Yvette Biro

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The native form of this personal name is Bíró Yvette. This article uses Western name order when mentioning individuals.

Yvette Biro is a Hungarian-American essayist, screenwriter (April 3, 1930, Budapest)[1][2][3] and Professor Emeritus at New York University Graduate Film School (NYU).

Her early books on the aesthetics of film were first published in her native Hungary, which became handbooks for film-schools in the country. Meanwhile, she worked on a dozen of prizewinning films with noted directors (Miklós Jancsó, Zoltán Fábri, Károly Makk). She was both the founder and the Editor-in-Chief of Filmkultura, the magazine of the democratic opposition.[citation needed]

In the mid-1970s, she was "offered" the chance to emigrate by the Hungarian authorities. After teaching at the Sorbonne in Paris, she moved to the US to teach at the Universities of Berkeley and Stanford, California. In 1982 she was hired as a professor then became Full Professor on the faculty of the Tisch School of the Arts (Film and TV Graduate Division) at NYU where she worked until her retirement in 2007.

She has written books on film which have been translated into several languages. Her numerous essays have been published in professional magazines internationally – Film Quarterly, Études Cinématographiques , Performing Arts Journal, Bianco & Nero, Dædalus, Millennium, and The Village Voice, as well as in online publications.[citation needed]

Works[]

Theory and criticism[]

Scripts[]

  • 1995 - Arrivals and Departures (film, unproduced) - winner of the European Script Fund Award
  • 2003 - The Stone Raft (film)
  • 2006 - Johanna (film)
  • 2008 - Delta (film) - winner of the FIPRESCI Prize in Cannes
  • 2010 - Tender Son
  • 2009 - Judasevangelium, with Kornél Mundruczó (opened at the Hamburg Thalia Theatre in September 2009)
  • 2007/2008 - The Frankenstein Project (European tour including Brussels, Paris, Vienna)

References[]

  1. ^ "Pari Sara Shirazi, New York Public Records Instantly". ClustrMaps.com.
  2. ^ Szabo, Istvan (2004). The Cinema of Central Europe. Wallflower Press. p. 117. ISBN 9781904764205. Retrieved 12 January 2019.
  3. ^ Butler, Susan (1999). "Revising femininity? (September 1983)". In Brittain, David (ed.). Creative Camera: Thirty Years of Writing. Manchester University Press. p. 120. ISBN 9780719058059. Retrieved 12 January 2019.
  4. ^ Beckwith, Stacy N. (1998). "6. Seeing beyond the Delicate: Luis García Berlanga's Novio a la vista". In Talens, Jenaro; Díez, Santos Zunzunegui (eds.). Modes of Representation in Spanish Cinema. U of Minnesota Press. p. 114. ISBN 9780816629756. Retrieved 12 January 2019.
  5. ^ Monaghan, Whitney (2016). Queer Girls, Temporality and Screen Media: Not 'Just a Phase'. Springer. p. 116. ISBN 9781137555984. Retrieved 12 January 2019.

External links[]

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