Fountains of Rome (symphonic poem)

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For a list of fountains in Rome, see Fountains in Rome.

Fountains of Rome (Italian: Fontane di Roma) is a symphonic poem written by the Italian composer Ottorino Respighi in 1916 and first published in 1918.[1] It was his first great success as a composer and is his best known work.[2] He wrote as sequels two other works: Pines of Rome (1924) and Roman Festivals (1928).[2]

Each of the four movements depicts one of Rome’s fountains at a different time of the day.

Its premiere was held on March 11, 1917 at the Teatro Augusteo in Rome, under the direction of Antonio Guarnieri.

Structure[]

The work has four movements:

  1. "The Fountain of Valle Giulia at Dawn" (La fontana di Valle Giulia all'Alba)
    The first section shows this fountain at daybreak in "a pastoral scene, with sheep passing and disappearing in the fresh and humid mist of a Roman dawn".[3]
    Triton Fountain, Rome
  2. "The Triton Fountain in the Morning" (La fontana del Tritone al mattino)
    In the second section "it is like some joyous appeal at whose sound naiads and Tritons come trooping up, pursuing each other and mingling in a wild dance beneath the falling spray."[3] Figures of the Bernini fountain are seen nearby. The Tritons blow on conch shells, portrayed by the French horns.
    Trevi Fountain, Rome
  3. "The Trevi Fountain at Noon" (La fontana di Trevi al meriggio)
    The theme of third section "takes on a triumphal character. Fanfares sound. It is as if Neptune's chariot, drawn by river-horses and followed by a cortege of sirens and tritons, were passing on the radiant surface of the water, only to vanish while muted chimes sound in the distance."[3]
  4. "The Villa Medici Fountain at Sunset" (La fontana di Villa Medici al tramonto)
    The final section portrays a much more melancholic atmosphere. "It is sad in intent, delicate, restful. Bells toll for the Angelus. Birds twitter and there is a rustling and fluttering of leaves. Then follows the silence of night."[3]

Instrumentation[]

Fountains of Rome calls for the following large orchestra, including piano, celesta, harps, chimes, and organ ad lib.:

It was also transcribed for piano four hands (duet) by the composer.[1]

Performances, reception, and recordings[]

Arturo Toscanini originally planned to conduct the work in 1916, but the Italian composer refused to appear for the performance after a disagreement over his having included some of Wagner's music on a program played during World War I.[clarification needed] Consequently, it did not premiere until March 11, 1917, at the Teatro Augusteo in Rome, with Antonio Guarnieri as conductor. Although the premiere was unsuccessful, Toscanini finally conducted the work in Milan in 1918 with tremendous success. It "was acclaimed [as] one of the loveliest of symphonic writings".[4]

The piece was first performed in the United States on February 13, 1919. Toscanini recorded the music with the NBC Symphony Orchestra in Carnegie Hall in 1951; the high fidelity monaural recording was issued on LP and then digitally remastered for release on CD by RCA Victor. The work has since become one of the most eminent examples of the symphonic poem.

Use in popular culture[]

The Second Movement appears on the Hong Kong Film Studios as intro.

References[]

  1. ^ Jump up to: a b "Fontane di Roma (Respighi, Ottorino) - IMSLP/Petrucci Music Library: Free Public Domain Sheet Music". imslp.org. Retrieved 2017-10-10.
  2. ^ Jump up to: a b "(Program notes)" (PDF). University of Washington Symphony Orchestra. 2007. Retrieved April 7, 2020.
  3. ^ Jump up to: a b c d "The Three Arts". The Evening Sun. Baltimore, Maryland. 28 December 1920. p. 12 – via newspapers.com.
  4. ^ "La Scala Orchestra". The Pittsburgh Sunday Post. 27 February 1921. sec. 5, p. 6 – via newspapers.com.

External links[]

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