Alexandre Trauner

Alexandre Trauner

Alexandre Trauner (born Sándor Trau; 3 August 1906 in Budapest, Hungary – 5 December 1993 in Omonville-la-Petite, France) was a production designer.

After studying painting at Hungarian Royal Drawing School, he emigrated to Paris in 1929, where he became the assistant of set designer Lazare Meerson, working on such films as À nous la liberté (1932) and La Kermesse héroïque (1935). In 1937, he became a chief set designer.^[1]

Trauner worked with director Marcel Carné for some years on such films as Quai des brumes (1938), Le Jour se lève (1939), and Les Enfants du paradis (1945).

He designed sets for The Apartment (1960) directed by Billy Wilder and other Wilder films,^[2] John Huston's The Man Who Would Be King (1975), Joseph Losey's Don Giovanni (1979), and Luc Besson's Subway (1985).

In 1980, he was a member of the jury at the 30th Berlin International Film Festival.^[3]

Selected filmography[]

• Ciboulette (1933)
• Another World (1937)
• Woman of Malacca (1937)
• Children of Paradise (1945)
• Mollenard (1938)
• Hotel du Nord (1938)
• Port of Shadows (1938)
• The Curtain Rises (1938)
• Gates of the Night (1946)
• The Misfortunes of Sophie (1946)
• La Marie du port (1950)
• Juliette, or Key of Dreams (1951)
• Miracles Only Happen Once (1951)
• Rififi (1955)
• Lady Chatterley's Lover (1955)
• The Light Across the Street (1956)
• Mademoiselle Striptease (1956)
• The Apartment (1960)
• One, Two, Three (1961)
• Once More, with Feeling! (1960)
• Behold a Pale Horse (1964)
• How to Steal a Million (1966)
• The Night of the Generals (1967)
• A Flea in Her Ear (1968)
• The Private Life of Sherlock Holmes (1970)
• The Man Who Would Be King (1975)
• Fedora (1978)
• The Fiendish Plot of Dr. Fu Manchu (1980)
•  [hu] (1983)

See also[]

• Art Directors Guild Hall of Fame

References[]

External links[]

Wikimedia Commons has media related to Alexandre Trauner.

• Alexandre Trauner at IMDb
• Trauner's official web site