Candace Allen (author)

Candace Allen is an American novelist, political activist, cultural critic and screenwriter, who is based in London. She was the first African-American woman to be a member of the Directors Guild of America.^[1] She is the niece of actress and drama coach Billie Allen,^[2] and the former wife of British conductor Sir Simon Rattle.^[3][4]

Biography[]

Born in Boston, Massachusetts,^[5] in 1950,^[6] she moved with her family to Stamford, Connecticut, when she was six years old.^[7] She received her BA from Harvard University, where in the late '60s–early '70s she was instrumental in the establishment of the African and African-American Studies Department^[7] (now headed by Henry Louis Gates, Jr.),^[8] before attending the New York University School of Film and Television. She became the first African-American female member of the Directors Guild of America. In the 1970s, she moved to Los Angeles, where for twenty years she worked as an assistant director on feature and television films, and later as a screenwriter.^[9] She was a founder of Reel Black Women, a professional organization for African-American women in film.^[10] She also set up and ran for four years a counselling group for young black women at Jordan High School in Watts.

Allen moved to the UK in 1994, and was married (8 January 1996 – 2004) to British conductor Simon Rattle.^[11]

Writing career[]

Her first book, a fictionalized biography about the African-American female jazz trumpeter Valaida Snow, was published by Virago Press in 2004.^[12] In Valaida, Allen "brought to life an extraordinary woman working in a predominantly male world."^[7] Reviewing the novel for JazzTimes, Gwen Ansell wrote: "Allen engages with what it might feel like to think through and play a solo; tour depressing, racist Southern towns; haggle with agents and managers. She treats Snow first and foremost as a musician. The wry, weary wit of backstage conversation rings true and the details play out before a fascinating panorama of pre-1960s jazz and vaudeville stages. In this use of close-up against rich, intensely visual backdrop, in frequent crosscutting and flashback scenes, Allen the screenwriter is very evident. And while the book remains a romance, it's tougher than most and definitely worth reading."^[13]

Allen's must recent work, the acclaimed Soul Music: the Pulse of Race and Music, published by Gibson Square Press in 2012,^[14] has been described as "part-travelogue, part-memoir, part-manifesto",^[15] According to the review in the New Statesman, "Allen simply opens her ears and mind in wonder at everything she has seen and heard, rejoicing in and also questioning the values and beliefs that brought her where she is."^[4]

She writes regularly for The Guardian^[1] of London and other newspapers.^[16] She is also a contributor to the 2019 anthology New Daughters of Africa, edited by Margaret Busby.^[17]

Other activities[]

Through the organization "Americans Abroad for Obama" Allen was an active campaigner for the election of Barack Obama in 2008,^[18][19] and subsequently became a frequent commentator on US culture, race and politics on radio and television.^[9]

She is a board member of the Chineke! Foundation.^[20]

Bibliography[]

• Valaida (London: Virago, 2004), ISBN 1-86049-944-9
• Soul Music: The Pulse of Race and Music (London: Gibson Square Books, 2012), ISBN 978-1-908096-21-0

References[]

Sources[]

• Candace Allen (2004), Valaida (back cover).

External links[]

• Truth vs. style: The challenge of Valaida Snow
• Kevin Le Gendre's review of Valaida^{[dead link]}, The Independent
• Candace Allen on Valaida Snow, Woman's Hour, BBC Radio 4
• "Is Classical Music Racist? Author and screenwriter Candace Allen has sparked a row after claiming that the British classical music world is 'racist'". Classic FM.
• Candace Allen at the international literature festival berlin