FairyTale: A True Story

FairyTale: A True Story
North American theatrical release poster
Directed by	Charles Sturridge
Screenplay by	Ernie Contreras
Story by	Albert Ash Tom McLoughlin Ernie Contreras
Produced by	Bruce Davey Wendy Finerman
Starring	Florence Hoath Elizabeth Earl Paul McGann Phoebe Nicholls Harvey Keitel Peter O'Toole
Cinematography	Michael Coulter
Edited by	Peter Coulson
Music by	Zbigniew Preisner
Production companies	Icon Productions Icon Entertainment International Wendy Finerman Productions Anna K. Production C.V.[1]
Distributed by	Paramount Pictures (United States) Warner Bros.[2][3] (International)
Release date	October 24, 1997 (United States)
Running time	99 minutes
Countries	United States France
Language	English
Box office	$18 million

FairyTale: A True Story is a 1997 French-American^[4] fantasy drama film directed by Charles Sturridge and produced by Bruce Davey and Wendy Finerman. It is loosely based on the story of the Cottingley Fairies. Its plot takes place in the year 1917 in England, and follows two children who take a photograph soon believed to be the first scientific evidence of the existence of fairies. The film was produced by Icon Productions and was distributed by Paramount Pictures in the United States and by Warner Bros. internationally.^[2][3]

Plot[]

Early 20th-century Europe was a time and a place rife with conflicting forces, from the battlefields of World War I to the peaceful countryside of rural England. Scientific advances such as electric light and photography appeared magical to some; spiritualism was championed by Sir Arthur Conan Doyle while his friend Harry Houdini decried false mediums who prey upon grieving families. J.M. Barrie's Peter Pan charmed theatergoers of all ages. Young Frances Griffiths, whose father is missing in action, arrives by train to stay with her cousin Elsie Wright in rural Bradford, West Yorkshire.

Polly Wright, Elsie's mother, is deep in mourning for her son Joseph, a gifted artist who died at the age of ten, and she keeps Joseph's room and art works intact. Elsie is not allowed to wear colours or to play with his toys, but she has taken the unfinished fairy-house he built up to her garret bedroom where her doting father, Arthur, regales her with fairy tales. He is a bit of a local hero, responsible for the electrification of the local mill, where children as young as Elsie go to work. He is also an amateur photographer and chess player. When Frances arrives she and Elsie discover a shared fascination with fairies, whom they encounter down at the "beck", a nearby brook. They abscond with Arthur's camera one afternoon to take pictures of the fairies, hoping to give Polly something to believe in. When she comes home after attending a meeting of the Theosophical Society, where she hears stories of angels and all sorts of ethereal beings, she finds Arthur reviewing the prints in disbelief, but she thinks they are real. She takes them to Theosophist lecturer E.L. Gardner, who has them analysed by a professional and then brings them to the attention of Sir Arthur Conan Doyle. The photos are pronounced genuine, or at least devoid of trickery.

No one except Houdini believes that young children could be capable of photographic fraud, and Conan Doyle himself arrives at the girls' home with Houdini, Gardner and two new cameras. Arthur catches Houdini poking around and tells him point-blank that he doesn't believe that the fairies are real, but that no trickery took place in his darkroom either. Abetted by the buffoonish Gardner, Elsie and Frances soon come up with two more photos and Conan Doyle has the story published in The Strand Magazine, promising everyone's names will be changed. But a newsman soon identifies the beck in Cottingley, tracing the girls through the local school and besieging the family. Hundreds of people invade the village in automobiles and on foot, and the fairies flee the obstreperous mobs. By way of apology to the fairies, the girls finish Joseph's fairy-house and leave it in the forest as a gift.

The girls are invited to London by Conan Doyle, where they embrace their celebrity and see Houdini perform. In a quiet moment backstage Houdini asks Elsie if she wants to know how he does his tricks, and she wisely declines. And when a reporter asks, he declaims, "Masters of illusion never reveal their secrets!" Back in Yorkshire, while the girls and Polly are away, Arthur has a chess match with a local champion reputed to be mute, and the newsman breaks into their house. He discovers a cache of paper dolls in the form of fairies in a portfolio in Joseph's room, but he is frightened away by the apparition of a young boy, leaving the evidence behind. Arthur wins his match, wringing a shout from his opponent, and another myth is debunked. After the children return home, the fairies reappear, and finally, Frances' father comes home as well.

Cast[]

• Peter O'Toole as Sir Arthur Conan Doyle
• Florence Hoath as Elsie Wright
• Elizabeth Earl as Frances Griffiths
• Harvey Keitel as Harry Houdini
• Paul McGann as Arthur Wright
• Bill Nighy as Edward Gardner
• Phoebe Nicholls as Polly Wright
• Anna Chancellor as Peter Pan
• Mel Gibson as Sergeant Major Griffiths
• Don Henderson as Sydney Chalker

Background[]

In 1920 Sir Arthur Conan Doyle, the creator of Sherlock Holmes, who had developed a strong belief in spiritualism in the last third of his life, was commissioned by the Strand Magazine to write an article on fairies, and it was while preparing this article that he first heard of the Cottingley Fairies. In 1922 he published The Coming of the Fairies,^[5] which included numerous photographs and extensive discussion. Magician Harry Houdini publicly exposed the many fraudulent mediums he discovered during his search for a genuine medium who could help him communicate with his late mother. The two maintained a friendship for several years, exchanging several letters about supernatural phenomena.

Filming and production[]

Much of the film was shot on location in the Cottingley, Bingley and Keighley in the City of Bradford.^[6][7] Filming locations include Cottingley Town Hall, Cottingley Beck, and Keighley railway station along with the rest of the Keighley and Worth Valley Railway.^[7] The cinematography was by Michael Coulter, with art direction by Sam Riley. The film was produced by Mel Gibson's production company Icon Productions and Gibson appears in an uncredited cameo as Frances' father.

Release[]

The film was released in the United States on October 24, 1997.

The film got its UK premiere in Bradford, the city it was filmed and set in, on the 8th of February 1998.^[6] It was shown simultaneously at the Pictureville Cinema (which is based in the National Science and Media Museum), and Bradford Odeon just over the road.^[6] The Bradford premiere was attended by the likes of Dominic Brunt (among other Emmerdale stars), politician Gerry Sutcliffe, the lord mayor of Bradford Tony Cairns, Frances Griffiths' daughter Christine Lynch, the films stars Phoebe Nicholls, Tim McInnerny, Florence Hoath, and Elizabeth 'Lizzie' Earl, along with the director Charles Sturridge.^[6] The after party was based at the Bradford Alhambra which is situated in between the National Science and Media Museum, and the Bradford Odeon.^[6]

Reception[]

FairyTale: A True Story received mixed reviews from critics, as it holds a rating of 57% on Rotten Tomatoes from 23 reviews.^[8]

The film grossed just over $14 million in the US and Canada.^[9] In the UK, the film grossed £2.4 million ($4 million)^[10] for a worldwide total of over $18 million.

See also[]

• Cottingley Fairies
• Photographing Fairies, another 1997 film also inspired by the Cottingley Fairies.

References[]

External links[]

• A look back at FairyTale: A True Story at Wild About Harry
• FairyTale: A True Story at IMDb
• FairyTale: A True Story at Rotten Tomatoes