CalArts Center for New Performance
The CalArts Center for New Performance (CNP) is the professional producing arm of the California Institute of the Arts.[1]
Productions[]
Title | Year | Creative team | Venue | Other performances |
---|---|---|---|---|
rasgos asiáticos | 2020 | By Virginia Grise, Directed by Alexis Macnab, Installations Designed by Tanya Orellana | Automata, Los Angeles, CA | |
El Camino Donde Nosotros Lloramos (The Road Where We Weep) | 2020 | Created by Lagartijas Tiradas al Sol | California Institute of the Arts, Valencia, CA | Festival Internacional de Teatro Universitario (FITU), Mexico City, MX |
Finding Shelter | 2019 | Directed by Marissa Chibas | Segal Film Festival on Theatre and Performance, New York | Sotomayor High School for Science and Art, San Diego Latino Film Festival, Nevertheless Film Festival, NewFilmmakers Los Angeles (NFMLA) Film Festival |
HA-M-LET | 2019 | Created and Performed by Peter Mark, Presented in partnership with Hauser & Wirth | Hauser & Wirth, Los Angeles, CA | |
WITKACY / Two-Headed Calf | 2018/19 | Directed by Natalia Korczakowska, A collaboration with STUDIO teatrgaleria | Divine Comedy International Theatre Festival, Krakow, Poland | REDCAT, Los Angeles, CA |
Nightwalk in the Chinese Garden | 2018 | Written and Directed by Stan Lai | The Huntington Library, Art Collections, and Botanical Gardens, Los Angeles, CA | |
The Carolyn Bryant Project | 2018 | Created by Nataki Garrett & Andrea LeBlanc, Directed by Nataki Garrett | REDCAT, Los Angeles, CA | |
El Acercamiento / The Approach | 2016-2018 | Conceived by Evelyn Serrano with Yamile Pardo | Ludwig Foundation, La Habana, Cuba | Fabrica de Arte Cubano (F.A.C.), La Habana; Centro Cultural Español, Miami; Plaza de la Raza, Los Angeles |
Fore! | 2018 | Written by Aleshea Harris, Directed by Arnaud Meunier | La Comédie de Saint-Étienne, National Drama Center | Théâtre de la Ville, Paris; Théâtre National de Nice; Théâtre National de Bruxelles |
The Hendrix Project | 2018 | Conceived and Directed by Roger Guenveur Smith, Developed in cooperation with Experience Hendrix, LLC | Under the Radar Festival, NYC | Segerstrom Center for the Arts, CA |
Fantômas: Revenge of the Image | 2017 | Directed by Travis Preston, Developed in collaboration with Tom Gunning | Wuzhen Theatre Festival, China | |
Shelter | 2016 | Directed by Martín Acosta, Written by Marissa Chibas | Plaza de la Raza, Los Angeles | John F. Kennedy Center for the Performing Arts, Washington D.C |
The Institute of Memory (TIME) | 2015 | Created by Lars Jan/Early Morning Opera | REDCAT, Los Angeles, CA | |
Prometheus Bound | 2013 | Directed by Travis Preston, Translation by Joel Agee, Composed by Ellen Reid and Vinny Golia, Choreographed by Mira Kingsley, Produced in association with Trans Arts and the Getty Museum | Getty Villa, Malibu, CA | |
TEDxCalArts | 2013 | Speakers and Presenters included Guillermo Gómez-Peña, The Yes Men, Nora Chipaumire, Sardano W. Kusumo, Ricardo Dominguez, , Brian Massumi and Erin Manning, Mirjana Jokovic, Killsonic, Peggy Deamer, Chris Kallmyer, Douglas Kearney, Franco Beradi Bifo, Ajay Kapur, Jeepneys, Aleshea Harris[2] | REDCAT, Los Angeles | |
Timboctou | 2012 | Directed by Martín Acosta, Written by Alejandro Ricaño, In association with Duende CalArts | REDCAT, Los Angeles | •UDG Cultura Teatro Esperimental de Jalisco, Guadalajara, México |
Brewsie and Willie | 2010 | Directed by Travis Preston, Written by Gertrude Stein, Adapted by Marissa Chibas, Erik Ehn and Travis Preston, Produced in association with Poor Dog Group | Los Angeles | •2011 RADAR LA Festival |
Ah! | 2009 | Directed by Travis Preston in collaboration with Composer/Performer David Rosenboom and Poet Martine Bellen | REDCAT, Los Angeles | |
Power Play and Willful Blindness | 2009 | Directed by Sarah Davies, Written by Margaret Heffernan, Produced in association with BBC Radio 4 | Aired June 2009, United Kingdom | |
Smoke, Lilies and Jade | 2008/09 | Directed by Nataki Garrett, Written by Carl Hancock Rux, Choreographed by Colin Connor[3] | California Institute of the Arts, Valencia | |
Vineland Stalae | 2007/08 | Directed by Chi-wang Yang, Composed by Sandeep Bhagwati | REDCAT, Los Angeles | |
Daughter of a Cuban Revolutionary | 2006/07 | Directed by Mira Kingsley, Written by Marissa Chibas[3] | REDCAT, Los Angeles | •INTAR, New York
•2008 William and Joan Lehman Theater, Miami (presented in Spanish and English) |
What To Wear | 2006/07 | Written & Directed by Richard Foreman, Composed by Michael Gordon[3] | REDCAT, Los Angeles | |
Invisible Glass | 2004/05 | Directed by Janie Geiser, Written by Erik Ehn, Composed by Tom Recchion[3] | REDCAT, Los Angeles | |
Bell Solaris: Twelve Metamorphoses in Piano Theater | 2004/05 | Composed by David Rosenboom, Directed by Travis Preston[3] | REDCAT, Los Angeles | |
11 September 2001 | 2004/05 | Directed by Robert Cantarella (National Dramatic Center of Dijon), Written by Michel Vinaver | REDCAT, Los Angeles | •2006 Théâtre de Colline, Paris
•2006 Frictions Festival of Théâtre Dijon Bourgogne, France |
Macbeth (A Modern Ecstasy) | 2004/05 | Performed by Stephen Dillane, Directed by Travis Preston, Composed by Vinny Golia | REDCAT, Los Angeles | •2005 Almeida Theatre, London
•2006 Adelaide Festival, Australia |
Peach Blossom Fan | 2003/04 | Directed by Chen Shi-Zheng, Written by Edward Mast, Composed by Stephin Merritt, Guest artists Jon David Casey, David Patrick Kelly and Beijing Opera star Zhou Long | REDCAT, Los Angeles | |
King Lear | 2002/03 | Directed by Travis Preston | The Brewery, Los Angeles | •2003 Frictions Festival of Théâtre Dijon Bourgogne, France |
Listen To Me | 2000 | Created by visual artist Michael Counts and choreographer Ken Roht | ||
Bad Behavior | 1999 | Richard Foreman and Sophie Havilad | California Institute of the Arts, Valencia | |
Theater of the Ears | 1999 | Zaven Paré, Gregory Whitehead, Valère Novarina and Allen S. Weiss | 2000 Henson International Festival of Puppet Theatre, New York | •Biennale Internationale des Arts de la Marionnette, Paris •2001 Festival d’Avignon, Paris[3] |
Leadership[]
- Travis Preston, Artistic Director, Dean/CalArts School of Theater
- Rachel Scandling, Producer
- Marissa Chibas, Director of Duende CalArts
- Amanda Shank, Associate Artistic Director
- Chi-wang Yang, Associate Artistic Director
- Paul Turbiak, Communications Liaison
- George Lugg, Consulting Producer
Awards and Accolades[]
King Lear (2003)
- Three NAACP awards including Best Performance by a Female for Fran Bennett as King Lear, Best Production and Best Lighting Design
- Five LA Ovation Award Nominations[5]
Brewsie and Willie (2010)
- LA Weekly Awards for Best Production Design, Best Original Music, Best Lighting Design
2011 MetLife/TCG A-Ha! Program grant recipient[6]
References[]
- ^ "About CNP". CalArts Center for New Performance. Retrieved 8 August 2020.
- ^ "Archived copy". tedxcalarts.theatercalarts.com. Archived from the original on 7 March 2013. Retrieved 14 January 2022.
{{cite web}}
: CS1 maint: archived copy as title (link) - ^ a b c d e f g "Center for New Performance at CalArts: History" (PDF). Archived from the original (PDF) on 2012-05-12. Retrieved 2013-10-23.
- ^ "Stephen Dillane & Travis Preston". www.backstage.com. November 24, 2004.
- ^ "Vereen lauded at NAACP awards". Los Angeles Times. January 29, 2003.
- ^ "Just 'Do It': CalArts' Center for New Performance Awarded MetLife/TCG A-ha! Grant". 24700.
External links[]
- CalArts Center for New Performance
- California Institute of the Arts
- Roy and Edna Disney/CalArts Theater
- CalArts Blog
- TEDxCalArts
Coordinates: 34°23′35″N 118°34′01″W / 34.39305556°N 118.56694444°W
Categories:
- Theatres in California
- Event venues established in 1999
- 1999 establishments in California