A Hazard of New Fortunes

From Wikipedia, the free encyclopedia
A Hazard of New Fortunes
A Hazard of New Fortunes.jpg
1890 Harper & Brothers edition
AuthorWilliam Dean Howells
CountryUnited States
LanguageEnglish
GenreLiterary realism
Publication date
1889
Media typePrint (Hardcover
Pages558 (first edition)

A Hazard of New Fortunes is a novel by William Dean Howells.

Characters[]

  • Basil March – Businessman from Boston who moves to New York city to start a new periodical.
  • Isabel March – Wife of Basil March who follows him to New York City
  • Fulkerson – Hopeful and charismatic entrepreneur who claims to originate the idea of Every Other Week.
  • Colonel Woodburn – Wealthy Virginia resident who was a colonel for the Confederacy in the American Civil War. He believes slavery could work if they made the system more efficient.
  • Berthold Lindau – German-born member of the lower class. He fought for the north in the Civil War and lost his hand. He advocates for workers' rights and socialism.
  • Mr. Dryfoos – Rich Midwesterner who made his money on natural gas. He is anti-union and bankrolls Every Other Week as a way to encourage his son to go into business.
  • Conrad Dryfoos – The son of Mr. Dryfoos. He works at Every Other Week because of his father, who is trying to persuade him to become a businessman instead of an Episcopalian priest. He enjoys helping those who are less fortunate.
  • Angus Beaton – An artist for Every Other Week. He is in love with Alma Leighton.
  • Alma Leighton – A young aspiring artist who contributes drawings to Every Other Week.
  • Margaret Vance – A New York society girl who leads a non-traditional life engaging in charity work and, by the end of the book, becomes an Episcopalian nun. Plays banjo.

Plot summary[]

The title A Hazard of New Fortunes is a reference to William Shakespeare's King John. King John portrays the themes of uncertainty, change, and violence, all of which are also important to A Hazard of New Fortunes.[citation needed]

The book, which takes place in late 19th century New York City, tells the story of Basil March, who finds himself in the middle of a dispute between his employer, a self-made millionaire named Dryfoos, and his old German teacher, an advocate for workers' rights named Lindau. The main character of the novel, Basil March, provides the main perspective throughout the novel. He resides in Boston with his wife and children until he is persuaded by his entrepreneurial friend Fulkerson to move to New York to help him start a new magazine, where the writers benefit in a primitive form of profit sharing. After some deliberation, the Marches move to New York and begin a rather extensive search for a perfect apartment. After many exhausting weeks of searching, Basil finally settles on an apartment full of what he and his wife refer to as "gimcrackery"—trinkets and decorations that do not appeal to their upper-middle-class tastes.

Work at the new magazine, entitled Every Other Week begins. The magazine is bankrolled by a millionaire named Dryfoos, who became wealthy after discovering natural gas on his farm in the Midwest, and who is now making money on Wall Street. Dryfoos gives his son, Conrad, the job of business manager for the magazine in order to try to dissuade him from becoming an Episcopalian priest. An artist by the name of Angus Beaton, an old friend of Fulkerson's, is chosen to head the art department. Beaton chooses Alma Leighton, for whom he has feelings, to illustrate the cover of the first issue. Berthold Lindau, an old friend of Basil March's (and his former German teacher) and a veteran of the American Civil War, becomes the translator. Lindau knows many languages, so he selects and translates Russian, French, and German stories to publish in the magazine. Lindau lost his hand in a Civil War battle, fighting for the North because he was a strong abolitionist and an idealistic American immigrant.

Colonel Woodburn, a wealthy Southerner, and his daughter move to New York and become involved with the newspaper when their social circle connects with the magazine's through Alma Leighton; they board with Alma Leighton and her mother. Fulkerson decides that he would like to publish some of Colonel Woodburn's pro-slavery writings in Every Other Week, because he believes it would sell more copies of the new magazine. At a dinner banquet, the political views of Dryfoos the capitalist, Lindau the socialist, and Colonel Woodburn the pro-slavery advocate clash. Lindau fiercely criticizes Dryfoos, expressing his harshest feelings in German to March, because he does not think anyone else at the table speaks German. Later we learn that Dryfoos (of Pennsylvania-Dutch background) speaks German, and he was insulted by Lindau's comments.

In the end of the book, the New York City streetcar drivers strike. The strike, similar to the Haymarket affair, turns into a riot. Conrad Dryfoos, already a humanitarian helping the poor and working class, is charmed by the lovely Margaret Vance, who shares his values of charity. She encourages Conrad to try to end the strike by telling all sides to desist. While attempting to stop a policeman from beating the aged and disabled Lindau, Conrad is fatally shot. March emerges from a streetcar to see the fallen men lying on the street next to each other. Dryfoos grieves the loss of his son. After further amputation of his already disabled arm, Lindau dies with Margaret Vance at his side. Dryfoos sells the magazine to Fulkerson and March for an extremely low price and takes his remaining family to Europe. Fulkerson moves into the apartment above the magazine with his new wife, Colonel Woodburn's daughter. The Marches pass Margaret Vance on the street; she has become an Episcopalian nun.

Publication history and response[]

A Hazard of New Fortunes was first released as a serial in Harper's Weekly between March 23 and November 16, 1889.[1] It first published in book form by Harper & Bros. in 1890, and the book was well-received for its portrayal of social injustice. Considered by many to be his best work, the novel is also considered to be the first novel to portray New York City.[2] One contemporary review for the New York Times noted, "there is nothing lost of the vivacity that makes Mr. Howells's novels come like holidays among the novel-reading public" and, though generally praising, notes that the social questions are "left necessarily unresolved".[3]

Some[who?] argue that the novel was the first of three Howells wrote with Socialist and Utopian ideals in mind: The Quality of Mercy in 1892, and An Imperative Duty in 1893. In this novel, although Howells briefly discusses the American Civil War, he primarily deals with issues of post-war "Gilded Age" America, like labor disputes, the rise of the self-made millionaire, the growth of urban America, the influx of immigrants, and other industrial-era problems. Many critics consider A Hazard of New Fortunes to be one of Howells' most important examples of American literary Realism because he portrays a variety of people from different backgrounds.

References[]

  1. ^ Abeln, Paul. William Dean Howells and the Ends of Realism. New York: Routledge, 2005: 31. ISBN 0-415-97096-2
  2. ^ Lopate, Phillip. "Introduction: William Dean Howells and the Discovery of New York." Introduction. Howells, William Dean. A Hazard of New Fortunes. Penguin, 2001: v. ISBN 0140439234
  3. ^ Abeln, Paul. William Dean Howells and the Ends of Realism. New York: Routledge, 2005: 35. ISBN 0-415-97096-2

External links[]

Retrieved from ""