recover the chairs, they have a series of comic adventures, including living in a students' dormitory with plywood walls, posing as bill painters on a riverboat to earn passage, bamboozling a village chess club with promises of an international tournament, and traveling on foot through the mountains of Georgia. Father Fyodor (who had known of the treasure from the confession of Vorobyaninov's mother-in-law), their obsessed rival in the hunt for the treasure, follows a bad lead, runs out of money, ends up trapped on a mountain-top, and loses his sanity. Ostap remains unflappable, and his mastery of human nature eliminates all obstacles, but Vorobyaninov steadily deteriorates.

They slowly acquire each of the chairs, but no treasure is found. Kisa and Ostap finally discover the location of the last chair. Vorobyaninov murders^[a] Ostap to keep all the loot for himself, but discovers that the jewels have already been found and used to build the new public recreation center in which the chair was found, a symbol of the new society. Vorobyaninov also loses his sanity.

Themes[]

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The novel, though short, resonates with all the important events of the time. Numerous side characters, places and institutions are caught in a sharp light, sometimes of satire, sometimes of gentle irony: the operations of a Moscow newspaper, the 3% government bonds, New Economic Policy decadence and so on. The two main characters, among other things, are social types: the déclassé Bender is an individualist foreign to both the old, discredited hierarchy of birthright, epitomized by Vorobyaninov, and the new Communist order. A sort of Reynard the Fox specific to the time and setting, Bender claims to know “four hundred comparatively honest ways of relieving the people of their money,” and he has no future in the Soviet Union.

Legacy[]

Sequel[]

Ostap Bender reappears in the book's sequel The Golden Calf, despite his apparent death in Chairs.

Adaptations[]

The novel has inspired at least twenty adaptations in the Soviet Union and abroad:

• The first cinematic adaptation of the novel is the joint Polish-Czech film Dvanáct křesel (1933). The original plot was considerably altered, yet many following adaptations were primarily based on this film rather than on the novel itself (e.g., the former marshal of nobility from the novel was replaced in the Polish-Czech film by a barber who then appeared in several later adaptations).

• In England, the book inspired the film Keep Your Seats, Please (1936), directed by Monty Banks at Ealing Studios and starring George Formby. The action takes place in Britain and involves seven chairs, not twelve.

• In Nazi Germany, the film Thirteen Chairs (1938) is based on the novel. However, the film does not credit the novel's authors.

• Dmitri Shostakovich's unfinished operetta The Twelve Chairs (1939) is based on the novel.^[1]

• In Hollywood, the comedy It's in the Bag! (1945) starring Fred Allen is very loosely based on the novel, using just five chairs.

• A Brazilian version called Thirteen Chairs (1957) stars comedians Oscarito, Renata Fronzi, and Zé Trindade. In this version, the main character, played by Oscarito, inherits his aunt's mansion, which is soon confiscated, leaving him with only 13 chairs. After selling them, he finds out that his aunt had hidden her fortune in the chairs. He then goes on a quest to get the chairs back.

• Tomás Gutiérrez Alea made a Cuban version titled Las Doce Sillas (1962) with Reynaldo Miravalles as Ostap. Set in a tropical context, in this version the hero "sees the light", becomes corrected and joins Cuban revolutionary youth in zafra campaign (sugar cane harvesting).^[2]

• The story also served as the basis for the 1969 film The Thirteen Chairs starring Sharon Tate.

• A Syrian TV series entitled Hamam al-Hana (1968) is based on the premise of this novel. It involves three guys looking for the hidden treasure (a stash of money) all over Damascus, with a chair for every episode. In the last episode, they find the right chair, but the treasure turns out to be old paper money which by then had become useless.

• Mel Brooks made a version titled The Twelve Chairs (1970). His film follows the novel more closely, but with a sanitized happier ending. Frank Langella plays the part of Ostap Bender, Ron Moody plays Vorobyaninov, and Dom DeLuise plays Father Fyodor.

• In the 1970s, two adaptations were made in the USSR: a film in 1971 by Leonid Gaidai with Archil Gomiashvili as Bender and a miniseries in 1976 by Mark Zakharov with Andrei Mironov as Bender.

See also[]

• The Six Napoleons

Notes[]

References[]

External links[]

• The Twelve Chairs (full text), RU: Lib.
• The Twelve Chairs. at the Internet Archive

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