We Are the Romans

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We Are the Romans
Botch - We Are the Romans.jpg
Studio album by
Botch
ReleasedNovember 1999 (1999-11)[1]
RecordedJune 29 – July 8, 1999
StudioStudio Litho (Seattle, Washington)
GenreMetalcore, mathcore
Length52:35
LabelHydra Head (HH666-41)
ProducerMatt Bayles, Botch
Botch chronology
American Nervoso
(1998) 		We Are the Romans
(1999) 		An Anthology of Dead Ends
(2002)

We Are the Romans is the second and final studio album by American metalcore band Botch. It was originally released in November 1999 through Hydra Head Records,[1] and a remastered two disc edition was later released on September 11, 2007.[2] A Hydra Head repressing of the vinyl was released on October 25, 2011.[3] The repress sold out on pre-order in under 20 minutes.[4]

Recording[]

In 1999, Botch recorded some live demos with Matt Bayles for their second studio album and follow up to American Nervoso. Two months later, Botch returned to Litho Studios with Bayles to record what would become We Are the Romans. The group only had approximately one week to track the album, and according to Knudson, the group "[rushed] to get everything done and do it as well as we wanted to."[5] As a last minute addition to the album, Botch rewrote and rerecorded the song "Frequenting Mass Transit"—originally released on a split release with Murder City Devils—and changed the title to "Frequency Ass Bandit".[6]

Promotion and release[]

We Are the Romans was released in November 1999 through Hydra Head Records on both CD and double LP vinyl formats.[7]

Botch's first show in support of We Are the Romans was the final show for the Seattle venue Rkcndy with The Blood Brothers, Playing Enemy and Kill Sadie in October 1999. The club was an all-ages venue that was being demolished to make way for a hotel. Verellen expressed his admiration for playing all-ages shows stating that, "People go to all-ages shows to see the bands, but people will go to bars... and while they're at the show, they're just hanging out with their friends. That doesn't mean all bar shows are like that, but that's what makes me not want to play bars, basically."[7] In 2000, Botch toured Europe with The Dillinger Escape Plan, and also went on a smaller North American tour later that year.[8] In 2001, Botch performed at Louisville, Kentucky's hardcore festival Krazy Fest 4[9] which also featured Coalesce, Converge, Poison the Well and Harkonen among others.

Lyrics[]

The title of the album was derived from the lyrics to the album's closing track "Man the Ramparts". According to Verellen: "Brian [Cook] thought it'd make a great title, but I thought it was a totally silly gladiator song. The riff is kinda huge, so I was thinking about chariots and fire and stuff like that. It sounds like I pulled the words out of Conan the Barbarian. But then we started talking about the social decline of Western civilization, and how Americans are the new Romans—it's all slaves and Caesars. So we made it work."[6] Bassist Brian Cook, who determined many of the song titles, credits J. G. Ballard's book The Atrocity Exhibition as inspiring themes of "the human body as a landscape, and the way that culture and environment sort of dictates the human body and vice versa."[10]

Reception and legacy[]

Professional ratings
Review scores
SourceRating
AllMusic4/5 stars[11]
Drowned in Sound10/10[12]
Exclaim!favorable[13]
Punknews.org4/5 stars[14]
Stylus MagazineB+[15]
Sputnikmusic4.5/5[16]

The album achieved critical acclaim upon release and would become an influential work of music on the mathcore and metalcore movements.[16][17] Loudwire named the album fifth in its rankings of the 25 best Metalcore albums of all-time[18] and Metal Hammer magazine named it one of the 20 best 1999 metal albums in a 2021 list.[19]

In November 2005, We Are the Romans was inducted into the Decibel Magazine Hall of Fame, with Decibel naming it one of the most influential hardcore albums of the 1990s.[20]

"C. Thomas Howell as the 'Soul Man'" has been described by the band as satirizing Racetraitor and "other bands with these very lofty political ideals that seemed like more a marketing tool for the genre of political hardcore rather than a sincere agenda" (Brian Cook).[10]

Track listing[]

All songs written and arranged by Botch.[21]

No.TitleLength
1."To Our Friends in the Great White North"5:10
2."Mondrian Was a Liar"2:41
3."Transitions from Persona to Object"6:04
4."Swimming the Channel Vs. Driving The Chunnel"4:30
5."C. Thomas Howell as the 'Soul Man'"4:44
6."Saint Matthew Returns to the Womb"3:04
7."Frequency Ass Bandit"4:26
8."I Wanna Be a Sex Symbol on My Own Terms"3:35
9."Man the Ramparts"10:50
10."Thank God for Worker Bees (Remix) (hidden track)"7:27

Remaster bonus disc[]

No. Song title (working titles in italics)[21] Notes[21] Time
1. "To Our Friends in the Great White North" (demo)
"Canada Song" or "Tasting Like a Hot Lunch in Amsterdam" 		We Are the Romans demos
Recorded live on Digital Audio Tape
by Matt Bayles at Studio Litho
May 31, 1999 		5:17
2. "I Wanna Be a Sex Symbol on My Own Terms" (demo)
"Latin Song" 		3:41
3. "Transitions from Persona to Object" (demo)
"Circus Song" or "Saturn Aligned with Mars" 		6:34
4. "Mondrian Was a Liar" (demo)
"Bam Bam and Other Assorted Onamonapeia" 		3:02
5. "Saint Matthew Returns to the Womb" (demo)
"F.I.M.D (Top Secret! Don't Ask!)" 		3:21
6. "C. Thomas Howell as the 'Soul Man'" (demo)
"C. Thomas Howell as the 'Soul Man'" 		4:25
7. "Man the Ramparts" (demo)
"Man the Ramparts for There Are Fair Maidens Aplenty" 		6:33
8. "Saint Matthew Returns To The Womb" (live) Live in Seattle
April 21, 2001 at Graceland 		4:20
9. "Vietmam" (live) 3:13
10. "Transitions from Persona to Object" (live) Live in France
November 11, 1999 		6:01
11. "Hutton's Great Heat Engine" (live) 6:19

Credits[]

Writing, performance and production credits are adapted from the album liner notes.[21]

Personnel[]

Botch[]

Additional musicians[]

  • Sylvia Hehl – vocals on "Man the Ramparts"
  • Logic Probe – manipulation, arrangement of "Thank God for Worker Bees"
    • DuROC
    • Colossus

Production[]

Visual art[]

  • Carrie Whitney – photography
  • Jason Hellmann – photography (live)
  • Dave Knudson – art direction, design
  • John Pettibone – lights

Locations[]

Studios[]

  • Studio Litho – recording (May 31, 1999 (demos), June 29 – July 8, 1999)
  • Avast ��� mixing (July 11–15, 1999)
  • RFI Mastering – remastering (June 5, 2007)

Venues[]

  • Graceland, Seattle, WA, USA – live recording of "Saint Matthew Returns to the Womb" and "Transitions from Persona to Object"
  • unknown venue, Rennes, France – live recording of "Vietmam" and "Hutton's Great Heat Engine"

References[]

  1. ^ Jump up to: a b Simons, Stephanie (October 29, 1999). "Preview: Lakewood's Botch band will help close Rkcndy all-ages club". The News Tribune. Tacoma: The McClatchy Company. p. SL19. ISSN 1073-5860.
  2. ^ "Botch - We Are The Romans [Deluxe]". Punknews.org. Retrieved 2008-01-10.
  3. ^ "BOTCH - We Are the Romans 2xLP repress". Hydra Head Records. 19 September 2011. Retrieved 20 September 2011.
  4. ^ "BOTCH - We Are the Romans 2xLP SOLD OUT". Hydra Head Records. 28 September 2011. Retrieved 28 September 2011.
  5. ^ Bennett 2009, pp. 318–319
  6. ^ Jump up to: a b Bennett 2009, p. 321
  7. ^ Jump up to: a b Simons 1999, p. SL19
  8. ^ Bennett 2007, p. 104
  9. ^ Downey, Ryan. "Botch – Biography". Allmusic. Rovi Corporation. Retrieved April 15, 2011.
  10. ^ Jump up to: a b J. Bennett, "Fallen Empire", Precious Metal: Decibel Presents the Stories Behind 25 Extreme Metal Masterpieces, Albert Mudrian, ed., Da Capo Press, p. 322.
  11. ^ York, William. We Are the Romans - Botch at AllMusic
  12. ^ Diver, Mike (April 1, 2005). "Album Review: Botch - We Are The Romans". drownedinsound.com. Drowned in Sound. Archived from the original on March 23, 2016. Retrieved March 17, 2016.
  13. ^ Sutherland, Sam (September 19, 2007). "Botch We Are The Romans: Deluxe Edition". exclaim.ca. Retrieved March 17, 2016.
  14. ^ Shultz, Brian (September 28, 2007). "Botch - We Are the Romans [reissue]". www.punknews.org. Punknews.org. Retrieved March 17, 2016.
  15. ^ Charity, Al (September 1, 2003). "Botch - We Are The Romans - Review". www.stylusmagazine.com. Stylus Magazine. Retrieved March 17, 2016.
  16. ^ Jump up to: a b Flatley, Ryan (March 21, 2007). "Botch - We Are the Romans (album review 5)". www.sputnikmusic.com. Sputnikmusic. Retrieved March 17, 2016.
  17. ^ Chase, Jesse (November 1, 2005). "Botch – "We Are the Romans"". Decibel Magazine. Retrieved March 22, 2018.
  18. ^ Loudwire metalcore top 25
  19. ^ "The Top 20 best metal albums of 1999". Metal Hammer. Future plc. 21 January 2021. Retrieved 6 March 2021.
  20. ^ Chase, Jesse. "Botch – "We Are the Romans"". Decibel. Retrieved 2018-05-11.
  21. ^ Jump up to: a b c d We Are the Romans [Remaster] (CD booklet). Botch. Hydra Head Records. 2007. HH666–141.CS1 maint: others in cite AV media (notes) (link)

External links[]

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