Ad for Vitascope Hall, New Orleans, offering "an entirely new series of pictures".
January – In the United States, the Vitascopefilm projector is designed by Charles Francis Jenkins and Thomas Armat. Armat begins working with Thomas Edison to manufacture it.
January 14 – Birt Acres demonstrates his film projector, the Kineopticon, the first in Britain, to the Royal Photographic Society at the Queen's Hall in London. This is the first film show to an audience in the U.K.[1]
July 26 – "Vitascope Hall" opens on Canal Street, New Orleans, the first business devoted exclusively to showing motion pictures at a fixed location [1]
September 28 – The Pathé Frères film company is founded.
October 19 – "Edisonia Hall" in Buffalo, New York, the first building constructed specifically for showing motion pictures. [2]
November 3 - Marius Sestier films the Melbourne Cup, a major sporting event in Australia.
In France, magician and filmmaker Georges Méliès begins experimenting with the new motion picture technology, developing early special effect techniques, including stop motion. Films that year included The Devil's Castle, A Nightmare, A Terrible Night.[4]
William Selig founds the Selig Polyscope Company in Chicago.
Demeny-Gaumont work on a 60 mm format, first known as Biographe (unperforated), then Chronophotographe (perforated).
Casimir Sivan and E. Dalphin create a 38 mm format.
Contrary to myth, Arrival Of A Train At La Ciotat it was not shown at the Lumières' first public film screening on 28 December 1895 in Paris, France: the programme of ten films shown that day makes no mention of it. Its first public showing took place in January 1896.
The first kiss ever on film is in 1896 involving the great Canadian star May Irwin and John C. Rice.
Feeding The Doves
The Kiss, starring May Irwin and John Rice. First kiss on film. May be considered the first romantic film.
William K.L. Dickson[]
Dancing Darkies, an American, short, black-and-white, silentdocumentary film.
Others[]
Le Coucher de la Mariée, a French erotic short film considered to be one of the first erotic films (or "stag party films") made. The film was produced by Eugène Pirou and directed by Albert Kirchner under the pseudonym "Léar".
McKinley at Home, Canton, Ohio, is a silent film reenactment of William McKinley receiving the Republican nomination for President of the United States in September 1896 produced by the American Mutoscope and Biograph Company.