Edward Kenway

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Edward Kenway
Assassin's Creed character
EdwardKenway.png
First appearanceAssassin's Creed: Forsaken (2012)
First gameAssassin's Creed IV: Black Flag (2013)
Last appearanceAssassin's Creed: Rebellion (2018)
Created byUbisoft
Adapted byOliver Bowden
Portrayed byMatt Ryan
In-universe information
Full nameEdward James Kenway
OccupationFarmer
Privateer
Pirate
Assassin
AffiliationAssassin Brotherhood
SpouseCaroline Scott-Kenway
ChildrenHaytham Kenway (son)
Jennifer Scott (daughter)
RelativesRatonhnhaké꞉ton (grandson)
OriginSwansea, Wales, Kingdom of Great Britain
NationalityWelsh

Edward James Kenway is a fictional character in Ubisoft's Assassin's Creed video game franchise. He first appears in Assassin's Creed: Forsaken, a companion novel to the 2012 video game Assassin's Creed III, as a supporting character. He is the primary protagonist of the 2013 video game Assassin's Creed IV: Black Flag, and its novelization Assassin's Creed: Black Flag. The character's other appearances include the spin-off mobile game Assassin's Creed: Rebellion.

Within the series, Edward is a Welsh privateer-turned-pirate who formally joins the Assassin Brotherhood, a fictional organization inspired by the real-life Order of Assassins, following his retirement from piracy. A few lead characters in the series share a consanguineous relationship with Edward: he is the father of Haytham Kenway, the grandfather of Ratonhnhaké꞉ton, and an ancestor of Desmond Miles. He is portrayed by Welsh actor Matt Ryan through performance capture.

Edward Kenway has received a positive reception and is considered to be one of the series' best and most popular characters, with critical commentary focusing on his characterization as a morally ambiguous protagonist and self-made man.

Creation and development[]

Lead scriptwriter for Black Flag Darby McDevitt observed that previous series protagonists have joined the Assassin Brotherhood without much deliberation, often as part of a coming of age moment, as their personal goals are already naturally aligned with that of the organization's. For Black Flag, the developmental team wanted to explore the Assassins' tenets, their "creed", from a new perspective. The idea of a talented and shrewd pirate, a cynical and jaded man who comes into contact with the Assassins, was mooted and proposed as the protagonist who presents this different point of view and who may not share the Assassins' worldview or adherence to a higher purpose or ideal.[1] The whole thrust of the story then became a constant conflict within Edward over the very idea of the Creed, even as he co-opts some of the Assassins' methods and tactics for his personal gain.[2][3]

McDevitt explained that Black Flag is at its core a story of immorality and repentance, and Edward Kenway is a married man whose strained relationship with his wife is one of the central struggles in the game.[4] McDewitt describe Edward as a "raucous and bawdy chap" who also has a few significant close relationships with other women in the story, and that his primary motivation in Black Flag is to get rich and prove himself a "man of quality' to his family and betters".[4] As for his personality, McDevitt said Edward "is a pirate who yearns for freedom much like the Assassins do, but loathes the sense of responsibility that a truly functional freedom requires" and that the narrative intends to explore "at what point would Edward realize his brand of freedom is too chaotic to function for very long.”[2] McDevitt compared Edward to his grandson Ratonhnhaké꞉ton, better known as Connor, the protagonist of Black Flag's antecedent Assassin's Creed III, and described his character arc as a counterpoint in someway.

Portrayal[]

Ryan provided the voice and likeness for Edward Kenway

Edward Kenway is voiced by Matt Ryan, who also portrayed the character in a motion capture studio.[5] McDevitt admitted that the character and his back story became far more influenced by the culture of Wales than he had originally intended; the developmental team only decided to build their story around a Welsh pirate when they cast Ryan as the voice and image of the character. McDevitt originally envisioned Edward to hail from an English port town like Bristol, Portsmouth, or Manchester, but deliberately left his background blank prior to the finalization of the casting process because he wanted to draw from whichever actor was chosen. McDevitt praised Ryan for the charisma and the personality he brought to the character, but recalled that he initially read his lines in a West County accent. Ryan was then asked to speak in his natural Welsh accent, which ultimately prompted McDevitt to finalize Edward as a Welsh character from Swansea, which matches his actor's cultural background. McDevitt consulted Ryan's father for ideas as he wanted to include some colloquial Welsh phrases into the game's dialogue.[6]

Ryan noted that unlike the majority of the game's cast of characters who are fictionalized versions of historical figures, Edward is an original character. To prepare for the role, Ryan was asked to read books recommended by McDevitt as part of their research of the time period, as the game's developmental team wanted to avoid the usual tropes and archetypes associated with the depiction of piracy in popular fiction.[5]

Fictional character biography[]

As a Welshman born into a family of farmers in 1693, Edward Kenway is from a low socio-economic background. At some point in his life, he fell in love with a wealthy girl named Caroline Scott. Disobeying the wishes of her parents, Caroline left her comfortable life to marry Edward. Unsatisfied with his wages on the farm, Edward quickly became a drunkard with dreams of becoming rich as a privateer. Caroline loses faith in Edward and leaves him while concealing her pregnancy. Edward leaves his homeland to search for his fortune, first as a privateer, then as a pirate. He was active in the West Indies from 1712 to 1722 during the later years of the Golden Age of Piracy and was known for his close relationship with the likes of Adéwalé, Blackbeard, Mary Read and Anne Bonny. He commanded the Jackdaw, a brig which sunk under unknown circumstances sometime prior to 1735. Although Edward's career in piracy was largely a success, he reflected on his life before aiding the Assassin Brotherhood with some regret. Edward retired from piracy and relocated to London in 1723 a wealthy man, where he took up his responsibilities as a member of the Assassin Brotherhood. In 1735, he was murdered in his Queen Anne's Square estate by agents acting under orders from Reginald Birch, the Grand Master of the British Rite of Templars.

Appearances[]

Assassin's Creed IV: Black Flag[]

In Assassin's Creed IV: Black Flag, the player experiences Edward's life and exploits in the Caribbean and the west coast of the African continent as part of a simulation played by a silent protagonist who works as a research analyst at Abstergo Entertainment, a corporate front of the Templar Order in the modern era. The plot of Black Flag follows Edward's interactions with fictionalized versions of historical figures who were active during the Golden Age of Piracy, including Stede Bonnet, Woodes Rogers, Laureano de Torres y Ayala, Mary Read, Charles Vane, Jack Rackham, Benjamin Hornigold, Blackbeard, Anne Bonny, and Bartholomew Roberts. In the alternate version of historical events depicted in Black Flag, Edward is personally involved with several notable incidents that occurred during the time period, including the founding of the Republic of Pirates at Nassau on New Providence island in 1706, Blackbeard's blockade of Charles Town in May 1718, the Battle of Ocracoke Inlet on November 22, 1718, and the trial of Read and Bonny at Port Royal on November 16, 1720.

After learning about a mysterious location known as the Observatory, which he erroneously believes as housing treasure that would set him up financially for life, Edward is determined to secure access at any cost. He actively avoids choosing a side permanently, and is willing to utilize opportunities from both the Templars and the Assassins to achieve his goal. He begins to have a change of heart following the death of Read, who had consistently appealed to Edward's conscience throughout their friendship, and permanently sides with the Assassins towards the end of his piracy career. In the ending of Black Flag, he is reunited with Jennifer, a daughter he never knew he had and who would insist on using her mother's surname Scott as an adult.

Other appearances[]

Edward's first appearance in the Assassin's Creed franchise is in the 2012 novel Assassin's Creed: Forsaken, authored by Anton Gill using his pen name Oliver Bowden, as the father of its point of view character Haytham Kenway. The novel is presented as Haytham's journal, which recounts the events that leads to Edward's eventual fate, and serves to bridge the narrative gap between Black Flag and Assassin's Creed III which stars the character's progeny. He is the central focus of Assassin's Creed: Black Flag, the novelization of the 2013 video game, also authored by Gill. Edward's legacy and his mansion serve as a plot point in Assassin's Creed Syndicate.

Edward appears in the Dead Men's Gold story arc of Assassin's Creed: Rebellion, which serves as a prequel to the introduction sequence of Black Flag.

Promotion and merchandise[]

In conjunction with Ubisoft, Todd McFarlane and his McFarlane Toys Design Group designed a highly detailed, hand-painted, and cold-cast resin limited-edition statue of Edward Kenway. Only one thousand pieces were created and distributed worldwide, and each statue includes a Certificate of Authenticity hand-signed by McFarlane.[7]

Reception[]

A cosplayer recreating Edward Kenway's unhooded appearance.

Edward Kenway has been well received by video game journalists, with high placements on several "top character" ranking lists of Assassin's Creed series protagonists.[8][9][10][11] VideoGamer.com ranked him among the best pirates in video games.[12]

Matt Purslow from IGN described Edward as the "true secret weapon" of Black Flag, the central element that binds the game's disparate elements and features together, and argued that it manages to avoid the pitfalls of over-reliance on MacGuffin plot devices like its predecessors due to the narrative focus on Edward’s personal journey.[13] He found the character's privateer-turned-pirate background, a chancer looking for profit whose decision to steal the robes of a member of the Assassins sparks his growth from rebel to honorable captain, to be a "fresh perspective to the overarching narrative of the series".[13] Andrei Dobra from Softpedia interpreted McDevitt's statements about Edward in an interview with VG247 as indicative of a belief that the popularity of Black Flag is largely because the character is an unusual protagonist who trumps many established tropes concerning heroes in the franchise.[14] In an article which offers an impression of Assassin's Creed: Valhalla Jordan Ramée from Gamespot reflected on his gameplay experience with Edward in Black Flag fondly, where combat sequences often involved head-on confrontation of foes and that Edward solves many of his problems as a pirate that's making the most of the tools of an Assassin.[15] Evan Stallworth Carr from The Daily Californian found Edward Kenway to be "a deeply interesting character" who displays a "charismatic and outgoing personality" for his pirate persona. On the other hand, Carr opined that he does not fit well into the lore of the series, which in his view ultimately hurt the plot of Black Flag.[16] Stephen Totilo was of the opinion that while the subplot involving the wife he left behind paid off beautifully at its conclusion, Edward is a "forgettable lead" and his character arc is "shallow".[3]

The ending sequence of Black Flag has attracted praise for its depiction of Edward's character development. Tom Phillips from Eurogamer found it to be a "surprisingly mature conclusion for a series all about stabbing people in the neck", as Kenway finally gives up a life of piracy to settle down with his newly-discovered daughter, and that it took the entirety of the narrative of Black Flag where he experiences of the deaths of all of his close friends and loved ones for Edward to make a sensible decision about his life.[17] Erik Kain from Forbes found the final moments of Black Flag to be "surprisingly beautiful", describing the finale as an "oddly sad and redemptive" contemplation of the character's loss which segues to his conversation with his daughter which is both playful and regretful in tone.[18]

Analysis[]

Hadi Baku Pangestu analyzed the progression of Edward Kenway's anti-hero journey within Black Flag in a 2017 thesis published by Indonesia University of Education.[19] Nick Dinicola from Pop Matters found the narrative approach by Black Flag to be interesting, as its lead character does not become an official member of the Brotherhood of Assassins by the ending of the game; instead, the story explores both sides of the long-running Assassin-Templar conflict from the perspective of an indifferent protagonist, and allows players a better sense of the Assassins' code of conduct as Edward gradually becomes sympathetic to their cause and acknowledges that their creed is “the beginning of wisdom.”[20] In his paper which examines the representation of female characters in the Assassin’s Creed Series published by St. Mary’s University of Minnesota, Stephen J. Fishburne described Edward Kenway as "capturing the ideal of masculinity and the self-made man to the greatest extent" amongst other male protagonists in the series, and noted that "the consequences of his irresponsibility are really only felt by those around him" because he is still considered the "hero of Black Flag".[21] In a paper which analyzes the cultural depiction of piracy in video games, Eugen Pfister said the depiction of pirates as rebels but not revolutionaries in Black Flag is historically accurate. Pfister noted that while Edward mostly acts ethically and adheres to his own code of conduct as he tries to do the “right thing”, he becomes a “gentleman of fortune” of his own volition in the first place, and that even more importantly, he seeks no redemption for his violent actions when it comes to exploring and hunting for victims. This is reinforced by the game's mechanics, which encourages constant pillaging and raiding of merchant ships to improve the performance of Edward's flagship and offers the character "no incentive to ponder the possibility of becoming an honest man again".[22]

References[]

  1. ^ Brenna Hillier (July 9, 2013). "Assassin's Creed 4's hero is a "counterpoint" to AC3's Connor". VG247. Retrieved January 2, 2021.
  2. ^ Jump up to: a b Dave Cook (January 20, 2014). "The making of Assassin's Creed 4: origins, reparations & uncharted waters". VG247. Retrieved December 18, 2020.
  3. ^ Jump up to: a b Stephen Totilo (October 29, 2013). "Does It Say 'Arrgh' When You Make a Kill?". New York Times. Retrieved December 18, 2020.
  4. ^ Jump up to: a b "Assassin's Creed 4: Black Flag story of sex and repentance outlined by lead scriptwriter". Polygon. May 3, 2013. Retrieved December 18, 2020.
  5. ^ Jump up to: a b Colin Campbell (July 22, 2013). "Truth and fantasy in Assassin's Creed 4: Black Flag". Polygon. Retrieved December 18, 2020.
  6. ^ Kathryn Williams (September 22, 2013). "Shiver me timbers! Pirate hero in new Assassin's Creed is a Welshman!". Wales Online. Retrieved December 18, 2020.
  7. ^ Scott Johnson (September 6, 2017). "Assassin's Creed IV Black Flag Edward Kenway Statue Revealed By McFarlane Toys". Comicbook.com. Retrieved December 18, 2020.
  8. ^ "Assassin's Creed: Every Assassin Ranked, Worst to Best". 22 June 2017.
  9. ^ "Assassin's Creed's 5 Best Protagonists, Ranked". 15 July 2020.
  10. ^ "Assassin's Creed: All the Assassins, Ranked from Worst to Best". 31 May 2020.
  11. ^ Andy Kelly (October 23, 2018). "The assassins of Assassin's Creed, ranked from worst to best". PC Gamer. Retrieved December 11, 2020.
  12. ^ Alice Bell (March 23, 2018). "The best ever pirates in video games ever". Videogamer.com. Retrieved December 18, 2020.
  13. ^ Jump up to: a b Matt Purslow (July 9, 2020). "The Evolution of Assassin's Creed: From the Holy Land to Valhalla". IGN. Retrieved December 18, 2020.
  14. ^ Andrei Dobra (January 21, 2014). "Assassin's Creed 4 Succeeds Because of Its Unusual Protagonist, Ubisoft Believes". Softpedia. Retrieved December 18, 2020.
  15. ^ Ramée, Jordan (July 13, 2020). "Assassin's Creed Valhalla Reminds Me Of Playing Black Flag". GameSpot. Retrieved December 18, 2020.
  16. ^ Evan Stallworth Carr (November 7, 2013). "4th installment of 'Assassin's Creed' makes up for lackluster plot with killer gameplay". The Daily Californian. Retrieved December 18, 2020.
  17. ^ Tom Phillips (November 27, 2013). "The Assassins' Propaganda". Eurogamer. Retrieved December 18, 2020.
  18. ^ Erik Kain (December 10, 2013). "The Surprisingly Beautiful Ending Of 'Assassin's Creed IV: Black Flag'". Forbes. Retrieved December 18, 2020.
  19. ^ Hadi Baku Pangestu (2017). "ANTI-HERO'S JOURNEY OF EDWARD KENWAY IN ASSASSIN'S CREED: BLACK FLAG". Universitas Pendidikan Indonesia. Cite journal requires |journal= (help)
  20. ^ Nick Dinicola (July 29, 2014). "The Assassins' Propaganda". Pop Matters. Retrieved December 18, 2020.
  21. ^ Stephen J. Fishbune (2018). ""Competent, Capable, and Practically Dressed": The Representation of Women in the Assassin's Creed Series" (PDF). Minnesota: St. Mary’s University of Minnesota. Retrieved December 18, 2020. Cite journal requires |journal= (help)
  22. ^ Eugen Pfister (September 2018). ""In a world without gold, we might have been heroes!" Cultural Imaginations of Piracy in Video Games". 11 (2). FIAR: 30–43. Cite journal requires |journal= (help)

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