Victor Ehikhamenor

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Victor Ehikhamenor
VICTOR-EHIKHAMENOR-9993.jpg
Born
Udomi-Uwessan, Edo State, Nigeria
NationalityNigerian
EducationAmbrose Ali University, University of Maryland
OccupationVisual artist, writer, photographer.
Websitewww.victorehi.com

Victor Ehighale Ehikhamenor is a Nigerian visual artist, writer, and photographer. In 2017, he was selected (along with three other artists) to represent Nigeria at the Venice Biennale, the first time Nigeria would be represented in the event.[1]

Early life and education[]

Ehikhamenor was born in Udomi-Uwessan, Edo State, Nigeria. He was educated in Nigeria and in the United States. He returned from the United States in 2008 to work in Lagos.

His grandmother was a cloth weaver, his uncle a photographer, his maternal grandfather a blacksmith, and his mother a local artist.[2]

Art and writing[]

His work is strongly influenced by work done by villagers especially his grandmother.[2] He is also inspired by wall paintings and installation arts, mostly in community shrines.[3][4][5] This has been an enduring feature of his work, which is abstract, symbolic and politically motivated; and influenced by the duality of African traditional religion and the interception of Western beliefs, memories and nostalgia.

Ehikhamenor has held numerous solo art exhibitions across the world. In 2016, he was one of 11 Nigerian artists invited to join twenty-three Indonesian artists in the grand exhibition at the Biennale. At the Jogja National Museum, he showed an installation titled "The Wealth of Nations."[2] Ehikhamenor was invited to Art Dubai in March 2018.[6] In July 2018, he was also one of the Nigerian artists selected to meet and exhibit work for visiting French President Emmanuel Macron.[7] The exhibition, organised by ART X Lagos took place at the Afrika Shrine, the nightclub of Femi Kuti.

Ehikhamenor's art and photographs have been used for editorials as well as cover art on books by authors such as Chimamanda Adichie, Helon Habila and Chika Unigwe. They have also been illustrated on fabric and exhibited at international fashion parades.[8]

His debut poetry collection, Sordid Rituals, was published in 2002. His second book, Excuse Me! (2012), a satirical creative non-fiction view of life as an African both at home and abroad, is a recommended text in two Nigerian universities.[9]

He has published numerous fiction and critical essays with academic journals, mainstream magazines and newspapers from around the world including The New York Times, CNN Online, Washington Post, Farafina, AGNI Magazine and Wasafiri. His short story, "The Supreme Command", won the Association of Commonwealth Broadcasters Award in 2003.

He was once described as "undeniably one of Africa's most innovative contemporary artists"[2] and one of "42 African Innovators to Watch".[10]

Comments on Damien Hirst piece[]

On May 8, 2017, while participating in the Venice Biennale, Ehikhamenor first called attention to what he describes as Damien Hirst cultural appropriation of Nigerian Yoruba art.[11] The exhibition of the British artist, called Treasures From the Wreck of the Unbelievable, featured a variety of sculptures meant to be viewed as debris rescued from a shipwreck. But one of the displayed artefacts was a copy of "Ori Olokun", a famous Ife bronze art from the 14th century now described as "Golden heads".

Of the appropriation, Ehikhamenor had posted on Instagram "For the thousands of viewers seeing this for the first time, they won't think Ife, they won't think Nigeria. Their young ones will grow up to know this work as Damien Hirst's. As time passes it will pass for a Damien Hirst regardless of his small print caption. The narrative will shift and the young Ife or Nigerian contemporary artist will someday be told by a long nose critic "Your work reminds me of Damien Hirst's Golden Head. We need more biographers for our forgotten."[12]

His words brought the issue to the forefront on local and international media.[13][14]

Angels and Muse[]

In February 2018, Ehikhamenor opened Angels and Muse, described as "a multi-modal co-working space in Lagos draped with wall murals, stained glasses, and beautiful lighting, making for a stunning visual and immersive experience."[15] The space, also used for artist residencies, is located in the Ikoyi area of Lagos state and contains a ‘multidisciplinary room,' used for "workshop, training, book reading, experimental or conceptual art exhibitions, among other usages."[16] The project was featured on the 10th episode of the Netflix 'Amazing Interiors' series in July 2018.[17]

Book cover designs[]

  • 2003: Feeding Frenzy by Jonathan Luckett
  • 2004: Purple Hibiscus by Chimamanda Adichie
  • 2005: Sky High Flame by Unoma Azuah
  • 2005: English In Africa Journal of the English Department, Rhodes University, South Africa
  • 2007: Measuring Times by Helon Habila
  • 2008: Jambula Tree and Other Stories Anthology of Caine Prize winners and shortlisted writer by Cassava Republic, Abuja Nigeria
  • 2008: Dreams, Miracles and Jazz by Helon Habila and Khadija Sesay
  • 2008: One World Anthology of short stories by New Internationalist Publishers, UK
  • 2008: Of Friends, Money and Greed Anthology of three stories and a play by Hodders Publishers, UK
  • 2009: Songs of Absence and Despair collection of poems by Toni Kan
  • 2009: Salutes without Guns collection of poems by Ikeogu Oke
  • 2010: Christopher Okigbo: Thirsting for Sunlight by Obi Nwakanma
  • 2010: Shahid Reads His Own Palm Poems by Reginald Dwayne Betts
  • 2011: Markets of Memories; Between the Postcolonial and the Transnational by Malik Nwosu
  • 2012: A Splash of Glory by Angela Nwosu
  • 2013: Oil on Water by Helon Habila
  • 2014: Africa in Fragments: Essays on Nigeria, Africa and Africanity by Moses Ochonu
  • 2014: Half of a Yellow Sun- (Movie Edition) by Chimamanda Adichie
  • 2014: Americanah by Chimamanda Ngozi Adichie
  • 2015: Literature and Arts in the African Dispora
  • 2015: Story Collection for Caine Prize for African Writing 2015
  • 2016: New Generation African poets: A chapbook box set (TATU); edited by Kwame Dawes and Chris Abani
  • 2016: The Sound of Things to Come by Emmanuel Iduma
  • 2017: Under the Udala Trees by Chinelo Okparanta (English and French Version)
  • 2018: Reshapig Cultural Policies: Advancing Creativity for Development 2018 UNESCO
  • 2018: The Rape of Shavi by Buchi Emecheta
  • 2018: The Bride Price by Buchi Emecheta
  • 2018: Double Yoke by Buchi Emecheta
  • 2018: In the Ditch by Buchi Emecheta
  • 2018: Head above Water by Buchi Emecheta
  • 2018: The Slave Girl by Buchi Emecheta

Awards and residencies[]

  • 2016: Rockefeller Foundation Bellagio Fellow, Italy[18]
  • 2018: Art Dubai Residency[19]

Exhibitions[]

Solo exhibitions[]

  • 2000: Spirits In Dialogue The Brazilian-American Cultural Institute Gallery, Washington, D.C.
  • 2000: Beyond The Surface Utopia Art/Grill, Washington, D.C.
  • 2001: Discovering the gods Monroe Gallery, Arts Club of Washington, Washington, D.C.
  • 2004: Songs and Stories: Moonlight Delight Utopia Gallery, Washington, D.C.
  • 2005: Talking Walls BB&T Bank, NW Washington, D.C.
  • 2005: Divine Intervention Howard University A J Blackburn Center Gallery, Washington, D.C.
  • 2005: Body Language Utopia Art/Grill, Washington, D.C.
  • 2006: Beyond The River Grenada Embassy, Washington, D.C.
  • 2007: Labyrinth of Memories Didi Museum, Lagos, Nigeria.
  • 2007: Rocks & Roses Victoria Crown Plaza, Lagos, Nigeria.
  • 2008: Invasion of Privacy Jennings Gallery, Washington, D.C
  • 2009: Mirrors and Mirages Terra Kulture Gallery, Lagos, Nigeria
  • 2010: Roforofo Fight: Painting to Fela's Music Bloom Gallery, Lagos Nigeria
  • 2011: Artist Experience Whitespace, Ikoyi Lagos
  • 2011: Entrances & Exits: In search of not forgetting, CCA, Lagos Nigeria
  • 2012: "Crossing the Line" Bloom Gallery, Lagos
  • 2013: Amusing The Muse Temple Muse, Lagos
  • 2014: In The Lion's Lair: Photographing Wole Soyinka Ake Arts and Books Festival, Abeokuta, Nigeria.[20]
  • 2014: Chronicles Of The Enchanted World Gallery of African Art, London
  • 2015: Paperwork: Works on paper Constant Capital Gallery, Lagos
  • 2016 1:54 Contemporary African Art Fair[21]
  • 2017 In the Kingdom of this World, Tyburn Gallery, London[22][23]
  • 2019: Daydream Esoterica Rele Gallery, Lagos

Group exhibitions[]

  • 2001: Patuxent Art League Members Juried Show, Laurel, MD, USA
  • 2001: Same Tree, Different Roots Howard University AJ Blackburn Center Gallery, Washington, D.C., USA
  • 2002: Home of African Concepts Gallery, Kent, WA, USA
  • 2003: Symbols and Metaphors Underwood Studio, Chevy Chase, MD, USA
  • 2004: Memories: 2Griot Joy Smith Gallery, Memphis, TN, USA
  • 2007: Rhythms & Blues Sarah Silberman Gallery, Montgomery College, MD, USA
  • 2008: Black Creativity Museum of Science and Industry, Chicago, IL, USA
  • 2012: Post colonial photo studio Action Field Kodra, Thessaloniki, Greece
  • 2013: Nigeria Now Ake Arts & Book Festival World Bank Exhibition, Nigeria
  • 2014: ARENA Center of Contemporary Art, Torun, Poland
  • 2015: Displacement Fiction and drawings in collaboration with Toby Zielony for German Pavilion, 56th Venice Biennale, Italy
  • 2015: Biennale Jogja XIII, Equator #3 2015, Indonesia
  • 2016: A Place In Time Nirox Foundation Sculpture Park in collaboration with Yorkshire Sculpture Park, Johannesburg, South Africa
  • 2016: Dakart Biennale Curated by Simon Njami[24]
  • 2017 A Biography of the Forgotten, Nigerian Pavilion, 57th Venice Biennale, Venice, Italy [25][26]
  • 2018: 2018 ReSignifications: The Black Mediterranean[27]
  • 2018: International Contemporary Art Exhibition; Armenia
  • 2019: Filam(a)nt – Between the seams; Apt , France
  • 2020: Tomorrow there will be more of us, Stellenbosch Triennale, Stellenbosch, South Africa

References[]

  1. ^ "Meet Peju Alatise, Qudus Onikeku & Victor Ehikhamenor – Artists at Nigeria's Debut at the 57th Venice Biennale". BellaNaija. Retrieved 2017-04-24.
  2. ^ a b c d "Victor Ehikhamenor: The Innovative Maverick of Contemporary African Art", Ventures Africa, 11 May 2016.
  3. ^ "Musing with Victor Ehikhamenor" Nigerianstalk/Kola Tubosun. June 2013.
  4. ^ "The ‘Natural' Artist: Amatoritsero Ede in conversation with Victor Ehikhamenor" MTLS. September 2014.
  5. ^ "Victor Ehikhamenor: Shaped by memory and tribal tradition" Financial Times. March 27, 2015
  6. ^ "Three Nigerian artists, 47 countries for Art Dubai 2018". Retrieved 2018-07-16.
  7. ^ "ART X Lagos exhibits contemporary Nigerian art for President Macron - Vanguard News". Vanguard News. 2018-07-12. Retrieved 2018-07-16.
  8. ^ "The Art of Victor Ehikhamenor, Discovered Through Fashion". Black Fabulousity. 25 February 2015.
  9. ^ guardian.ng https://guardian.ng/contributors/victor-ehikhamenor/. Retrieved 2020-05-18. Missing or empty |title= (help)
  10. ^ "42 African Innovators to Watch", Ventures Africa, 11 May 2016.
  11. ^ Editor, Online (2017-05-10). "Nigerians Express Outrage as British Artist, Damien Hirst, Copies Ife Sculpture Without Giving Credit". THISDAYLIVE. Retrieved 2017-05-10.CS1 maint: extra text: authors list (link)
  12. ^ Frank, Priscilla (2017-05-09). "Damien Hirst Accused Of Appropriating Nigerian Art, Whitewashing History". Huffington Post. Retrieved 2017-05-10.
  13. ^ "5 Reasons It's Important That Victor Ehikhamenor is Calling Out Damien Hirst's Plagiarism". Brittle Paper. 2017-05-29. Retrieved 2018-07-16.
  14. ^ "Victor Ehikhamenor's Latest Work Explores Controversy Through the Lens of Bini Spirituality". OkayAfrica. 2018-02-06. Retrieved 2018-07-16.
  15. ^ "Angels and Muse | Artsy Co-working Space Opens in Lagos". Brittle Paper. 2018-02-20. Retrieved 2018-07-24.
  16. ^ "Ehikhamenor opens artist residency, Angels and Muse". Retrieved 2018-07-24.
  17. ^ "Amazing Interiors | Netflix Official Site". www.netflix.com. Retrieved 2018-07-24.
  18. ^ "Announcing Bellagio Center Residency Award Winners", Africa Center. 11 May 2016.
  19. ^ "Three Nigerian artists, 47 countries for Art Dubai 2018". Retrieved 2018-07-16.
  20. ^ "THE FESTIVAL". www.akefestival.org. Retrieved 2018-07-24.
  21. ^ "Victor Ehikhamenor at 1:54 Contemporary African Art Fair London 2016". www.artsy.net. Retrieved 2018-07-24.
  22. ^ "http://www.tyburngallery.com/exhibition/solo-exhibition-2/". www.tyburngallery.com. Retrieved 2018-07-24. External link in |title= (help)
  23. ^ "The Work of Time: Victor Ehikhamenor's In the Kingdom of This World by Emmanuel Iduma - BOMB Magazine". bombmagazine.org. Retrieved 2018-07-24.
  24. ^ "Biennial of Contemporary African Art, Dak'Art 2018, underway in Senegal - The Nerve Africa". The Nerve Africa. 2018-05-04. Retrieved 2018-07-24.
  25. ^ "Victor Ehikhamenor on the first Nigerian Pavilion at Venice Biennale and Damien Hirst's cultural appropriation". GRIOT. Retrieved 2018-07-24.
  26. ^ Idowu, Torera. "First ever Nigerian Pavilion opens at the Venice Biennale". CNN. Retrieved 2018-07-24.
  27. ^ "ReSignifications: The Black Mediterranean". Retrieved 2018-07-24.

External links[]

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