Compulsory dance

Tessa Virtue and Scott Moir performing the Golden Waltz

The compulsory dance (CD), now called the pattern dance, is a part of the figure skating segment of ice dance competitions in which all the couples or solo dancers perform the same standardized steps and holds to music of a specified tempo and genre. One or more compulsory dances were usually skated as the first phase of ice dancing competitions. The 2009–10 season was the final season in which the segment was included in International Skating Union (ISU) junior and senior level competition. In June 2010, the ISU replaced the name "compulsory dance" with "pattern dance" for ice dance, and merged it into the short dance (SD) beginning in the 2010–11 figure skating season.

The first CDs were developed during the 1930s by teams from Great Britain, who dominated ice dance for most of the early years after the sport was contested at the 1952 World Championships. The prominence of the CD in ice dance slowly declined, until it was removed and replaced by the SD in 2011, the year that the ISU voted to restructure ice dance competitions by removing the compulsory dance and original dance (OD) and replacing them with the short dance and free dance (FD).

Ice dancers performed the same pattern around the rink once or twice, to the same step sequences and the same standardized tempo. The competitors were then scored based on their execution of the various elements of the dance. The CD allowed the judges to compare the technical skills of each dancer.

Background[]

Federica Faiella and Massimo Scali performing the Golden Waltz at the 2010 World Championships

Ice dance was contested for the first time at the World Championships in 1952; for most of that period, the British dominated the sport, winning 12 out of the next 16 championships. Many of the first CDs were developed during the 1930s by teams from Great Britain, some of which have been used by ice dance teams throughout the history of the sport.^[1] The CD's prominence in ice dance slowly declined. In 1952, CDs accounted for 60% of the total points dancers could earn. When the Original dance (OD) was added in 1967, it replaced the second CD.^[2] In 1988, the same year compulsory figures was removed from women's and men's single figure skating, CDs were decreased from three to two.^[3]

In 2010, after urging from the International Olympic Committee (IOC) to decrease the number of segments from three to two "for some time",^[4] the ISU voted to remove the CD from competitions, replacing it with the SD.^[5][6] According to then-ISU president Ottavio Cinquanta, the change was also made because "the compulsory dances were not very attractive for spectators and television".^[6] The SD had to incorporate a compulsory element in which each dance team must perform the same two patterns of a set pattern dance. Its rhythms and themes are determined beforehand by the ISU.^{[7][8][note 1]} The ice dancers are judged on how well they integrate the pattern dance into the entire SD.^[10]

The 2010 World Championships was the last event to include a CD (the Golden Waltz), with Federica Faiella and Massimo Scali from Italy being the last dance team to perform a CD in competition.^[4]

The CD reflected the emphasis of early figure skating on competitors all skating to the same dance, with the same criteria. This included the dancers' skating skills, their interpretation of the dance and music, their timing, and their performance. The CD has been compared with compulsory figures in singles skating; ice dancers performed the same pattern around the rink once or twice, to the same step sequences and the same standardized tempo, chosen by the ISU before the beginning of each season.^[2][11][12] The ISU also published descriptions and diagrams of the chosen dances, and competitors had to follow its dance positions, steps, movement, and timing.^[13] They were expected to cover the entire surface of the ice rink, without "an apparent struggle for speed",^[13] because it required the use of good flow and deep edges in skating. Dancers were not allowed to cross the center link of rinks in a regulation-sized arena (100 x 200 feet).^[13] Competitors were "judged for their mastery of fundamental elements" ^[11] and CDs "provided an essential comparison of the dancers' technical skills".^[7] There was some latitude given to competitors that allowed them to "demonstrate their own personal style",^[13] usually done with using a variety of leg and/or arm movements. Despite having to follow the same set pattern, each performance needed to have "a distinct flavor", with different interpretations of the dance based upon the patterns in the music.^[13]

Dances[]

Jana Khokhlova and Sergei Novitski on a backward outside edge as they perform the Yankee Polka

Meryl Davis and Charlie White performing the Argentine Tango

Anna Cappellini and Luca Lanotte performing the Finnstep

Oksana Klimova and Sasha Palomäki performing the Westminster Waltz

The dances that have been performed in junior and senior international competition include the following, which is not a comprehensive list:^{[note 2]}

In 2016, the ISU added three new pattern dances for the 2018–2022 Olympic cycle. These dances were: the March, created by ice dancers Piper Gilles and Paul Poirier, along with their coaches and Juris Razgulajevs; the Foxtrot, created by Natalia Kaliszek and Maksim Spodirev and their coach Sylwia Nowak-Trebacka; and the Rhumba d'Amor, created by Jane Torvill and Christopher Dean in 1993 and performed for the first time at the 1994 European Championships in Helsinki.^[16]

By season[]

Note: List taken from ice-dance.com website.^{[note 3]}

Footnotes[]

References[]

Works cited[]

• Hines, James R. (2011). Historical Dictionary of Figure Skating. Lanham, Maryland: Scarecrow Press. ISBN 978-0-8108-6859-5.
• U.S. Figure Skating (2009). "The 2010 Official U.S. Figure Skating Rulebook". Colorado Springs, Colorado. Retrieved 17 October 2019.

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