Beyond the Door III

Beyond the Door III
Directed by	Jeff Kwitny
Written by	Sheila Goldberg
Produced by	Ovidio G. Assonitis
Starring	Mary Kohnert Bo Svenson
Cinematography	Adolfo Bartoli
Edited by	Alberto Moriani
Music by	Carlo Maria Cordio
Production company	Epic Productions
Distributed by	RCA/Columbia Pictures Home Video
Release date	1989
Running time	94 minutes
Country	Italy
Language	English

Beyond the Door III (also known as Amok Train and Death Train)^[1] is a 1989 Italian horror film directed by Jeff Kwitny. This third and final film is a part of the Beyond the Door trilogy, and like its predecessor Beyond the Door II, is a sequel in-name-alone.^[1]

Plot[]

A group of American students travel to Yugoslavia including, Beverly Putnic (), and meet up with a local professor, Andromolek (Bo Svenson), to bear witness to a sacred pagan ritual that is only performed once every one hundred years. Back in Los Angeles, Beverly's mother (Victoria Zinny) is beheaded by a construction beam as she drives away from the airport after dropping Beverly off, in an apparent freak accident, but a telegram to notify Beverly of this is intercepted and destroyed by the professor.

The students are all taken by boat to a remote village and are placed in ramshackle rooms that the villagers then nail shut in the night, mark with blood, and set on fire. The doors are rickety, however, so the students all escape except for one who burns up in his bed, and decide to escape from the village and hop on a passenger a train. Two students are left behind when they fall from the train.

However, the train is soon possessed and is determined to reunite the young people with their horrifying fates. The driver of the train is beheaded by the cowcatcher on the front of the train, the engineer is dragged into the steam engine and burnt alive, and the conductor is crushed to death when the steam engine disconnects itself from the passenger cars, leaving the students alone on the runaway train. The evil train thirsts for blood and soon the students begin dying horrible, gruesome deaths. The two students who fell from the train are eventually run over by it in a swamp as it jumps off its tracks and then returns to those same tracks undamaged and unslowed. The Yugoslav train authority makes some efforts to stop the train, but these efforts have no effect whatsoever. The train collides with another train standing in its way causing an explosion but without even scratching its own paint, and proceeds to zoom along until it reaches the profane altar where its own destiny is fulfilled: Beverly has been marked by birth for an eternity as Satan's bride.

Beverly, however, manages to have sex with an 11th-century monk named Marius (Igor Pervic) who is also riding the train, making her unfit as Satan's bride. Since Marius is long since dead, he also vanishes, but not before returning to Beverly a book that her mother gave her when she boarded the plane in Los Angeles a few days prior. Beverly then returns alone to America, homesick, after her adventure of about two or three days in a foreign country. However, as the plane flies through a storm, Satan's arm crashes through the window beside Beverly and tries to drag her out of the plane. A stewardess then wakes Beverly from her dream, who tells the airline employee, "I just want to go home".^[1]

Production[]

After producing The Curse, Assonitis and his company TriHoof Investments began production on The Bite and The Train. The screenplay for The Train was written by Shelia Goldberg, who wanted to do a horror version of Runaway Train. Producer Assonitis then hired Jeff Kwitney to direct based on his previous film, Iced (1988). Kwitney asked James Cameron for advice, as Cameron had directed Piranha II: The Spawning in 1982, and Cameron advised him not to do the film; but Kwinty had no other film offers at the time and accepted anyway.^[2]

The film was shot in and around Belgrade in 1989 when civil war was raging in Serbia. The film was shot at a fast pace, and the cast and crew often put in 18-hour days, and because of the situation in the country, some of the labourers on the crew were paid as little as one dollar a day. Shooting with the real steam engine took almost three weeks and shot on a live railway line, director Kwitney recalled: "We had a steam train that was at our disposal that we rented from the Yugoslavian government that we could do whatever we wanted with it. We had a blast! The problem was that you’d have a scene where the real train was coming down the tracks, but then I’d need to have it back up to shoot another take, but it would take an hour, because to back up a train and to get it going again would take about an hour."^[3]

The special effects of the gory deaths and the train leaving the rails were shot in Rome by a separate unit headed up by Angelo Mattei. Kwitney was not present for the effects shooting and has expressed disappointment in their execution: "The effects in that movie, and the train model, are just atrocious."^[4]

After the film was completed, the film was retitled Amok Train, a title used by distributors in Europe and Asia. However, the American distributors, who had also bought the right to The Bite distributors, retitled the film to Beyond the Door III in an effort make a connection to the success of Beyond the Door. The Bite was also retitled to Curse II: The Bite to capitalise on the success of The Curse.^[5]

Release[]

Shriek Show DVD Cover

Released on VHS and Laserdisc in 1989 by RCA/Columbia Pictures Home Video.

The film was released on Region 1 DVD by Shriek Show. Though the alternate title Amok Train is present on the box art (see left), the title card on the film itself is still Beyond the Door III. ^[1]

References[]

External links[]

• Beyond the Door III at IMDb

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