2009 in film

The year 2009 saw the release of many films. Seven made the top 50 list of highest-grossing films. Also in 2009, the Academy of Motion Picture Arts and Sciences announced that as of that year, their Best Picture category would consist of ten nominees, rather than five (the first time since the 1943 awards).

Years in film
1870s
1880s 1880 1881 1882 1883 1884 1885 1886 1887 1888 1889
1890s 1890 1891 1892 1893 1894 1895 1896 1897 1898 1899
1900s 1900 1901 1902 1903 1904 1905 1906 1907 1908 1909
1910s 1910 1911 1912 1913 1914 1915 1916 1917 1918 1919
1920s 1920 1921 1922 1923 1924 1925 1926 1927 1928 1929
1930s 1930 1931 1932 1933 1934 1935 1936 1937 1938 1939
1940s 1940 1941 1942 1943 1944 1945 1946 1947 1948 1949
1950s 1950 1951 1952 1953 1954 1955 1956 1957 1958 1959
1960s 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969
1970s 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979
1980s 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989
1990s 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999
2000s 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009
2010s 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019
2020s 2020 2021 2022
v t

Evaluation of the year[]

Film critic Philip French of The Guardian said that 2009 "began with the usual flurry of serious major movies given late December screenings in Los Angeles to qualify for the Oscars. They're now forgotten or vaguely regarded as semi-classics: The Reader, Che, Slumdog Millionaire, Frost/Nixon, Revolutionary Road, The Wrestler, Gran Torino, The Curious Case of Benjamin Button. It soon became apparent that horror movies would be the dominant genre once again, with vampires the pre-eminent sub-species, the most profitable inevitably being New Moon, the latest in Stephenie Meyer's Twilight saga, the best the subtle Swedish Let the Right One In and the worst the British horror spoof Lesbian Vampire Killers. Documentaries continued to flourish, introducing us to fascinating new worlds: Afghan TV talent shows (Afghan Star), Australian exploitation cinema (Not Quite Hollywood), haute couture (The September Issue). Animation thrived, the 3-D comeback threatened to become permanent rather than a gimmick, and the two were conjoined in a dozen 3-D animated features, the finest being Pixar's Up. Remakes and sequels abounded, none of any merit. The same went for films based on comic strips and graphic novels. British cinema generally bubbled in the doldrums. The well-acted Fish Tank was overrated, as was the dull costume drama The Young Victoria. The best films by native directors were fuelled by our obsession with soccer (Ken Loach's Looking for Eric and Tom Hooper's The Damned United) or directed by foreigners (New Zealander Jane Campion's Bright Star, and two films by Danes: Nicholas Winding Refn's Bronson and Lone Scherfig's An Education). The most original British film was Christine Molloy and Joe Lawlor's low-key, low-budget Helen, a formally innovative look at provincial life. 2009 was a mostly undistinguished year for Hollywood, with indifferent films from Woody Allen (Vicky Cristina Barcelona), Michael Mann (Public Enemies) and others, and deadly blockbusters such as Angels & Demons and 2012. The Coen brothers, however, were on form, examining their midwestern Jewish roots in A Serious Man, and Kathryn Bigelow's The Hurt Locker was the best film yet about Iraq. From Europe we had several striking revisionist accounts of violent resistance to Nazi occupation in the second world war: Flammen & Citronen (Denmark), Max Manus: Man of War (Norway) and The Army of Crime (France). But they were drowned in the tsunami of Quentin Tarantino's lunatic second world war fantasy Inglourious Basterds. The most likable European picture was the Italian Mid-August Lunch, the directorial debut of 60-year-old Gianni Di Gregorio (screenwriter on Gomorrah), and the three most memorably argumentative and provocative were Paolo Sorrentino's Il Divo, Lars von Trier's Antichrist and Michael Haneke's The White Ribbon. The performances I most enjoyed were impersonations: Meryl Streep's Julia Child (Julie & Julia) and Christian McKay's Orson in Me and Orson Welles."^[1]

Highest-grossing films[]

The top 10 films released in 2009 by worldwide gross are as follows:^[2]

Avatar surpassed Titanic as the highest-grossing film of all time on January 25, 2010.^[3] Avatar then became the first film to earn more than $2 billion at the box office on January 31, 2010.^[4] Avatar was surpassed by Avengers: Endgame as the highest-grossing film of all time on July 21, 2019.^[5] Due to a re-release, Avatar retook the title from Endgame on March 13, 2021.^[6]

Events[]

Awards[]

2009 films[]

The list of films released in 2009, arranged by country, are as follows:

• American films
• Argentine films
• Australian films
• Bengali films
• Bollywood films
• Brazilian films
• British films
• French films
• Hong Kong films
• Italian films
• Japanese films
• Mexican films
• Pakistani films
• Russian films
• South Korean films
• Spanish films
• Tamil films
• Telugu films

Deaths[]

Film Debuts[]

• Gal Gadot – Fast & Furious
• Chris Hemsworth – Star Trek
• Gabby Sidibe – Precious

References[]

External links[]

• 2009 release schedule at Box Office Mojo