Disclosure (1994 film)
Disclosure | |
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![]() Theatrical release poster | |
Directed by | Barry Levinson |
Screenplay by | Paul Attanasio |
Based on | Disclosure by Michael Crichton |
Produced by |
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Starring | |
Cinematography | Tony Pierce-Roberts |
Edited by | Stu Linder |
Music by | Ennio Morricone |
Distributed by | Warner Bros. |
Release date |
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Running time | 128 minutes |
Country | United States |
Language | English |
Budget | $55 million[1] |
Box office | $214 million[1] |
Disclosure is a 1994 American erotic thriller film directed by Barry Levinson, starring Michael Douglas and Demi Moore. It is based on Michael Crichton's novel of the same name.[2] The cast also includes Donald Sutherland, Caroline Goodall and Dennis Miller. The film is a combination thriller and slight mystery in an office setting within the computer industry in the mid-1990s. The main focus of the story, from which the film and book take their titles, is the issue of sexual harassment and its power structure. The film received mixed reviews from critics but was a box office success grossing $214 million against its $50 million budget.
Plot[]
Bob Garvin, a technology company founder, plans to retire when his company, DigiCom, merges with a larger company. Production line manager Tom Sanders expects to be promoted to run the CD-ROM division. Instead, Meredith Johnson, a former girlfriend of Tom's who is responsible for the merger, is promoted to the post, as Garvin wanted to "break the glass ceiling" and promote a woman in place of his late daughter.
Meredith calls Tom into her office to discuss some operations regarding problems with the CD-ROM production line in Malaysia, but instead sexually forces herself onto him. He initially reciprocates her desire to engage him in oral sex, but rebuffs attempts to have full sexual intercourse. Meredith angrily screams a threat towards Tom for spurning her. Later that night, Meredith tricks Tom into arriving late the next morning, allowing her to take his place in a meeting with the merger partners to discuss the problems with the CD-ROM drives, where Meredith pressures Tom into admitting that he is unaware of the cause of the problems.
Tom then discovers that Meredith has filed a sexual harassment complaint against Tom with legal counsel Philip Blackburn. To save the merger from a scandal, DigiCom officials demand that Tom accept reassignment to another location. Otherwise, he will lose his stock options in the new company. His career will be ruined and he will be jobless if he takes the outplacement, as the other location is scheduled for sale after the merger. Tom receives an anonymous e-mail from "A Friend" that directs him to Seattle attorney Catherine Alvarez, who specializes in sexual harassment cases. Tom decides to sue DigiCom, alleging that it was Meredith who harassed him, at the expense of causing animosity with his wife and colleagues. The initial mediation goes badly for Tom as a tearful Meredith repeatedly lies and blames him.
After discovering a recording from Tom's phone records of the encounter proving that Meredith's accusation is false, Garvin, who believes the merger will be unsuccessful without Meredith, proposes that if Tom drops the lawsuit, he will not have to transfer, causing Tom to suspect that Meredith's accusations are vulnerable. Tom remembers mis-dialing a number on his cell phone during the encounter with Meredith but not hanging up. This inadvertently left the recording of the incident on a colleague's voicemail. Tom plays the recording at the next meeting and discredits Meredith. DigiCom agrees to a settlement calling for Meredith to quietly be eased out following the merger.
As Tom celebrates his apparent victory, he receives another e-mail from "A Friend" warning that all is not what it seems. Tom overhears Phillip telling Meredith that even though Tom won the sexual harassment suit, they will make Tom look incompetent at the next morning's merger conference, with Garvin's support. Since the problems with the CD-ROMs are shown as coming from the Malaysian production line, which is under Tom's responsibility, he can be fired as the cause of these problems. Tom attempts to look for clues in the company database, but his access privileges have been revoked. He remembers that the merging company's executives have a virtual reality demonstration machine in a nearby hotel that has access to the company database.
As he gets into DigiCom's files, he sees that Meredith is deleting them. Tom receives a call from a Malaysian colleague who is able to fax Tom copies of incriminating memos and videos. They show that Meredith and one of the head of operations in Malaysia agreed to change the production specifications that Tom had laid down, without his knowledge, to gain favor with the Malaysian government and to cut costs for the upcoming merger. Because of Meredith's complete lack of technical expertise and knowledge, the production changes ordered by her resulted in the problems afflicting the CD-ROMs that Tom is responsible for. In an attempt to save the merger that she had created and unwilling to take any responsibility, Meredith had set up the sexual encounter between her and Tom to falsely accuse him of sexual harassment to force him out of DigiCom so she could blame him for the changes, with Blackburn's support, while covering up the CD-ROM problems from him.
When Tom makes his presentation at the conference, Meredith brings up the production problems, but he is now able to publicly show the evidence exposing her direct involvement in causing defects with the hardware. After Meredith angrily accuses Tom of mounting a last-ditch effort of revenge while trying to justify her decisions involving the changes and continuing to blame him for poor decisions, Garvin realizes the full extent of her incompetence and has no other option but to fire her. Garvin subsequently announces that the merger has been completed and then names Stephanie Kaplan to head up the Seattle operation, a decision that Tom is pleased with, especially when she publicly highlights his contributions and says that she is relying on him to be her right hand man going forward.
Tom subsequently asks Stephanie's son, Spencer, if he knows "A Friend". Spencer says he is the research assistant of Professor Arthur Friend at the University of Washington. Tom realizes that Spencer had access to Friend's office computer, enabling Stephanie (via her son) to have previously warned him as "A Friend" when he was in trouble, and that she knew exactly everything that was going involving the CD-ROM Drives and Meredith. A gratified Tom is happy to resume his position as the Head of Manufacturing.
Cast[]
- Michael Douglas as Tom Sanders
- Demi Moore as Meredith Johnson
- Donald Sutherland as Bob Garvin
- Caroline Goodall as Susan Sanders
- Dennis Miller as Mark Lewyn
- Roma Maffia as Catherine Alvarez
- Dylan Baker as Philip Blackburn
- Rosemary Forsyth as Stephanie Kaplan
- Suzie Plakson as Mary Anne Hunter
- Nicholas Sadler as Don Cherry
- Jacqueline Kim as Cindy Chang
- Kate Williamson as Judge Barbara Murphy
- Donal Logue as Chance Geer
- Farrah Forke as Adele Lewyn
- Allan Rich as Ben Heller
- David Gallagher as Spencer Kaplan
Production[]
Michael Crichton sold the movie rights for $1 million before the novel was published. Miloš Forman was originally attached to direct but left due to creative differences with Crichton. Barry Levinson and Alan J. Pakula were in contention to take the helm and Levinson was hired.
Annette Bening was originally set to play Meredith until she became pregnant and soon dropped out. Geena Davis and Michelle Pfeiffer were then considered before Levinson decided to cast Demi Moore. Crichton wrote the character Mark Lewyn for the film specifically with Dennis Miller in mind. The character from the book was somewhat modified for the screenplay to fit Miller's personality.
The visual effects and animation for the film, including in particular the virtual reality corridor sequence were all created and designed by the visual effects wizards, pioneers, experts and technicians at Industrial Light & Magic.[3]
Filming locations[]
The movie was filmed in and around Seattle, Washington.[4] The fictional corporation DigiCom is located in Pioneer Square, on a set which was constructed for the film. Production designer Neil Spisak said, "DigiCom needed to have a hard edge to it, with lots of glass and a modern look juxtaposed against the old red brick which is indigenous to the Pioneer Square area of Seattle. Barry liked the idea of using glass so that wherever you looked you'd see workers in their offices or stopping to chat. This seemed to fit the ominous sense that Barry was looking for, a sort of Rear Window effect, where you're looking across at people in their private spaces."[3]
Also shown are the Washington State Ferries and Capt. Johnston Blakely Elementary School on Bainbridge Island, where Douglas's character's family lives. Other locations include Washington Park Arboretum, Volunteer Park, the Four Seasons Hotel on University St., Pike Place Market, and Smith Tower (Alvarez's law office).[5] The director of photography was British cinematographer Tony Pierce-Roberts.
Marketing[]
The press kit for the film was the first multimedia press kit issued by Warner Bros. with them producing it on floppy disk.[6]
Soundtrack[]
The score of Disclosure was composed, orchestrated and conducted by Ennio Morricone. Original Motion Picture Soundtrack from the Film Disclosure was released by Virgin Records on January 24, 1995.[7]
Track listing[]
- "Serene Family" − 4:11
- "An Unusual Approach" − 7:07
- "With Energy and Decision" − 2:07
- "Virtual Reality" − 6:24
- "Preparation and Victory" − 4:04
- "Disclosure" − 0:49
- "Sad Family" − 1:29
- "Unemployed!" − 1:10
- "Sex and Computers" − 2:50
- "Computers and Work" − 2:00
- "Sex and Power" − 2:33
- "First Passacaglia" − 4:21
- "Second Passacaglia" − 1:41
- "Third Passacaglia" − 4:33
- "Sex, Power and Computers" − 4:23[8]
Reception[]
Critic Roger Ebert called the film's theme "basically a launch pad for sex scenes" and further said "and yet the movie is so sleek, so glossy, so filled with Possessoporn (toys so expensive they're erotic), that you can enjoy it like a Sharper Image catalog that walks and talks." He gave it two stars out of a possible four. Ian Nathan of Empire magazine gave it four stars out of five and called it "genuinely gripping", further stating that "Demi Moore makes an awesome femme fatale." It currently has a rating of 59% on Rotten Tomatoes based on 61 reviews.[9]
Disclosure was a financial success, grossing $214 million worldwide ($83 million in U.S. and Canadian ticket sales and $131 million in other territories), against a budget of about $55 million.[10][11] It became one of director Barry Levinson's most successful films after his initial successes with Good Morning, Vietnam and Rain Man.
In a review, the blogger and writer Nathan Rabin described the film as superior to its source novel: "If there were an Academy Award for Best Screen Adaptation Of A Screamingly Awful, Viciously Sexist Novel, Disclosure would triumph. The film takes a preachy, disingenuous, and poorly written jeremiad against sexually aggressive women and turns it into a sleek, sexy, and only moderately sexist piece of Hollywood entertainment."[12] Rabin also argued that ultimately the film's cast and crew could only "elevate the film to the level of sleek mediocrity."[12]
Year-end lists[]
- Honorable mention – Jeff Simon, The Buffalo News[13]
- Dishonorable mention – Dan Craft, The Pantagraph[14]
In popular culture[]
The adult animated sitcom Big Mouth parodied the film in "Disclosure the Movie: The Musical" (season 3 episode 10), featuring a raunchy stage musical adaptation starring pre-teen students.[15]
See also[]
- Aitraaz, Bollywood remake of Disclosure
- Inkaar (2013 film), a Hindi film with a similar plot
- Indira Vizha, a Tamil film adaptation
References[]
- ^ Jump up to: a b "Disclosure (1994) - Box Office Mojo". www.boxofficemojo.com. Retrieved 4 October 2018.
- ^ "Douglas, Moore Star in Adaptation of Crichton's Novel on Harassment Reversal". The Los Angeles Times. Retrieved 2010-10-24.
- ^ Jump up to: a b Disclosure DVD (2000). Production notes. Warner Home Video.
- ^ Lyke, M.L. (August 10, 1994). "Crichton's 'Disclosure' filming in Seattle". Spokesman-Review. (Spokane, Washington). (Seattle Post-Intelligencer). p. F5.
- ^ "Archived copy". Archived from the original on 2013-12-19. Retrieved 2010-02-07.CS1 maint: archived copy as title (link)
- ^ O'Steen, Kathleen (November 15, 1994). "WB goes interactive for 'Disclosure' push". Daily Variety. p. 5.
- ^ "Amazon.com: Disclosure (1994 Film): Music". Retrieved 2014-04-25.
- ^ "Disclosure [Original Soundtrack] - Ennio Morricone". AllMusic. Retrieved 2014-04-25.
- ^ Disclosure (1994), retrieved 2021-07-06
- ^ "Weekend Box Office Disclosure' Is Hot on a Slow Weekend". Los Angeles Times. Retrieved 2010-11-12.
- ^ "'Disclosure' Edges Out 'Santa' at the Box Office Movies: Much-hyped sexual-harassment drama pushes aside the Tim Allen heavyweight". Los Angeles Times. Retrieved 2010-11-12.
- ^ Jump up to: a b Disclosure Nathan Rabin, The Dissolve, August 16, 2013. Retrieved February 15, 2014.
- ^ Simon, Jeff (January 1, 1995). "Movies: Once More, with Feeling". The Buffalo News. Retrieved July 19, 2020.
- ^ Craft, Dan (December 30, 1994). "Success, Failure and a Lot of In-between; Movies '94". The Pantagraph. p. B1.
- ^ "'BIG MOUTH' SEASON 3: CREATOR ANDREW GOLDBERG ON HOW AND WHY THEY MADE THE 'DISCLOSURE' MUSICAL EPISODE". Newsweek.
External links[]
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- 1994 films
- English-language films
- 1994 drama films
- 1994 thriller films
- 1990s erotic drama films
- 1990s erotic thriller films
- 1990s legal films
- 1990s thriller drama films
- American business films
- American courtroom films
- American erotic drama films
- American erotic thriller films
- American films
- American legal drama films
- American thriller drama films
- Films about businesspeople
- Films about computing
- Films about sexual harassment
- Films about technological impact
- Films based on works by Michael Crichton
- Films directed by Barry Levinson
- Films scored by Ennio Morricone
- Films set in Seattle
- Films set in Washington (state)
- Films shot in Washington (state)
- Legal thriller films
- Techno-thriller films
- Warner Bros. films