Élise L'Heureux

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Élise L'Heureux

Élise L'Heureux (born Élise L'Hérault; January 22, 1827 – January 1896) was a photographer from Quebec City, Quebec. Her initial artistic focus was on portraits, typically of children, for which she became known. She expanded to include cartes de visite and landscapes. L'Heureux contributed to documentary photography in the 19th century through her portraits of residents and landscapes of Quebec. She managed her own photography company after her husband died.

Early life[]

Élise L'Heureux married Jules-Isaïe Benoît (dit Livernois)[1] in 1849. The couple established their daguerreotype studio in 1854 in the home of L'Heureux's parents. This business later expanded to include three studios specializing in portraits. L'Heureux took over the business after her husband died of tuberculosis in 1865. A year later she partnered with her son-in-law Louis Bienvenu, creating the Livernois and Bienvenu photography studio.[2]

L'Heureux gave birth to a son, Jules Ernest Benoit (dit Livernois), on August 19, 1851, in Saint-Zéphirin-de-Courval, Quebec. He followed in his parents' footsteps, traveling throughout Quebec taking landscape photos and outdoor group portraits. In 1989, he was one of four 19th-century photographers to be commemorated with a Canadian postage stamp.[3]

Career[]

The Livernois studio in Quebec City

L'Heureux began her career in photography in 1856.[4] She specialized in portraits of children from 1857 to 1858. The business expanded to include three studios. After she and Bienvenu entered into their partnership, the business expanded to include cartes de visite and landscapes in addition to portraits. Many of the studio's works are now owned by the Musée national des beaux-arts du Québec.[2]

The studio had its works featured in L'Opinion publique and Canadian Illustrated News. The partnership with Bienvenu was dissolved in April 1873.[5] Jules Livernois took over the studio until 1952.[6] It went bankrupt in 1979.[7]

Photographic techniques[]

L'Heureux employed photographic techniques including daguerrotype and collodion, or "wet-plate", process and stereoscopy.[8]

Exhibitions[]

Death[]

L'Heureux died in Quebec City in January 1896.[2][9][5]

References[]

  1. ^ "Canada's Documentary Photography Scene – Point of View Magazine". povmagazine.com. Retrieved March 26, 2018.
  2. ^ a b c d "Canadian Women Artists History Initiative : Artist Database : Artists : L'HEUREUX, Élise". cwahi.concordia.ca. Retrieved October 22, 2021.
  3. ^ "BENOÎT, dit Livernois, JULES-ISAÏE". Dictionary of Canadian Biography. Retrieved October 22, 2021.
  4. ^ Bolotenko1, George (1992). A future defined: Canada from 1849 to 1873. Ottawa: National Archives of Canada. p. 128. OCLC 1149216393.
  5. ^ a b c "L'Heureux, Élise" (in French). Répertoire du patrimoine culurel du Québec. Retrieved October 22, 2021.
  6. ^ "Livernois, Jules" (in French). Répertoire du patrimoine culturel du Québec. Retrieved October 22, 2021.
  7. ^ Hammavy, John (2008). Livernois, Jules-Isaïe and Jules-Ernest. Encyclopedia of nineteenth-century photography. ISBN 9780415972352. Retrieved October 22, 2021.
  8. ^ "Les photographes Livernois". HMdb.org. Retrieved October 22, 2021.
  9. ^ Lenman, Robin (2005). Nicholson, Angela (ed.). The Oxford Companion to the Photograph. Oxford University Press. p. 103. doi:10.1093/acref/9780198662716.001.0001. ISBN 978-0-19-172756-6. OCLC 1150964137.

Further reading[]

  • Karel, David (January 28, 1990). Dictionnaire des artistes de langue française en Amérique du Nord: peintres, sculpteurs, dessinateurs, graveurs, photographes, et orfèvres (in French). Presses Université Laval. ISBN 978-2-7637-7235-6.
  • Hannavy, John (December 16, 2013). Encyclopedia of Nineteenth-Century Photography. Routledge. ISBN 978-1-135-87327-1.
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