Charles L. Venable

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Charles L. Venable (born 1 March 1960) is an American art curator and museum director, and the former Melvin & Bren Simon Director and CEO of Newfields in Indianapolis, Indiana.

Early life and education[]

Venable was born and raised in Houston, Texas. He received a B.A., cum laude, in Art History and History from Rice University in 1982 and a master's degree from the University of Delaware's Winterthur Program in Early American Culture in 1986 and a PhD from Boston University in American Studies in 1993.

Career[]

From 1986 to 2002, he was at the Dallas Museum of Art, rising from rank of Assistant Curator of Decorative Art to Chief Curator to Deputy Director and built the museum's holdings of American decorative art and its exhibitions program. Venable also served five years (2002–2007) as Deputy Director of the Cleveland Museum of Art and then five years (2007-2012) as the Director of the Speed Art Museum in Louisville, KY.

Newfields (2012-2021)[]

Venable was appointed as The Melvin & Bren Simon Director and CEO of Newfields in October 2012 under a five-year contract. Upon his appointment, the Board of Governors charged Venable with achieving financial stability for Newfields. During his tenure, Venable has worked alongside the Board to significantly reduce the endowment draw, while increasing earned and donated revenue. Newfields has secured major gifts in both art and capital under Venable's leadership, including a $10 million gift from the Lilly Endowment to enhance the Newfields gardens and to establish an Innovation Fund. The Fund enables Newfields to identify, research and pilot experimental programming that will increase the Newfields’ long-term sustainability.

Venable's tenure marked some of Newfields' most highly attended exhibitions, including Matisse, Life in Color and Dream Cars: Innovative Design, Visionary Ideas. Among the many acquisitions Venable has spearheaded for Newfields, Five Brushstrokes, a large-scale installation by Roy Lichtenstein, is among the most high-profile. The sculpture— which was created by 1983, but never fabricated to full-scale during Lichtenstein's lifetime— made its debut at the Newfields in 2014 and now resides in front of the main Museum building on the Sutphin Mall.

In April 2015, Venable and the board ended the organization's long-standing policy of free admission to all visitors.[1] The Newfields' admission policy brought the gardens, galleries, and special exhibitions together under a single ticket. Under Venable's leadership, Newfields membership reached a record-high, tripling from approximately 5,000 to 15,000.

In April 2016, the Newfields' Board of Governors extended Venable's contract for an additional 10 years. The extended tenure aligned with the timeline of the Newfields' new ten year strategic plan. Under the extended contract, Venable would have served through January 1, 2026. However, in February 2021, Venable came under fire after the museum wrote that it was seeking a director who would work to maintain its “core, white art audience,” in addition to attracting a more diverse audience.[2] The phrasing attracted national criticism and sparked a larger discussion of what was described as a "toxic" and "discriminatory" culture at the museum. Venable submitted his resignation to the museum's Board of Trustees and Board of Governors on February 17, 2021.[3]

Publications[]

Venable has edited and written several scholarly publications. His book, American Furniture in the Bybee Collection (1989), was awarded the Charles F. Montgomery Award of the Decorative Arts Society (DAS). His 1994 publication, Silver in America, 1840-1940: A Century of Splendor, also received the DAS's Montgomery Prize. Venable co-authored, China and Glass in America, 1880-1980 in 2000.

In his current role as The Melvin & Bren Simon Director and CEO Venable periodically curates exhibitions, including the IMA's silver exhibition, Tiffany, Gorham, and the Height of American Silver : 1840-1930. and Dining by Design: American Silver 1925-2000, coming in March 2019.

References[]

  1. ^ Comisky, Daniel S. (27 September 2016). "The Fallout from the IMA's Admission Hike". Indianapolis Monthly. Indianapolis Monthly. Retrieved 15 February 2021.
  2. ^ Bahr, Sarah (2021-02-13). "Indianapolis Museum of Art Apologizes for Insensitive Job Posting". The New York Times. ISSN 0362-4331. Retrieved 2021-02-14.
  3. ^ Newfields Board of Trustees and Board of Governors. "Newfields Statement 02-17-2021". discovernewfields.org. Newfields. Retrieved 17 February 2021.
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