Bond Electraglide

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Bond Electraglide
TypeGuitar manufacturer
IndustryMusical instruments
Guitar manufacturer
GenreGuitar
FoundedScotland Muir of Ord (1984)
FounderAndrew Bond
Area served
Worldwide
Key people
Andrew Bond, Ian Flooks
ProductsCarbon fibre electric guitars
OwnerAndrew Bond
Footnotes / references
Company ran from 1984 to 1986. Founder Andrew Bond died in 1999
Bond Electraglide Tremolo
Bond Electraglide Tremolo

The Bond Electraglide was a carbon fibre electric guitar manufactured by Bond Guitars between 1984 and 1985. It resembled a matte-black, 3-pickup Gibson Melody Maker (although with the 1962 onwards double cut-away), with a unique stepped phenolic resin fingerboard instead of traditional frets. Pickup switching, volume and tone controls were completely digital, powered by a large internal motherboard.

The player selected pickups via five pushbuttons; volume, treble and bass were incremented numerically via digital rocker switches, confirmed by a three-colour LED readout.

The guitar required an external power supply pack and given the state of engineering at the time, was relatively bulky; it never really caught on in the marketplace and only about 1400 units were ever manufactured.[1]

British guitarist Mick Jones is known to have used a Bond Electraglide with his band Big Audio Dynamite in the mid-1980s. The Edge of U2 used his extensively on The Joshua Tree, including the solo on "One Tree Hill", as well as on "Exit", and "Mothers of the Disappeared".[2] Will Sergeant, John Turnbull, and Dave Stewart were also Electraglide users.

Bond Guitars was set up by Andrew Bond (who died in 1999) in Muir of Ord, Scotland, in 1984. The company ceased trading in 1986.

Though being quite costly at the time the company was active, they never maintained their value on the second hand market.

The Dutch guitar manufacturer Aristides Instruments endeavours on a similar path since 2007. However, they use a specifically designed composite (dubbed Arium), rather than regular carbon fibre.

History[]

Andrew Bond and Ian Flooks met in 1972 when they were both conductors working for the Hants and Dorset bus company in Poole, Dorset.

Andrew had adapted his Gibson guitar with a prototype of the ’saw tooth’ fret board and, between them, Andrew and Ian scraped together enough money to file patents for the unique fret board. They incorporated Bond Guitars Ltd as partners in 1973 and continued to adapt guitars with the new fretboard for several years.

Ian became a talent agent and, in 1979, formed his own agency, Wasted Talent. Within a year Wasted Talent had signed many of the major acts of the eighties including The Clash, Ian Dury, Talking Heads, Eurythmics and U2.

At that time Andrew was perfecting the design of the Bond Electraglide, a revolutionary new guitar which, in addition to the hard anodised aluminium saw tooth fretboard, was made from carbon fibre - with an injection moulded body. The hollow body contained on board electronics which controlled volume, tone and pick up selection.

Stair fingerboard .jpg

In order to realise this dream, Ian, with help from the Highlands and Islands Development Board, funded the opening of a factory in Muir of Ord in Northern Scotland. The factory had 40 employees, and set about building the Electraglide. The sales team at that time were Ray Haines and Kenny Smith.(Kenny later went on to manage Eurythmics).

The first Electraglides rolled off the production line in 1984, and their use was pioneered by several Wasted Talent acts, including U2’s The Edge, Dave Stewart (Eurythmics) and Mick Jones (The Clash; Big Audio Dynamite).

Dave Stewart, together with Andrew and Ian, took the Electraglide to the 1985 Messe Frankfurt (Frankfurt Trade Fair), and the interest in the guitar was enormous - major distribution companies in all the main territories came on board.

The manufacturing proved much more difficult. The technology was new at the time, and untested. The Bond Guitar Company produced a total of 1200 guitars and closed in 1985.

Wasted Talent is now a digital media company which owns Kerrang!,[3] Mixmag and The Face.[4]

References[]

  1. ^ Bacon, Tony. "Electric Guitars: The Illustrated Encyclopedia". First Edition. Balafon Books, 2000. ISBN 1-871547-66-0.
  2. ^ Guitar World, 1987, Joseph Bosso
  3. ^ Bein, Kat (9 May 2017). "Mixmag Parent Company Acquires Kerrang! & The Face Magazines". billboard. Archived from the original on 2017-05-13. Retrieved 26 March 2021.
  4. ^ Stewart, Rebecca (16 May 2017). "Kerrang's new owner on why there's a place for the rock bible in a 'post-Vice' world". The Drum. Archived from the original on 2017-05-21. Retrieved 26 March 2021.
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