The 2012 Pulitzer Prizes were awarded on April 16, 2012 by the Pulitzer Prize Board for work during the 2011 calendar year. The deadline for submitting entries was January 25, 2012. For the first time, all entries for journalism were required to be submitted electronically. In addition, the criteria for the Pulitzer Prize for Local Reporting has been revised to focus on real-time reporting of breaking news.[1] For the eleventh time in Pulitzer's history (and the first since 1977), no book received the Fiction Prize.[2]
A three-member panel nominated three books, which were then sent to the 20-member Pulitzer Prize Board. Because no book received a majority of the votes from the board members, no prize was given.[3] This was the first time since 1977, and the eleventh time in Pulitzer history that there was no winner in the fiction category.
Maureen Corrigan, a jury member, responded to the board's decision by saying, "We nominated three novels we believe to be more than Pulitzer-worthy – David Foster Wallace's The Pale King, Karen Russell's Swamplandia! and Denis Johnson's Train Dreams. That the board declined to award the prize to any of these superb novels is inexplicable."[3]
Jury member Michael Cunningham wrote a lengthy two-part essay in The New Yorker called "What Really Happened This Year" that described the process of selecting the shortlist titles and reaction to no prize being chosen.[4]
Lev Grossman, book critic for Time, wrote that, "I support the Pulitzer board's decision not to give out an award for fiction this year."[5] He argued that "great" novels are relatively rare, and that there are years in which a "masterpiece" will not be published. He also cautioned against the glut of book awards, writing, "It bothers me to see great work neglected, but it bothers me almost as much to see mediocre books over-praised."
In reaction, The New York Times invited eight literary experts to pick their winners for the prize.[6] The experts and their picks were Sam Anderson and Macy Halford: The Pale King by David Foster Wallace; Maud Newton: Pym by Mat Johnson; : The Year We Left Home by Jean Thompson; Garth Risk Hallberg: The Angel Esmeralda by Don DeLillo; Laila Lalami: State of Wonder by Ann Patchett; Alexander Chee: Silver Sparrow by Tayari Jones, and John Williams: Open City by Teju Cole.
Prizes[]
There were 21 prizes awarded in three categories. The prizes were announced on April 16, 2012.[7] Each prize is accompanied by a payment of US$10,000[8][9] The winners and finalists are listed below.
The Philadelphia Inquirer "for its exploration of pervasive violence in the city's schools".
The Miami Herald "for its exposure of deadly abuses and lax state oversight in Florida's assisted-living facilities for the elderly and mentally ill".
The New York Times "for the work of Danny Hakim and Russ Buettner that revealed rapes, beatings and more than 1,200 unexplained deaths over the past decade of developmentally disabled people in New York State group homes".
The Tuscaloosa News staff "for its enterprising coverage of a deadly tornado".
The Arizona Republic staff "for its comprehensive coverage of the mass shooting that killed six and wounded 13, including Congresswoman Gabrielle Giffords, an exemplary use of journalistic tools, from Twitter to video to written reports and features".
Wisconsin State Journal staff "for its energetic coverage of 27 days of around-the-clock protests in the State Capitol over collective bargaining rights".
Matt Apuzzo, Adam Goldman, Eileen Sullivan and of the Associated Press "for their spotlighting of the New York Police Department's clandestine spying program that monitored daily life in Muslim communities".
Michael J. Berens and Ken Armstrong of The Seattle Times "for their investigation of how a little known governmental body in Washington State moved vulnerable patients from safer pain-control medication to methadone".
and of the Chicago Tribune "for their exposure of a neglectful state justice system that allowed dozens of brutal criminals to evade punishment by fleeing the country, sparking moves for corrective change".
David Kocieniewski of The New York Times "for his lucid series that penetrated a legal thicket to explain how the nation's wealthiest citizens and corporations often exploited loopholes and avoided taxes."
Tom Frank of USA Today for his sharply focused exploration of inflated pensions for state and local employees, enhancing stories with graphic material to show how state legislators pump up retirement benefits in creative but unconscionable ways".
The Wall Street Journal staff "for its tenacious exploration of how personal information is harvested from the cellphones and computers of unsuspecting Americans by corporations and public officials in a largely unmonitored realm of modern life".
David Wood of The Huffington Post "for his riveting exploration of the physical and emotional challenges facing American soldiers severely wounded in Iraq and Afghanistan during a decade of war".
of the Associated Press "for his diligent exposure of federal regulators easing or neglecting to enforce safety standards as aging nuclear power plants exceed their original life spans".
Jessica Silver-Greenberg of The Wall Street Journal "for her compelling examination of aggressive debt collectors whose often questionable tactics, profitable but largely unseen by the public, vexed borrowers hard hit by the nation's financial crisis".
Jeffrey Gettleman of The New York Times "for his vivid reports, often at personal peril, on famine and conflict in East Africa".
The New York Times staff "for its powerful exploration of serious mistakes concealed by authorities in Japan after a tsunami and earthquake devastated the nation, and caused a nuclear disaster".
Thomson Reuters staff for "its well-crafted reports on the momentous revolution in Libya that went beyond battlefield dispatches to tell the wider story of discontent, conflict and the role of outside powers".
John Branch of The New York Times for Derek Boogaard: A Boy Learns to Brawl, "his deeply reported story of Derek Boogaard, a professional hockey player valued for his brawling, whose tragic story shed light on a popular sport's disturbing embrace of potentially brain-damaging violence".
of The Virginian-Pilot (Norfolk, Virginia) for A Chance in Hell, "her inspiring stories that bring the reader side-by-side with the medical professionals seeking to save the lives of gravely injured American soldiers at a combat hospital in Afghanistan".
Mary Schmich of The Chicago Tribune "for her wide range of down-to-earth columns that reflect the character and capture the culture of her famed city".
Nicholas Kristof of The New York Times "for his valorous columns that transport readers into dangerous international scenes".
Steve Lopez of the Los Angeles Times "for his engaging commentary on death and dying, marked by pieces on his own father's rapid physical and mental decline".
Wesley Morris of The Boston Globe "for his smart, inventive film criticism".
Philip Kennicott of The Washington Post "for his ambitious and insightful cultural criticism, taking on topical events from the uprisings in Egypt to the dedication of the Ground Zero memorial".
"for work appearing on ArtsJournal.com that reveals passion as well as deep historical knowledge of dance".
and of Bloomberg News "for their analysis of and prescription for the European debt crisis, dealing with important technical questions in ways that the average readers could grasp".
, Joni James, and Robyn Blumner of Tampa Bay Times (Tampa, Florida) "for editorials that examined the policies of a new, inexperienced governor and their impact on the state".
and Michael Townsend, of The Burlington Free Press (Burlington, Vermont) "for their campaign that resulted in the state's first reform of open government laws in 35 years".
Matt Wuerker of POLITICO "for his consistently fresh, funny cartoons, especially memorable for lampooning the partisan conflict that engulfed Washington."
Matt Bors, syndicated by Universal Uclick "for his pungent work outside the traditional style of American cartooning"
Jack Ohman, The Oregonian (Portland, Oregon) "for his clever daily cartoons and a distinctive Sunday panel on local issues in which his reporting was as important as his artistic execution".
Massoud Hossaini of Agence France-Presse "for his heartbreaking image of a girl crying in fear after a suicide bomber's attack at a crowded shrine in Kabul".
Carolyn Cole and of the Los Angeles Times "for their illumination of epic disasters in Japan, documenting the brutality of nature as well as the durability of the human spirit".
John Moore, , and Chris Hondros of Getty Images "for their brave coverage of revolutionary protests known as the Arab Spring".
Craig F. Walker of The Denver Post "for his compassionate chronicle of an honorably discharged veteran, home from Iraq and struggling with a severe case of post-traumatic stress".
David Guttenfelder, , and of the Associated Press "for their extraordinary portrayal of daily life inside the reclusive nation of North Korea".
of the Los Angeles Times "for her poignant portrait of the suffering by desperate families and misunderstood children who live with autism".