Tina Rivers Ryan

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Tina Rivers Ryan
Born
Tina Rivers[1]
NationalityUnited States of America
Occupationcurator, researcher, art historian
EmployerAlbright–Knox Art Gallery
Websitewww.tinariversryan.com

Tina Rivers Ryan is an American curator, researcher, author, and art historian. Her expertise is in new media art,[2][3] which includes digital art,[4] and internet art.[5] She is an assistant curator at the Albright–Knox Art Gallery in Buffalo, New York since 2017.[2][6][7]

Early life and education[]

Tina Rivers Ryan attended Gulliver Preparatory School in Miami for high school.[1] She has a BA degree from Harvard University,[1] and a PhD from Columbia University. Her dissertation was, 'Lights in Orbit': The Howard Wise Gallery and the Rise of Media in the 1960s (2014), her doctoral advisor was Branden W. Joseph.[8] She worked as a fellow at the Metropolitan Museum of Art.[1]

Career[]

In 2017, Ryan was hired at Albright-Knox Art Gallery in Buffalo, New York.[9][10] Prior to her appointment she previously worked at the New Museum, MoMA PS1, and the Institute of Contemporary Art, Boston.[9] Ryan has researched "time-based media" of the 1960s and 1970s.[11] She has also been involved in the study and research of digital art preservation, including NFTs.[11][12][13][14]

Ryan and co-curator  [Wikidata] organized the 2021 exhibition Difference Machines: Technology and Identity in Contemporary Art at the gallery.[15][16] The Difference Machines exhibition features 17 artists and has a hybrid display design featuring interactivity, the artwork is technical but also accessible to people without technical knowledge, and it exists as a learning space.[17][18] A review in The Brooklyn Rail discussed the exhibition's themes of "the use of digital technologies for passive (but not always effective) surveillance, how identities are shaped by technology, the erasure of marginalized communities, and the active reassertion of control."[19]

Other exhibitions at Albright-Knox she has co-curated include Tony Conrad: A Retrospective (2018), and We The People: New Art from the Collection (2018–2019).[20]

Publications[]

  • Ryan, Tina Rivers (2016). McLuhan's Bulbs: Light Art and the Dawn of New Media. Columbia University.

Co-authored or contributed[]

Exhibition-related[]

  • Blauvelt, Andrew; Castillo, Greg; Choi, Esther; Clarke, Alison (2015). "Toward a Stroboscopic History". Hippie Modernism: The Struggle for Utopia (art exhibition). Tina Rivers Ryan (contributor). Walker Art Center. p. 380. ISBN 9781935963097.
  • Chaffee, Cathleen, ed. (2018). Introducing Tony Conrad: A Retrospective (art exhibition). Rachel Adams (author), Diedrich Diederichsen (author), Branden Wayne Joseph (author), David Grubbs (author), Jay Sanders (author), Constance DeJong (author), Vera Alemani (author), Tina Rivers Ryan (author), Annie Ochmanek (author), Andrew Lampert (author), Christopher Müller (author), Tony Oursler (contributor), Anthony Elms (author), Henriette Huldisch (author), Paige Sarlin (author), Christopher Williams (author). Albright-Knox Art Gallery. ISBN 9783960983361.
  • Tenconi, Roberta; Ryan, Tina Rivers (2020). Matt Mullican: Photographs: Catalogue 1971–2018 (art exhibition). James Welling (photographer), Matt Mullican (artist), Anne Rorimer (contributor), Marie-Luise Angerer (contributor). Milan, Italy: Skira and Hangar Bicocca. ISBN 978-8857241173.
  • Goodeve, Thyrza Nichols; Ryan, Tina Rivers (January 12, 2021). Art, Engagement, Economy: the Working Practice of Caroline Woolard (art exhibition). Patricia C. Phillips (foreword), D. Burnett (contributor), Alison Burstein (contributor), Stamatina Gregory (contributor), Larissa Harris (contributor), Leigh Claire La Berge (contributor), Stephanie Owens (contributor), Cybele Maylone (contributor), Steven Matijcio (contributor), Sheetal Prajapati (contributor), Caitlin Julia Rubin (contributor), Mierle Ukeles (contributor). Eindhoven, Netherlands: Onomatopee Projects. ISBN 978-9493148345.

See also[]

References[]

  1. ^ a b c d "Weddings: Christopher Ryan and Tina Rivers". Daily Freeman. 2014-06-15. Retrieved 2022-01-02.
  2. ^ a b Greenberger, Alex (2021-04-07). "Gene Youngblood, Writer of Influential 'Expanded Cinema' Book, Has Died at 78". ARTnews.com. Retrieved 2022-01-02.{{cite web}}: CS1 maint: url-status (link)
  3. ^ "Nie żyje Gene Youngblood, miał 78 lat". ksiazki.wp.pl (in Polish). 2021-04-08. Retrieved 2022-01-26.
  4. ^ "Why many art collectors are staying away from the NFT gold rush". The Independent. 2021-04-30. Retrieved 2022-01-02.
  5. ^ Westreich, Ava; Moussazadeh, Audrey (May 7, 2021). "Art curator discusses NFTs with students". The Horace Mann Record. Retrieved 2022-01-03.{{cite web}}: CS1 maint: url-status (link)
  6. ^ Galer, Sophia Smith. "How to create an iconic image". bbc.com. Retrieved 2022-01-02.{{cite web}}: CS1 maint: url-status (link)
  7. ^ "Exhibit explores bias encoded in tech". University at Buffalo. October 14, 2021. Retrieved 2022-01-02.{{cite web}}: CS1 maint: url-status (link)
  8. ^ "Twentieth Century Art Dissertations in Progress by Subject, 2014". CAA Reviews. Retrieved 2022-01-03.{{cite web}}: CS1 maint: url-status (link)
  9. ^ a b "Tina Rivers Ryan Appointed Assistant Curator at Albright-Knox Art Gallery". Artforum.com. May 9, 2017. Retrieved 2022-01-02.{{cite web}}: CS1 maint: url-status (link)
  10. ^ Small, Zachary (2021-04-28). "As Auctioneers and Artists Rush Into NFTs, Many Collectors Stay Away". The New York Times. ISSN 0362-4331. Retrieved 2022-01-02.
  11. ^ a b Dunlavy, Adam (2016-12-09). "Topics in Time-Based Media Art Conservation: Tina Rivers Ryan". VoCA | Voices in Contemporary Art. Bobst Library at New York University. Retrieved 2022-01-06.{{cite web}}: CS1 maint: url-status (link)
  12. ^ Lu, Fei (2022-01-06). "Does NFT Art Have A Place In The Museum In 2022?". Jing Culture and Commerce. Retrieved 2022-01-06.{{cite web}}: CS1 maint: url-status (link)
  13. ^ Lawson-Tancred, Jo (2021-06-29). "Tim Berners-Lee said the world wide web was for everyone, so why has he sold its source code as an NFT?". Apollo Magazine. Retrieved 2022-01-26.
  14. ^ Valeonti, Foteini; Bikakis, Antonis; Terras, Melissa; Speed, Chris; Hudson-Smith, Andrew; Chalkias, Konstantinos (January 2021). "Crypto Collectibles, Museum Funding and OpenGLAM: Challenges, Opportunities and the Potential of Non-Fungible Tokens (NFTs)". Applied Sciences. 11 (21): 9931. doi:10.3390/app11219931.
  15. ^ Moran, Jay (2021-12-17). "Albright-Knox Northland exhibition questions technology's influence on the modern world". WBFO. NPR, Western New York Public Broadcasting Association. Retrieved 2022-01-02.{{cite web}}: CS1 maint: url-status (link)
  16. ^ Eppley, Charles (January 4, 2022). "Difference Machines". Rhizome. Retrieved 2022-01-26.
  17. ^ Hall, Lauren (December 28, 2021). "'Difference Machines' exhibit examines the intersection of art and technology". WGRZ. WGRZ-TV. Retrieved 2022-01-03.{{cite web}}: CS1 maint: url-status (link)
  18. ^ "Albright-Knox exhibit highlights technology and identity through art". The Spectrum. Retrieved 2022-01-03.
  19. ^ Kent, Charlotte (2021-12-08). "Difference Machines: Technology and Identity in Contemporary Art". The Brooklyn Rail. Retrieved 2022-01-02.
  20. ^ Reynolds, Emily Ebba. "Tina Rivers Ryan on falling in love with Art History, Navigating Audiences, and Motherhood in the Art World". Cornelia Magazine. Retrieved 2022-01-03.{{cite web}}: CS1 maint: url-status (link)
  21. ^ "Nonfiction Book Review: Delirious: Art at the Limits of Reason, 1950–1980 by Kelly Baum, Lucy Bradnock, and Tina Rivers Ryan". PublishersWeekly.com. Retrieved 2022-01-26.
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