Todor Manojlović

hideThis article has multiple issues. Please help or discuss these issues on the talk page. (Learn how and when to remove these template messages) This article contains wording that promotes the subject in a subjective manner without imparting real information. Please remove or replace such wording and instead of making proclamations about a subject's importance, use facts and attribution to demonstrate that importance. (September 2019) (Learn how and when to remove this template message) This article needs additional citations for verification. Please help by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources:  –  ·  ·  · scholar · JSTOR (September 2019) (Learn how and when to remove this template message) show This article may be expanded with text translated from the corresponding article in Serbian. (September 2019) Click [show] for important translation instructions. View a machine-translated version of the Serbian article. Machine translation like DeepL or Google Translate is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 375 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary Content in this edit is translated from the existing Serbian Wikipedia article at [[:sr:Тодор Манојловић]]; see its history for attribution. You should also add the template {{Translated|sr|Тодор Манојловић}} to the talk page. For more guidance, see Wikipedia:Translation. (Learn how and when to remove this template message)

Todor "Todoš" Manojlović (Veliki Bečkerek, Austria-Hungary, February 17, 1883 – Zrenjanin, Yugoslavia, 27 March 1968) was a poet, playwright, essayist and art critic.^[1] He laid the foundations of modern Serbian drama with his first major work "Centrifugal Player" (1930). He is considered to be an important representative of European values and trends in Serbian culture.^[2]

Family[]

Todor came from the Manojlović family, who lived in Bečkerek in Michael Pupin Street. His parents were attorney Nikola "Niko" Manojlović and Sofija "Soka" Manojlović, née Petrović. They both died of severe illness, after 19 years of marriage. Sofija's sisters Linka Krsmanović and Olga Putić, as well as brother Joca Petrović, immediately took over the responsibilities of caring for them while they were still in their teens.

Education[]

Portrait of Todor Manojlović as a boy

Todor became a recipient of the "Avramović Foundation", one of 50 theological scholarships granted by the Serbian Patriarchate then located in Sremski Karlovci. Beginning in 1894, when he was in junior high at Veliki Bečkerek, he received the 300-florin annual scholarship.^[3]

Early life[]

He first studied law in Nagyvárad (today Oradea, Romania), where he met Hungarian poet Endre Ady. With Ady and those writers and artists gathering around "Holnap" (Tomorrow), a paper in Nagyvárad became his "ticket" into the literary-art world which will completely occupy him for the rest of his life. From 1910 he studied art history in Munich, and from that time he corresponded with Vienna writer Stefan Zweig. The coming pre-war years he spent in Timișoara, Florence, Rome, Venice where he studied history of art.

He graduated from the Faculty of Philosophy, Department of Art History in Basel in 1914.

Career[]

The First World War found him in Italy. In 1916 he went to Corfu as a volunteer and contributor to Srpske Novine and Zabavnik. Between the two world wars, he lived in Belgrade and participated in public life as a cultural worker. Manojlović's poetry was published in the entertainment journal Zabavnik. At the time French historian Gabriel Millet published an excellent study, La Serbie glorieuse, dealing with old Serbian art. Millet's study was published in the prestigious French art magazine L'Art et les Artistes. Manojlović reviewed Millet's study in Zabavnik, praising the French archeologist's high regard for the history of Serbia. As a well-versed art critic, Manojlović also reviewed exhibits in fine arts, and wrote about paintings by Miloš Golubović, Vasa Pomorišac, and Mihajlo Petrov in Letopis Matice srpske in 1926.^[4] However, a well-written study about Claude Debussy revealed that Manojlović was a connoisseur of the musical arts as well. This is even more remarkable having in mind that Debussy opened a new page in the development of French and European music at the time. Therefore, it was no surprise that from 1920 to 1924 Manojlovic held such diverse posts as Opera secretary, then Senate librarian and professor at the Belgrade Art Academy.^[5]

In 1931, he was the editor of Letopis Matice srpske in Novi Sad. Always attracted to writers belonging to the modern movement, he translated Jacques Prevert's poems,^[6] some set to music like those of Milorad Petrović Seljančica.

He collaborated with many literary papers and magazines. He followed artistic events and wrote art criticisms.Manojlović wrote a number of poems, essays, articles and reviews that covered all areas of artistic creativity. His dramatic pieces include Centrifugalni igrač, Katinkini snovi, Nahod Simeon, Opčinjeni kralj, San zimske noći, Comedia dell arte.

In his old days, this "eternal bachelor" spent most of his time in Zrenjanin. He lived together with the unmarried half-sister Vera Putić. He was a life-long member of the Serbian PEN Club, and in his senior years received a series of literary awards.

He died on 27 March 1968, and was buried in a family tomb at the Tomaševac cemetery in Zrenjanin. A memorial plaque was placed on the house where he lived and died.^[7]

See also[]

• List of painters from Serbia
• Rastko Petrović
• Sreten Stojanović
• Prince Bojidar Karageorgevich

References[]