Boys' choir

A boys' choir is a choir primarily made up of choirboys who have yet to begin puberty or are in the early to middle stages of puberty and so retain their more highly pitched childhood voice type.^[1] Members of a boys' choir are technically known as trebles and often termed boy sopranos," although occasionally some boys sing in the alto range. Some boys' choirs of churches or cathedrals are further supported by older male voices singing tenor and bass; these singers are sometimes former choirboys. The world's oldest active boys' choir is the Regensburger Domspatzen at Regensburg and was founded in 975.^[2]

Middle ages & early development[]

The Wilten Boys' Choir, one of the oldest boys' choirs in Europe. Six boys from this choir were used to found the Vienna Boys' Choir by Maximilian I.

Boys' choirs, as a Western World cultural tradition, developed in the Middle Ages. Boys were then responsible for contributing a treble sound to church music, since women were typically barred from the performance of sacred music in a public (gender mixed) context. Some of the oldest existing boys' choirs—such as the Vienna Boys' Choir—trace their roots back to this time.

In 1498, more than half a millennium ago, Emperor Maximilian I moved his court and his court musicians from Innsbruck to Vienna. He gave specific instructions that there were to be six boys among his musicians. For want of a foundation charter, historians have settled on 1498 as the official foundation date of the Vienna Hofmusikkapelle and—in consequence—the Vienna Boys' Choir. Until 1918, the choir sang exclusively for the court, at mass, at private concerts and functions and on state occasions.^[3]

20th century[]

Cantores Minores performing in the Helsinki Cathedral in 2013

Today, church traditions with strong roots in the Middle Ages (in particular, Anglican, Catholic, Orthodox and Lutheran churches) continue to host many boys' choirs. The Anglican church is particularly well known for its contributions to choral works and arrangements for boys' voices. However, the general inclusion of female voices in church music since the mid-1800s has significantly reduced the importance of boys' choirs as church institutions. Many present boys' choirs were either founded or reconstituted during the first half of the 20th century as independent concert choirs. In 1917 an article in The Musical Quarterly identified - and criticized - a trend toward the foundation of many boys' choirs in the USA, which the author derided as the "boy choir fad."^[4]

Palm Sunday Concert Program, Apollo Boys' Choir, The Shamrock Hotel, Houston, Texas (April 10, 1949)

Contemporary developments[]

The age of onset of puberty has declined to the early teens, so boys' choirs can no longer expect to retain a majority of their singers through the age of 16 or 17—as was the case when Bach wrote complex cantatas for the male treble. Boys' voices now break, on average, by the age of 13.5,^[5] leading to higher choir turnover rates and limiting the complexity of a choir's musical repertoire. In addition to these challenges, there have been instances of sexual misconduct in some choirs and choir schools.^[6]

Boys' choirs offer young males an active point of entrance into music and vocal training. They can also help to foster discipline, high standards and cultural awareness, as well as providing strong peer groups oriented around boys who identify themselves with a choir's cultural and ethical values.^[7] A greater awareness of the value of gender-specific youth work may also support the positive contributions of boys choirs.

Many choirs also provide choir alumni with extensive opportunities - often coupled with continued vocal coaching - to support their vocal transition to altos, tenors and basses and to stimulate their continued artistic development.

Notes and references[]

External links[]

• Boy Choirs website, hosts several articles of interest.
• Koopman, Ton (1996). "Recording Bach's Early Cantatas". Early Music. 24 (4): 605–621. doi:10.1093/em/24.4.605. JSTOR 3128058.