Dopo (clothing)
Dopo | |
Korean name | |
---|---|
Hangul | 도포 |
Hanja | |
Revised Romanization | dopo |
McCune–Reischauer | top'o |
The dopo is a variety of po, or overcoat in hanbok, which was first worn in the middle of the Joseon since the 16th century.[1][2][3][4] The dopo was mostly worn by male Confucian scholars called seonbi during the Joseon period.[5][6] It was also worn by Kings and princes and government officers.[7] The dopo held a strong Confucianism value.[8] It was worn as an everyday outer garment by Neo-Confucian scholars,[9] who wore it as an official form of clothing or as a ritual clothing.[1] It was also an ordinary robe worn by the court officials.[10] Since the 1894 reform, all varieties of po with wide sleeves, including the dopo, were prohibited to be worn by King Gojong and instead people had to wear the durumagi.[11]
Construction and design[]
The dopo is a long over-coat (po) with V-neck and wide sleeves.[1][2] It was long enough to reach the ankle of his wearer.[12][1]
The white color dopo was typically worn for ordinary use while the light blue dopo was for festive occasions.[12][13] Many other colors were also used.[citation needed]
In terms of construction, the basic form dopo was similar to the having a straight collar.[8] It differed from the jikryeong in the shape of the mu (무, gusset).[8] The mu of the dopo was found inside or on the back region of the garment; it was running along the front region of the garment and created two flaps on the back region of the garment.[8]
Another characteristics of the dopo is its back region which is split into 2 on back center line and is fully covered by another piece of fabric called Jeonsam.[1]
The dopo worn by the commoners were different in terms of styles from those worn by the members of the royal families; for example, the dopo worn by the commoners had a straight lapels while the dopo worn by King Yeongjo had a lapel which was made through a combination of square and pointy shape.[3]
Origins[]
It is recorded that the dopo was first worn in the middle period of the Joseon dynasty.[14] The dopo started to appear in Joseon since the16th century according to historical records and relics.[15]
According to historical documents such as (성호사설), (오주연문장전산고), the garment was influenced by Buddhism. The authors claimed that dopo was originally monk's robe called, gwontu (권투/圈套) which was identical to jangsam, another monk's garment.[16][17][18] The jangsam (장삼/長衫; lit. 'long gown') was a Buddhist robe which was worn under the kasaya until the early Joseon was in the form of the Chinese monastic robe called zhiduo.[19] After the Imjin wars, the Joseon system of po (robes) was adopted which allowed the dopo and the durumagi (also known as juui) to be used as jangsam.[19]
It is also suggested by the author Myoung-Hee Lee that the dopo appears that its origins from the robe worn in Goguryeo.[14] Other authors such as Jungae Kim also suggest that it is the dopo could have originated from the jikryeong (직령/直領; coat with a straight collar) po and with which its bears similarities.[20]
See also[]
References[]
- ^ a b c d e Myoung-Hee, Lee (1977). "A Study on Dopo, Korean Man's Robe". Journal of the Korean Society of Clothing and Textiles. 1 (1): 15–23. ISSN 1225-1151.
- ^ a b "도포". 한국의식주생활사전.
- ^ a b Administration, Cultural Heritage. "Full Dress Worn by King Yeongjo - Heritage Search". Cultural Heritage Administration - English Site. Retrieved 2021-06-19.
- ^ Geun-hi, Cho (1988). "A Study on Dopo Dealt with its History and Folklore -in Young-dong Province Area-". Journal of the Korean Society of Clothing and Textiles. 12 (1): 1–11. ISSN 1225-1151.
- ^ 崔莎莎、胡曉東 (February 2016). "孔府舊藏明代男子服飾結構選例分析" (pdf). 服飾導刊. 5 (1): 61–67. ISSN 2095-4131.
- ^ Traditional Korean Costume by Kyŏng-ja Yi, Na-yŏng Hong, Suk-hwan Chang, Mi-ryang Yi
- ^ Kim, Jeong-Ae; Lee, Sang-Eun (2016). "A Study on the Composition of Dopo(Long Robe) Found in the Tomb of Bae Cheonjo(1532) - Focusing on the Clothing Found in the Tombs of the Seongsan Bae Clan in the Joseon Dynasty -". Journal of the Korea Fashion and Costume Design Association. 18 (2): 35–49. ISSN 1229-7240.
- ^ a b c d Kim, Jeong-Ae; Lee, Sang-Eun (2016). "A Study on the Composition of Dopo(Long Robe) Found in the Tomb of Bae Cheonjo(1532) - Focusing on the Clothing Found in the Tombs of the Seongsan Bae Clan in the Joseon Dynasty -". Journal of the Korea Fashion and Costume Design Association. 18 (2): 35–49. ISSN 1229-7240.
- ^ Lee, Samuel Songhoon (2013). Hanbok: Timeless Fashion Tradition. Seoul Selection. p. 59. ISBN 9781624120565. Retrieved 2 February 2021.
- ^ Myoung-Hee, Lee (1977). "A Study on Dopo, Korean Man's Robe". Journal of the Korean Society of Clothing and Textiles. 1 (1): 15–23. ISSN 1225-1151.
- ^ 김정애 (2010). "조선시대 도포(道袍)의 형태변화(形態變化)에 관한 연구". ScienceON (in Korean). Retrieved 2021-05-12.
- ^ a b "도포". terms.naver.com (in Korean). Retrieved 2021-08-05.
- ^ Lee, Samuel Songhoon (2013). Hanbok: Timeless Fashion Tradition. Seoul Selection. p. 59. ISBN 9781624120565. Retrieved 2 February 2021.
- ^ a b Myoung-Hee, Lee (1977). "A Study on Dopo, Korean Man's Robe". Journal of the Korean Society of Clothing and Textiles. 1 (1): 15–23. ISSN 1225-1151.
- ^ Administration, Cultural Heritage. "Full Dress Worn by King Yeongjo - Heritage Search". Cultural Heritage Administration - English Site. Retrieved 2021-06-19.
- ^ 도포 (道袍) (in Korean). Empas / EncyKorea. Retrieved 2008-09-30.
- ^ 도포 (道袍) (in Korean). Doosan Encyclopedia. Retrieved 2008-09-30.[permanent dead link]
- ^ 도포 (道袍) (in Korean). Empas / Britannica. Retrieved 2008-09-30.
- ^ a b "Seungbok(僧服)". Encyclopedia of Korean Folk Culture.
- ^ 김정애 (2010). "조선시대 도포(道袍)의 형태변화(形態變化)에 관한 연구". ScienceON (in Korean). Retrieved 2021-05-12.
- Lee Ho-jeong (2007-05-07). "Clothing with stories of fertility and faith". JoonAng Daily.
External links[]
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