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The "Alabama Song" is from the Brecht-Weill opera The Rise and Fall of the City of Mahagonny (1930) and has been recorded by, among others, The Doors. Faithfull would re-record the song in a year, accompanied this time by Dennis Russell Davies conducting the Vienna Radio Orchestra.
"Pirate Jenny" was introduced by Roma Bahn in the original Berlin production of The Threepenny Opera on 31 August 1928. It has since been recorded by artists as diverse as Lotte Lenya, Nina Simone, Betty Buckley, and actress Ellen Greene. Faithfull would re-record the song in a year, accompanied this time by Dennis Russell Davies conducting the Vienna Radio Orchestra.
Lotte Lenya's German-language recording of the "Salomon Song" (also from The Threepenny Opera) is featured on the soundtrack for the film The Savages (2007). She was to have introduced the song in the original 1928 Berlin staging of Threepenny, however, it was cut from the show prior to opening night. (It has subsequently been restored.)
"Boulevard of Broken Dreams" had previously been recorded by Faithfull on her 1987 album Strange Weather.
"Complainte de la Seine" is performed in the original French.
"Mon Ami, My Friend" was first introduced by Paula Miller in the original Broadway production of Johnny Johnson, Kurt Weill's first musical written for the Broadway stage. Miller went on to marry the musical's director, Lee Strasberg.
"Falling in Love Again" was introduced in German as "Ich bin von Kopf bis Fuß auf Liebe eingestellt" by Marlene Dietrich in Josef von Sternberg's cinematic masterpiece Der blaue Engel (1930). It has been recorded many times, most notably by Kevin Ayers, but also Nina Simone, William S. Burroughs, Billie Holiday, and Doris Day, among others.
"Mack the Knife" is the moritat from The Threepenny Opera, where it was introduced in the original Berlin production by Kurt Gerron. Faithfull performs it here in Irish playwright Frank McGuiness's English language translation (as she does all the Threepenny material on the album), as she had recently performed the role of Jenny in a staging of the McGuiness translation at the Gate Theatre in Dublin. ("Mack the Knife" was, of course, famously recorded in the Marc Blitzstein translation by the likes of Bobby Darin, Louis Armstrong, and Ella Fitzgerald.)
"Don't Forget Me" first appeared on the Harry Nilsson-John Lennon collaboration, Pussy Cats (1974), which was produced by Lennon during his "Lost Weekend" phase. The song has also been covered by Joe Cocker on his album I Can Stand a Little Rain (1974) and by Tony Award nominated actress and cabaret chanteuse Sharon McNight, as well as American alt-country chanteuse Neko Case.
"Street Singers Farewell" is the Frank McGuiness translation of Brecht's final verses of the moritat which were written as the ending to G.W. Pabst's film version of Die Dreigroschenoper (1931).