William Leighton
This article needs additional citations for verification. (September 2014) |
Sir William Leighton (/ˈleɪtən/; c. 1565–1622[citation needed]) was an Elizabethan composer and editor who published The Teares and Lamentacions of a Sorrowfull Soule (1614). He was also a politician.
Family[]
Leighton was first son of William Leighton of (died 1607), of Plaish Hall, Shropshire, who was Chief Justice of North Wales, and of his wife Isabella, daughter of Thomas Onslow of London.[1]
Leighton married Winifred, daughter of Simon Harcourt, by whom he had one son and two daughters.[1]
Leighton seems to have been in poor standing with his own father, who in the latter's will divided his property between William's half-brother and William's then infant son. William was not allowed use of his son's portion unless he gave "good and sufficient sureties". William's biographer 'J.J.C.' suggests it was probably because Leighton had been a follower of Elizabeth I's disgraced favourite the Earl of Essex, to whom Leighton had written letters in 1600.[1]
Career[]
For education, Leighton recordedly attended Shrewsbury School in 1577, followed by admission as a law student to the Inner Temple in 1580.[1]
Leighton served as MP for Much Wenlock in the last Elizabethan parliament in 1601. He was knighted by King James I in 1603. He is recorded as a Gentleman Pensioner in the royal households of Elizabeth I and James I from 1602 to 1606 or 1609.[1]
In 1608 he was sued for debts by Sir William Harmon, and in 1610 was outlawed and imprisoned for debt. He may have still been in prison when Teares and Lamentations was written.[1]
Literary Work[]
Virtue Triumphand [Triumphant], produced in 1603, is believed to have led to his knighthood. It is a eulogy to King James, with allusions to Classical writers and the Bible.[1]
The Teares and Lamentations of a Sorrowfull Soul comprised 55 pieces by 21 composers (among them John Bull, William Byrd, John Dowland and Martin Peerson), including eight by himself. There is a modern edition published by Stainer and Bell and a modern facsimile. Several radio broadcasts have been made but no commercial recording has been carried out yet. The book is historically important because it has parts for an instrumental accompaniment of broken consort and introduces the term "consort song".
References[]
External links[]
- Works by or about William Leighton in libraries (WorldCat catalog)
- English classical composers
- Renaissance composers
- 1560s births
- 1622 deaths
- People of the Elizabethan era
- People from Shropshire
- 16th-century English composers
- 17th-century English composers
- English male classical composers
- English MPs 1601
- British composer stubs