Eastmancolor

Eastmancolor is a trade name used by Eastman Kodak for a number of related film and processing technologies associated with color motion picture production.

Eastmancolor, introduced in 1950, was one of the first widely successful "single-strip colour" processes, and eventually displaced the more cumbersome Technicolor. Eastmancolor was known by a variety of names such as DeLuxe Color, Warnercolor, Metrocolor, Pathécolor, Columbiacolor, and others.^[1]^[2]^[3]

For more information on Eastmancolor, see

Eastman Color Negative (ECN, ECN-1 and ECN-2), the photographic processing systems associated with Eastmancolor negative motion picture stock, and intermediate motion picture stocks (including interpositive and internegative stocks)
Eastman Color Positive (ECP, ECP-1 and ECP-2), the photographic processing systems associated with Eastmancolor positive print motion picture stock for direct projection
Color motion picture film, for background on Eastmancolor and other motion picture processes in general
Eastman Kodak Fine Grain color negative films (1950 onwards), within the "List of motion picture film stocks" article

Examples of films that use Eastmancolor[]

The 1959 British satirical comedy film The Mouse That Roared was filmed using the Eastmancolor process.

Eastmancolor became very popular in the South Indian film industry during early '60s.

Carson City - (Warnercolor) 1952
Jigokumon - (Japan) 1953
The High and the Mighty - (Warnercolor) 1954
Oklahoma! - 1955^[4]
Rebel Without a Cause (Warnercolor) - 1955
Foreign Intrigue 1956
The Bolshoi Ballet - 1957^[5]
The Human Pyramid - France/Ivory Coast 1961
Mere Mehboob - -Urdu (India)1963
2001: A Space Odyssey - American/British, 1968 (Color credited as "Metrocolor")
Macunaíma - Brazilian, 1969
A Clockwork Orange - British/American, 1971 (Color credited as "Warnercolor")
Piya Ka Ghar - Hindi, 1971
To Fly! - United States, 1976 (Eastman Color Negative)^[6]
Women on the Verge of a Nervous Breakdown - Spanish, 1988

References[]

^ Merritt, russell (2008). "Crying In Color: How Hollywood Coped When Technicolor Died" (PDF). NFSA Journal. Nfsa.gov. 3. Archived from the original (PDF) on 2016-03-03. Retrieved 2015-05-06.
^ Peter Lev. Transforming the Screen, 1950-1959. University of California Press, 2003. p. 108.
^ Stephen Neale. Contemporary Hollywood Cinema. Psychology Press, 1998. p. 120.
^ "Oklahoma 1955 film". Alamy. Retrieved 21 September 2020.
^ "The Bolshoi Ballet (1957, UK) cert. U". The David Lean Cinema. Retrieved 2020-02-02.
^ MacGillivray, Greg; Freeman, Jim (1976-07-04). "Producing the IMAX Motion Picture: 'To Fly'". American Cinematographer. Vol. 57 no. 7. Hollywood: American Society of Cinematographers. pp. 750–809. ISSN 0002-7928. ProQuest 196332360.

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[1] Merritt, russell (2008). "Crying In Color: How Hollywood Coped When Technicolor Died" (PDF). NFSA Journal. Nfsa.gov. 3. Archived from the original (PDF) on 2016-03-03. Retrieved 2015-05-06.

[2] Peter Lev. Transforming the Screen, 1950-1959. University of California Press, 2003. p. 108.

[3] Stephen Neale. Contemporary Hollywood Cinema. Psychology Press, 1998. p. 120.

[4] "Oklahoma 1955 film". Alamy. Retrieved 21 September 2020.

[cinema-5] "The Bolshoi Ballet (1957, UK) cert. U". The David Lean Cinema. Retrieved 2020-02-02.

[6] MacGillivray, Greg; Freeman, Jim (1976-07-04). "Producing the IMAX Motion Picture: 'To Fly'". American Cinematographer. Vol. 57 no. 7. Hollywood: American Society of Cinematographers. pp. 750–809. ISSN 0002-7928. ProQuest 196332360.

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