Breezy

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For other uses, see Breezy (disambiguation).
Breezy
Breezyfilmposter.jpg
Theatrical release poster, artwork by Ted CoConis
Directed byClint Eastwood
Written byJo Heims
Produced byRobert Daley
Starring
CinematographyFrank Stanley
Edited byFerris Webster
Music byMichel Legrand
Production
company
Distributed byUniversal Pictures
Release dates
Running time
106 minutes
CountryUnited States
LanguageEnglish
Budget$750,000
Box office$200,000

Breezy is a 1973 American romantic drama film directed by Clint Eastwood, produced by Robert Daley, and written by Jo Heims. The film stars William Holden and Kay Lenz, with Roger C. Carmel, Marj Dusay, and Joan Hotchkis in supporting roles. It is the third film directed by Eastwood and the first without him starring in it.[1]

Distributed by Universal Pictures, Breezy was theatrically released in Los Angeles on November 16, 1973 and in New York City on November 18, 1973.[2] The film earned 3 nominations at the 31st Golden Globe Awards, including Most Promising Newcomer – Female for Lenz.

The film was not a commercial success.

Plot[]

A young couple awakens in bed after a one-night stand. Edith Alice "Breezy" Breezerman hops out of bed, gets dressed, and steps into the daylight. Breezy lost her parents years before in a car accident; she lived with her aunt until she graduated from high school. A year later, she left for California, where she is a homeless, free-spirited, carefree hippie.

That same morning, Frank Harmon is bidding farewell to his overnight guest, a blonde who is attracted to him, but he only humors her as she leaves. Middle-aged, divorced and wealthy from his work in real estate, Frank lacks for nothing material, but has no joy in his life. He is still somewhat bitter about his divorce.

After escaping a bad hitchhiking experience with an unstable stranger, Breezy loiters near Frank's luxurious post-modern house, the setting for much of the movie. When he leaves for work, she invites herself into his car and happily insists that he give her a ride to her destination, annoying him. She keeps hanging around. Eventually, he reluctantly lets her stay at his home, the first time because it is late and raining heavily, but does not act initially on the sexual opportunities she offers. He is conflicted about his feelings for longtime, close friend Betty Tobin. Finally, when he does awkwardly start to make them known to her, it is too late; Betty gently explains she is marrying a man she very much loves. Frank and Breezy's relationship continues to develop platonically. He protects her from trouble and treats her to some of the finer things in life, though Breezy stays true to herself.

Frank's friend and workout buddy Bob Henderson is grappling with his own mid-life crisis. He is restless, but afraid to end his now-loveless marriage and face loneliness. Frank takes this into consideration, while still growing closer to Breezy. They finally consummate their relationship. After Bob sees the couple at the movies, Bob talks to Frank about it in a sauna after some tennis. Bob reveals that there is no way he himself could embark on such a relationship, as he might feel like a "child molester". He has no intention of being insulting, and is in fact admiring Frank's defiance of society's disapproval, but Frank is not immune to the pressure. All of his shared joys with Breezy, such as their adopted stray dog and "us against the world" mentality, are not enough to enable him to cope with the age difference. He breaks up with her.

When Betty is injured and her new husband killed in a car accident, Frank has a change of heart. He reunites with Breezy.

Cast[]

Production[]

Eastwood has described the film as a "big risk at the time" and that Universal Studios let him make the film as a favor. Eastwood "liked the whole comment on the rejuvenation of a cynic" who finds out about life through a seventeen-year-old girl, with her teaching him more about life than he does for her.[3] Eastwood said at the time that he didn't believe the film would "make a dime" but that he was making the movie because he wanted the challenge, and because the material was different than what he was used to. Holden had not made a major film since The Wild Bunch in 1969, and he was so happy to be approached[4] that he agreed to appear in the film for no salary, receiving instead a percentage of the profits. When the film generated no profits, the Screen Actors Guild told Eastwood that he would have to pay Holden the union minimum of $4000.[1]

Jo Heims wrote the script about a love blossoming between a middle-aged man and a teenage girl. Heims had originally intended Eastwood to play the starring role of the realtor Frank Harmon, a bitter divorced man who falls in love with the young Breezy. Although Eastwood confessed to "understanding the Frank Harmon character" he believed he was too young at that stage to play Harmon.[5] That part would go to William Holden, 12 years Eastwood's senior, and Eastwood then decided to direct the picture. Eastwood initially wanted to cast Jo Ann Harris, whom he had worked with in The Beguiled.[6] Eastwood described Holden as "very astute as an actor" and that he "understood the role completely, so it was easy for him to play." After he signed for the part, Holden said to Eastwood, "You know, I've been that guy," and Eastwood responded, "Yeah, I thought so."[3]

Casting the role of Breezy was difficult because the role was young, seventeen according to the script, and nude scenes were required. Screen tests were performed with ten actresses, all with Holden. Eastwood later remarked that it was unusual that Holden was in the screen tests with all the actresses, and that "most guys would say, 'get me some kid.' " [1][3] The role of Breezy went to a young dark-haired actress named Kay Lenz, chosen because of her chemistry with Holden,[1] who Eastman described as "very very gentle with her, even during the screen test."[3] According to friends of Eastwood, he became infatuated with Lenz during this period.[7] Lenz had limited experience but approached her role energetically. Eastwood gave her veto power over nude scenes. Unless she approved them, he would not include them in the final cut.[1]

Filming for Breezy began in November 1972 in Los Angeles and finished five weeks later.[6] With Bruce Surtees, Eastwood's regular cinematographer, occupied elsewhere, Frank Stanley was brought in to shoot the picture, the first of four films he would shoot for Malpaso.[7] The film was shot very quickly and efficiently and in the end went $1 million under budget and finished three days before schedule.[7]

Holden's son Scott Holden plays a small role as a veterinarian, in his final attempt at an acting career.[1]

Reception[]

Howard Thompson of The New York Times wrote, "A cloyingly naive resolution mars 'Breezy,' which opened yesterday, an otherwise engrossing drama of an aging man's infatuation with a tender-hearted 17-year-old girl derelict."[8] Gene Siskel of the Chicago Tribune gave the film 3 stars out of 4 and wrote, "Screenwriter Jo Heims has fashioned a formula May–September love affair into a surprisingly tender and frequently witty romance in which an older man is realistically transformed by a much younger woman ... 'Breezy' frequently threatens to collapse into a stereotypical characterization, but Holden's refreshing honesty invariably revitalizes the action. In the title role, newcomer Kay Lenz is sincere, often believable, and rarely maudlin."[9] Arthur D. Murphy of Variety called it "an okay contemporary drama" with "perhaps too much ironic, wry or broad humor for solid impact."[10] Kevin Thomas of the Los Angeles Times wrote of Eastwood that Breezy was "a deeply felt, fully realized film that is entirely his own. It's an offbeat love story told with rare delicacy and perception that affords William Holden his most fully dimensioned role in years and introduces a smashing newcomer named Kay Lenz."[11]

The film opened at the Columbia II theater in New York City on November 18, 1973, but flopped, grossing only $16,099 in four weeks and 5 days.[12] Early unfavorable reviews and the poor performance caused the studio to shelve the film. It then underwent some minor re-editing and was test released in Utah in 39 theaters on July 3, 1974 on a four wall distribution basis for two weeks.[12][13] The results were positive, so Universal expanded the four wall distribution policy[clarification needed] to the Portland and Seattle areas.[13] During 1974, Variety tracked it grossing $140,289 in 20-24 key cities in the United States and Canada, placing it 301st on the list of their films tracked for the year,[14] which with its gross from New York in 1973, gave it a gross of at least $156,388. Eastwood thought Universal had decided the film was going to fail long before it was released. He said "the public stayed away from it because it wasn't promoted enough, and it was sold in an uninteresting fashion".[15] Some critics, including Eastwood's biographer Richard Schickel, believed that the sexual content of the film and love scenes were too soft to be memorable for such a potentially scandalous relationship between Harmon and Breezy, commenting that, "it is not a sexy movie. Once again, Eastwood was too polite in his eroticism." However, Schickel added that Breezy managed to recoup its low budget.[16]

Home media release[]

Breezy did not reach home video until 1998.[16] Universal Pictures released the film to DVD in 2004 with a running time of 106 minutes (NTSC).[17] A Blu-ray was released in 2014 by the British branch of Universal, which was issuing all their Clint Eastwood catalogue on HD.[18] The film is in widescreen and Dolby Digital 2.0 Mono. In the US, it was released on Blu-ray from Kino Lorber in August 2020.

Influences[]

Lenz and Breezy figure into the storyline of Philip K. Dick's novel VALIS, where the narrator Phil mentions he had a crush on her after the movie and tried approaching Lenz, only for her agent to stop him.[19]

Excerpts from the film are used on the music track "Breezy" (sometimes titled "My Name's Breezy") by French house/alternative group , featured on their 2011 album Everything is Gonna be OK in the End.[20]

In the Paul Thomas Anderson movie Licorice Pizza (2021), a brief subplot has Alana Haim's character auditioning for a movie called "Rainbow" that's a stand-in for Breezy, with Sean Penn playing the William Holden character. Some dialogue from Breezy was directly copied in Licorice Pizza.

See also[]

References[]

  1. ^ a b c d e f Capua, Michelangelo (2016-03-22). William Holden: A Biography. McFarland. pp. 142–143. ISBN 978-0-7864-5550-8.
  2. ^ "Breezy (1973)". AFI Catalog of Feature Films. Retrieved November 21, 2020.
  3. ^ a b c d Eastwood, Clint (2013). Clint Eastwood: Interviews, Revised and Updated. Univ. Press of Mississippi. pp. 29–20. ISBN 978-1-61703-663-7.
  4. ^ Sterritt, David (2014-11-25). The Cinema of Clint Eastwood: Chronicles of America. Columbia University Press. p. 108. ISBN 978-0-231-17201-1.
  5. ^ McGilligan (1999), p.229
  6. ^ a b Hughes, p.106
  7. ^ a b c McGilligan (1999), p.230
  8. ^ Thompson, Howard (November 19, 1973). "Breezy Breezes In". The New York Times. 53.
  9. ^ Siskel, Gene (March 27, 1974). "Breezy". Chicago Tribune. Section 2, p. 8.
  10. ^ Murphy, Arthur D. (November 7, 1973). "Film Reviews: Breezy". Variety. p. 19.
  11. ^ Thomas, Kevin (November 11, 1973). "50-Plus Loves Sweet 17 in Clint's 'Breezy'". Los Angeles Times. Calendar, p. 24.
  12. ^ a b "U Revives N.Y. Flop, 'Breezy'; For Four-Wall Test In Utah". Variety. May 29, 1974. p. 4.
  13. ^ a b "Northwest Areas Get 2d 'Breezy' Four-Wall Dating". Daily Variety. July 31, 1974. p. 3.
  14. ^ Silverman, Syd (May 7, 1975). "Variety Chart Summary For 1974". Variety. pp. 133–5.
  15. ^ McGilligan, Patrick (Summer–Fall 1976). "Interview with Clint Eastwood". Focus on Film (25): 12–20.
  16. ^ a b McGilligan (1999), p.231
  17. ^ OFDB
  18. ^ Clint Eastwood - The Blu-ray Collection
  19. ^ Dick, Philip K. VALIS. p. 179
  20. ^ "Make The Girl Dance: My Name's Breezy/South". Pretty Much Amazing. Archived from the original on 22 January 2014. Retrieved 18 January 2014.

Bibliography[]

  • Hughes, Howard (2009). Aim for the Heart. London: I.B. Tauris. ISBN 978-1-84511-902-7.
  • McGilligan, Patrick (1999). Clint: The Life and Legend. London: Harper Collins. ISBN 0-00-638354-8.

External links[]

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