Bahman Mohasses

Bahman Mohassess
Born	(1931-03-01)1 March 1931 Rasht, Iran
Died	28 July 2010(2010-07-28) (aged 79) Rome, Italy
Nationality	Iranian
Alma mater	Tehran University of Art
Known for	Painter, sculptor, translator, theatre director
Spouse(s)	Nezhat-al-Molook Mohasses ​ ​ (m. 1978; died 1998)​
Website	Official website

Bahman Mohassess (Persian: بهمن محصص, March 1, 1931 – July 28, 2010) was an Iranian painter, sculptor, translator, and theatre director. His oeuvre comprises paintings, sculptures and collages. His works are highly collected and extremely rare. Known as "the irreverent"^[1] artist, Mohasses is said to have destroyed many of his own works, and those that become available at auction are now highly sought after.^[2] Mohassess was the most prominent artist who was openly gay in Iran which is still stigmatized.^[3]

Early life[]

Bahman Mohasses was born in 1931 in Rasht, Iran. The Mohasses house consisted of approximately 15 families who were land owners of Lahijan and were in the trade of tea and silk and lived in the Pordsar neighborhood of Lahijan. According to Hossein Mahjoobi, "All Mohasseses had strange personalities, but Bahman seemed to be the most complex and unique of them."^[4] In his autobiographical documentary Fifi Howls from Happiness, Mohasses mentions that he is descended from the Mongols on his father's side and the Qajars on his mother's side.

At age 14 he learned painting by apprenticing with ,^[5] who had studied at the Russian Academy of Arts. He moved with his family from Rasht to Tehran, where he attended Tehran's Faculty of Fine Arts. During the same period he joined the "Cockfight Art and Culture Society" (Anjoman-e Khorous Jangi), established by Jalil Ziapour, and was, for some time, the editor of the literary and art weekly "Panjeh Khoroos" (Rooster Foot).^[6] Through this period, he was part of an avant-garde artistic movement, which included his good friend Nima Yooshij, known as the 'father of modern Persian poetry'; along with Sohrab Sepehri, Houshang Irani and , who were all considered progressive artists of their time.^[7] In 1954 he moved to Italy to study at the Fine Art Academy of Rome.^[6]

Personal life[]

In 1977, he married Nezhat-al-Molook, the daughter of his father's cousin, who was a teacher in Bandar-e-Anzali and later became the head of the Teaching College for Women. She died of brain cancer around 1998.^[8]

Mohasses said he was proud of his homosexuality and lived it fully. The stigma associated with his homosexuality affected his reception in Iran, where his work was exhibited with those of Francis Bacon, another gay painter, only in 2017, albeit these works being in storage of Tehran museum for decades.^[9][10] He was a cousin of the celebrated Iranian illustrator and cartoonist, Ardeshir Mohasses, residing in New York.^{[citation needed]}

Career[]

Chairs by Bahman Mohasses

He returned to Iran in 1964 and participated in Venice, São Paulo and Tehran Biennale. Mohasses directed plays, including Pirandello's Henry IV at Goethe Institute and Hall in Tehran. He also translated books of a number of authors, including Eugène Ionesco, Malaparte and Pirandello.

He stayed in Iran until 1968, before returning to Rome, where he received commissions for statutes to be placed in Tehran. Some of his public works in Iran were destroyed or damaged after the Islamic Revolution, with the artist subsequently destroying all his remaining works in Iran.^[5] He occasionally travelled to Iran and died in self-imposed seclusion in Rome in 2010.

Legacy[]

"Irreverent and uncompromising, a gay man in a hostile world, Mohassess had a conflicted relationship with his homeland—revered by elites in the art scene and praised as a national icon, only to be censored later by an oppressive regime. Known for his iconoclastic art as well as his scathing declarations, Mohasses abandoned the country over 30 years ago for a simple, secluded life in Italy."^[11] Mohasses, unlike many of his contemporaries, did not make references to Persian artistic traditions and had a modern outlook. His paintings and sculptures depicted mythical Minotaurs and creatures out of nightmares in vast deserts of hopelessness.^[6] After the Iranian revolution of 1979 he destroyed some of his work.

In the marketplace, his artworks range from US$50,000 up to $1M USD for the extremely rare pieces that are thought to have been destroyed, aside from a couple that are owned by private collectors, such as his painting "Requiem Omnibus". Many of his surviving pieces have been kept privately by collectors. Some of his most sought after and popular paintings (among others) are "Fifi Howls from happiness" and "Requiem Omnibus" (death of Martin Luther King ), which are supposedly owned by a private collectors.

In the media[]

In 2013, Mitra Farahani wrote and directed the documentary Fifi Howls from Happiness (original title: Fifi az khoshhali zooze mikeshad) in which she interviews Bahman Mohasses in the room of the hotel he had secluded himself. The film, which ends abruptly with Mohasses beginning to die from lung cancer literally on camera, explores the enigma of this provocative artist and presents a "final biography, in his own words and on his terms."^[11]

See also[]

• Culture of Iran
• Islamic art
• Iranian art
• List of Iranian artists

References[]

Further reading[]

Behpoor, Bavand (2014). "Introduction to "The Nightingale's Butcher Manifesto" and "Volume and Environment II"". Artmargins. 3 (2): 118–128. doi:10.1162/ARTM_a_00084. S2CID 57565943.

External links[]

• Fifi Howls from Happiness at IMDb
• Select works on Artnet
• Fifi Howls from Happiness at Rotten Tomatoes
• "Ibrahim Golestan, Bahman Mohasses and Fifi Howls from Happiness" (in Persian)
• "Biography of Bahman Mohasses" (in Persian)
• "Mohasses, Progressive and Recluse" (Mohasses' obituary on BBC Persian) (in Persian)