U.S. Marshals (film)

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U.S. Marshals
U.S. Marshals (movie poster).jpg
Theatrical release poster
Directed byStuart Baird
Written byRoy Huggins
John Pogue
Produced byAnne Kopelson
Arnold Kopelson
Starring
CinematographyAndrzej Bartkowiak
Edited byTerry Rawlings
Music byJerry Goldsmith
Production
company
Distributed byWarner Bros.
Release date
  • March 6, 1998 (1998-03-06) (United States)
Running time
131 minutes
CountryUnited States
LanguageEnglish
Budget$45 million
Box office$102.4 million[1]

U.S. Marshals is a 1998 American action crime thriller film directed by Stuart Baird. The storyline was conceived from a screenplay written by Roy Huggins and John Pogue. The film is a spin-off to the 1993 motion picture The Fugitive, which in turn was based on the television series of the same name, created by Huggins. The story does not involve the character of Dr. Richard Kimble, portrayed by Harrison Ford in the initial film, but instead the plot centers on United States Deputy Marshal Sam Gerard, once again played by Tommy Lee Jones. The plot follows Gerard and his team as they pursue another fugitive, Mark Sheridan, played by Wesley Snipes, who attempts to escape government officials following an international conspiracy scandal. The cast features Robert Downey Jr., Joe Pantoliano, Daniel Roebuck, Tom Wood, and LaTanya Richardson, several of whom portrayed Deputy Marshals in the previous film.

The film was a co-production between Warner Bros. Pictures and Kopelson Entertainment. The score was composed by Jerry Goldsmith.

U.S. Marshals premiered in theaters in the United States on March 6, 1998, grossing $57 million in its domestic run. The film took in an additional $45 million through international release for a worldwide total of $102 million. The film was generally met with mixed critical reviews. The film was released on home video on July 21, 1998.

Plot[]

Two Diplomatic Security Service (DSS) agents are killed while trying to intercept a briefcase exchange taking place in a United Nations parking garage. The murders are caught on a security camera, but the criminal escapes with top secret information.

Months later, tow truck driver Mark Warren is arrested for an illegal weapons possession charge following a vehicular collision in Chicago. Through a fingerprint check, the police determine that he is actually federal fugitive Mark Roberts, wanted for a homicide. That night, Roberts boards a prisoner transport aircraft back to New York via Memphis, sharing the flight with Supervisory Deputy U.S. Marshal Samuel Gerard, who is escorting prisoners unrelated to Roberts' case. Roberts thwarts an assassination attempt by a Chinese prisoner with an improvised firearm, but the bullet blows a window that depressurizes the cabin, killing the prisoner and another marshal. The pilots attempt an emergency landing but the damaged plane crashes into the Ohio River in southern Illinois. With the plane sinking, Gerard assists in rescuing fellow marshals and officers while they retrieve the surviving prisoners, but discovers Roberts has escaped. Eight hours later, DSS Special Agent John Royce is assigned to join Gerard's team and other officers to hunt Roberts, much to Gerard's reluctance to his potential in assistance.

Roberts flees to New York City, after escaping a near death encounter with law enforcement, with Gerard and his team cornering him in a swampland in Kentucky. Arriving in New York days later, he secures money, weapons and fake identification from a former fellow US Marine of Force Recon. Roberts begins conducting surveillance on a Chinese diplomat named Xiang Chen. In Chicago, Gerard and the Marshals pursue several leads, including Roberts' girlfriend Marie Bineaux as well as the airplane mechanic who hid the zip gun, whom the Marshals find murdered by Chen. Gerard and his colleagues manage to access surveillance footage of the murders in the parking garage and realize that Roberts acted in self-defense and was wearing gloves; thus he wouldn't have been identified by fingerprints at the scene as was earlier claimed. Confronted with the evidence, DSS Director Bertram Lamb admits to Gerard and his senior supervisor that Mark Roberts is in fact Mark Sheridan, a former CIA Special Activities Division operative and a former Force Recon Marine, that seemingly went rogue during an investigation to uncover a mole within the U.S. State Department that had been selling classified intelligence to the Chinese government. Chen was the contact delivering the money to Sheridan for the information and when DSS agents tried to apprehend him, Sheridan killed them in self-defense and fled the scene.

Eventually, Gerard and his team catch up with Sheridan in Queens Hill Cemetery where he meets with, and threatens to expose, DSS Special Agent Frank Barrows as one of the conspirators who framed him. Chen tries to assassinate Sheridan as he leaves the cemetery, but inadvertently kills Barrows instead. Sheridan escapes to a nearby retirement home followed by Gerard, Royce and Deputy Marshal Noah Newman. Meanwhile, Chen is caught and detained by Deputy Marshals Savannah Cooper and Bob Biggs. At the senior care facility, Newman overhears a physical struggle and walks into a room where he witnesses Royce holding Sheridan at gunpoint. Royce suddenly shoots Newman with his gun and later lies to his associates, claiming Sheridan shot Newman. Sheridan escapes by swinging from the building onto the roof of a passing train. Newman dies of his gunshot wounds en route to the hospital.

After retrieving fingerprints from an abandoned vehicle at a marine loading dock, Gerard tracks down Sheridan on a freighter ship bound for Canada. During a scuffle between Sheridan and Gerard aboard the vessel, Royce shoots Sheridan, injuring him. Sheridan is later taken into custody. Gerard begins to suspect Royce may be the mole when he notices the firearm that shot Newman had its serial number filed off (in an attempt to hide it), was actually Royce's own gun earlier. Left alone to guard Sheridan's hospital room, Royce wakes Sheridan up to murder him, but Gerard steps in, confronts and kills Royce first. After leaving the hospital, Sheridan's charges are dropped as he is exonerated and released. Gerard and his team depart to honor Newman's legacy.

Cast[]

Wesley Snipes, who portrayed Mark Sheridan. a former CIA Special Activities Division operative and a former Force Recon Marine, that went rogue during an investigation to uncover a mole within the U.S. State Department

Production[]

Filming[]

Filming locations included, Metropolis, Illinois; Bay City; Shawneetown; Chicago (all Illinois); New York; Benton, Kentucky; and at Reelfoot Lake, (Walnut Log) in Obion County, Tennessee.[2]

U.S. Marshals: Original Motion Picture Soundtrack
Film score by
Jerry Goldsmith
ReleasedMarch 10, 1998
Length29:44
LabelVarèse Sarabande

Music[]

The original motion picture soundtrack for U.S. Marshals was released by the Varèse Sarabande music label on March 10, 1998.[3] The score for the film was composed by Jerry Goldsmith and mixed by Bruce Botnick. Kenneth Hall edited the film's music.[4]

Release[]

Home media[]

Following its cinematic release, the Region 1 Code widescreen edition of the film was released on DVD in the U.S. on July 21, 1998. Special features for the DVD include; interactive behind-the-scenes documentary – Anatomy of the Plane Crash; historical documentary – Justice Under the Star; feature-length commentary by director Stuart Baird; interactive menus; production notes; two theatrical trailers; three TV spots; and scene access.[5] Additionally, a Special Edition repackaged DVD was also released on November 3, 2009. Special features include; a closed caption option; interactive behind-the-scenes documentary – Anatomy of the Plane Crash; historical documentary – Justice Under the Star; feature length commentary by director Stuart Baird; two theatrical trailers; and three TV spots.[6]

In supplemental fashion, a VHS format version of the film was released on February 2, 1999.[7] A restored widescreen hi-definition Blu-ray Disc version of the film was released on June 5, 2012. Special features include; two documentaries – Anatomy of the plane crash and Justice under the star; commentary by director Stuart Baird; and the theatrical trailer.[8] An additional viewing option for the film in the media format of Video on demand has been made available as well.[9]

Reception[]

Box office[]

U.S. Marshals premiered in cinemas on March 6, 1998 in wide release throughout the United States.[1] During that weekend, the film opened in 2nd place, grossing $16,863,988 at 2,817 locations.[1] The film Titanic was in 1st place during that weekend, with $17,605,849 in revenue.[10] The film's revenue dropped by 32% in its second week of release, earning $11,355,259. For that particular weekend, the film fell to 3rd place with the same theater count. The continuing success of Titanic remained unchallenged in 1st place with $17,578,815 in box office business.[11] During its final week in release, U.S. Marshals was in 60th place, grossing a marginal $16,828 in revenue.[12][13] U.S. Marshals went on to top out domestically at $57,167,405 in total ticket sales through its theatrical run.[1] For 1998 as a whole, the film would cumulatively rank at a box office performance position of 36.[14]

Critical response[]

Among mainstream critics in the U.S., the film received mixed reviews.[15] Rotten Tomatoes gave the film a score of 25% based on reviews from 36 critics, with an average score of 4.93 out of 10. The site's consensus states: "A rote albeit well-cast action thriller, U.S. Marshals suffers badly in comparison to the beloved blockbuster that preceded it."[16] At Metacritic, which assigns a weighted average out of 100 to critics' reviews, U.S. Marshals was given a score of 47 based on 20 reviews.[15] Audiences polled by CinemaScore gave the film an average grade of "A-" on an A+ to F scale.[17]

The result is unconvincing and disorganized. Yes, there are some spectacular stunts and slick special effects sequences. Yes, Jones is right on the money, and Snipes makes a sympathetic fugitive. But it's the story that has to pull this train, and its derailment is about as definitive as the train crash in the earlier film.

—Roger Ebert, writing for the Chicago Sun-Times[18]

Barbara Shulgasser, writing in The San Francisco Examiner, commented in positive sentiment about the acting, saying, "The film's pacing is unimpeachable and good performances are delivered by Jones, Snipes, Irene Jacob as Sheridan's loyal girlfriend and, for brief moments, Kate Nelligan as Gerard's tough but lovable boss."[19] Left impressed, Desson Howe in The Washington Post noted how "Every story beat is expertly planned and executed." Howe also praised director Baird, exclaiming how he "runs the show with a smart eye and a metronome ticking somewhere in his mind."[20] In a mixed to negative review, Russell Smith of The Austin Chronicle bluntly deduced that, "Unlike Kimble, whose innocence and decency are known from the beginning in The Fugitive, Sheridan is a total cipher to both Gerard and the audience until deep into this two-hours-plus film. Ergo, we can't be expected to give a rat's ass what happens to him – and don't."[21] Owen Gleiberman of Entertainment Weekly opined that U.S. Marshals was "Lean, tense, and satisfyingly tricky."[22]

The film however, was not without its detractors. Writing for the Chicago Sun-Times, Roger Ebert, giving the film two and a half stars out of four, observed, "I didn't expect U.S. Marshals to be the equal of The Fugitive, and it isn't. But I hoped it would approach the taut tension of the 1993 film, and it doesn't. It has extra scenes, needless characters, an aimless plot and a solution that the hero seems to keep learning and then forgetting."[18] In a primarily negative review, Mick LaSalle, writing for the San Francisco Chronicle, called the film "a bad idea to begin with." He noted his confusion with the plot, remarking, "the movie tells us from the beginning that the fugitive is not quite innocent. He killed two fellow agents in self-defense. All this does is muddy the moral waters, making us queasy about the one guy we like. At no point is there ever a compelling reason to keep watching."[23] Describing a mild negative opinion, James Berardinelli of ReelViews professed Marshal Gerard as exhibiting "only a token resemblance to the character who doggedly pursued Kimball in The Fugitive. As re-invented here, Gerard is a generic action hero; most of the quirks that made him interesting (and that earned Jones an Oscar) are absent. With a few minor re-writes, John McClane from the Die Hard movies could have been plugged into this role."[24]

Snipes is luckless in the part, which merely demands a lot of scowling, then moving aside to let the stunt double take over. (The movie's other big treat features that nameless individual, who leaps off a building and swings, as if on a bungee cord, to a nearby station roof, then races after the train pulling out and leaps to land upon its roof; that's fun, but it's no movie in itself.)

—Stephen Hunter, writing in The Washington Post[25]

Dissatisfied with the film's quality, Jonathan Rosenbaum of the Chicago Reader said that it was "Not so much a sequel to The Fugitive as a lazy spin-off that imitates only what was boring and artificially frenetic about that earlier thriller; the little that kept it interesting—Tommy Lee Jones's Oscar-winning inflections, better-than-average direction—is nowhere in evidence."[26] Stephen Hunter, writing for The Washington Post, reasoned, "It turns out to be one of those lame double-agent things where everybody's working for everybody else, the security of Taiwan (Taiwan!) is at stake, and it never quite lurches into clarity or acquires any real emotional punch. I didn't think the end of The Fugitive was so great either: Who wants to watch doctors fistfight on a roof? But by the time it winds down, U.S. Marshals has all but destroyed itself."[25] Film critic Maitland McDonagh of TV Guide was not consumed with the nature of the subject matter, declaring, "To every hit there is a season, and a time for every sequel under heaven – no matter what narrative contortions it takes." She later surmised, "The minute Gerard mocks Royce's 'nickel-plated sissy pistol,' it's clear they're headed for a cathartic showdown, and anyone who can't see which member of Gerard's merry band might as well be wearing a 'Dead Meat Walking' T-shirt really shouldn't be allowed to operate complicated machinery."[27]

Other media[]

Novelization[]

A novelization of the film, U.S. Marshals: A Novel, written by Max Allan Collins, was released on March 1, 1998.[28]

See also[]

References[]

  1. ^ Jump up to: a b c d "U.S. Marshals (1998)". Box Office Mojo. Archived from the original on 2021-07-13. Retrieved 2012-12-16.
  2. ^ "U.S. Marshals Production Details". Yahoo! Movies. Archived from the original on 2012-06-14. Retrieved 2012-12-16.
  3. ^ "U.S. Marshals: Original Motion Picture Soundtrack". Amazon. Archived from the original on 2021-07-13. Retrieved 2012-12-16.
  4. ^ "U.S. Marshals: Cast & Crew". MSN Movies. Archived from the original on 2013-06-26. Retrieved 2012-12-16.
  5. ^ "U.S. Marshals (1998) – DVD Widescreen". Barnes & Noble. Archived from the original on 2013-06-16. Retrieved 2012-12-16.
  6. ^ "U.S. Marshals DVD". Barnes & Noble. Archived from the original on 2013-06-16. Retrieved 2012-12-16.
  7. ^ U.S. Marshals [VHS] (1998). ISBN 0790736403.
  8. ^ "U.S. Marshals Blu-Ray". Barnes & Noble. Archived from the original on 2013-06-16. Retrieved 2012-12-16.
  9. ^ "U.S. Marshals VOD Format". Archived from the original on 2016-03-05. Retrieved 2012-12-16.
  10. ^ "March 6-8, 1998 Weekend". Box Office Mojo. Archived from the original on 2012-12-31. Retrieved 2012-12-16.
  11. ^ "March 13-15, 1998 Weekend". Box Office Mojo. Archived from the original on 2015-07-08. Retrieved 2012-12-16.
  12. ^ "U.S. Marshals". The Numbers. Archived from the original on 2013-05-22. Retrieved 2012-12-16.
  13. ^ "July 24-26, 1998 Weekend". Box Office Mojo. Archived from the original on 2013-04-07. Retrieved 2012-12-16.
  14. ^ "1998 DOMESTIC GROSSES". Box Office Mojo. Archived from the original on 2012-11-19. Retrieved 2012-12-16.
  15. ^ Jump up to: a b "U.S. Marshals". Metacritic. CBS Interactive. Archived from the original on 2012-06-07. Retrieved 2012-12-16.
  16. ^ "U.S. Marshals (1998)". Rotten Tomatoes. Flixster. Archived from the original on November 29, 2017. Retrieved May 31, 2018.
  17. ^ "CinemaScore". cinemascore.com. Archived from the original on 2018-01-02. Retrieved 2021-07-13.
  18. ^ Jump up to: a b Ebert, Roger (6 March 1998). "U.S. Marshals". Chicago Sun-Times. Archived from the original on 2008-12-22. Retrieved 2012-12-16.
  19. ^ Shulgasser, Barbara (6 March 1998). Entertaining action in "Marshals' Archived 2013-12-30 at the Wayback Machine. The San Francisco Examiner. Retrieved 2012-12-16.
  20. ^ Howe, Desson (6 March 1998). 'U.S. Marshals' Gets Its Man Archived 2018-01-28 at the Wayback Machine. The Washington Post. Retrieved 2012-12-16.
  21. ^ Smith, Russell (6 March 1998). U.S. Marshals Archived 2013-12-31 at the Wayback Machine. The Austin Chronicle. Retrieved 2012-12-16.
  22. ^ Gleiberman, Owen (1998). U.S. Marshals Archived 2013-12-30 at the Wayback Machine. Entertainment Weekly. Retrieved 2012-12-16.
  23. ^ LaSalle, Mick (6 March 1998). 'Marshals' Way Off The Mark / 'Fugitive' formula fails Jones, Snipes Archived 2013-12-31 at the Wayback Machine. San Francisco Chronicle. Retrieved 2012-12-16.
  24. ^ Berardinelli, James (6 March 1998). U.S. Marshals Archived 2021-07-13 at the Wayback Machine. ReelViews. Retrieved 2012-12-16.
  25. ^ Jump up to: a b Hunter, Stephen (6 March 1998). 'U.S. Marshals' Runs Out of Steam Archived 2016-03-04 at the Wayback Machine. The Washington Post. Retrieved 2012-12-16.
  26. ^ Rosenbaum, Jonathan (March 1998). U.S. Marshals Archived 2015-09-23 at the Wayback Machine. Chicago Reader. Retrieved 2012-12-16.
  27. ^ McDonagh, Maitland (March 1998). U.S. Marshals: Review. TV Guide. Retrieved 2012-12-16.
  28. ^ Collins, Max (1998). U.S. Marshals: A Novel. Berkley Boulevard Books. ISBN 978-0-425-16438-9.

Further reading[]

  • Collins, Max Allan (1998). U.S. Marshals: A Novel. Berkley Boulevard Books. ISBN 978-0-425-16438-9.
  • Sorrento, Matthew (2012). The New American Crime Film. McFarland. ISBN 978-0-786-45920-9.
  • Parish, James (2002). Hollywood Bad Boys : Loud, Fast, and Out of Control. McGraw-Hill. ISBN 978-0-071-38137-6.

External links[]

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