George Stevens

George Stevens
Stevens with his Oscar for directing Giant
Born	George Cooper Stevens (1904-12-18)December 18, 1904 Oakland, California, U.S.
Died	March 8, 1975(1975-03-08) (aged 70) Lancaster, California, U.S.
Resting place	Forest Lawn Memorial Park (Hollywood Hills)
Occupation	director, cinematographer, actor, writer, producer
Years active	1915–1970
Spouse(s)	Yvonne Howell (1930–1947) Joan McTavish (1968–1975)
Children	George Stevens, Jr.
Awards	Academy Award for Best Director nominated in 1943 for The More the Merrier awarded in 1951 for A Place in the Sun nominated in 1954 for Shane awarded in 1956 for Giant nominated in 1959 for The Diary of Anne Frank Legion of Merit star on the Hollywood Walk of Fame Irving G. Thalberg Memorial Award Lifetime Achievement Award from the Academy of Motion Picture Arts and Sciences (1954) National Board of Review Award for Best Director New York Film Critics Circle Award for Best Director
Military career
Allegiance	United States
Service/branch	United States Army
Years of service	1943–1946
Rank	Lieutenant Colonel
Unit	Army Signal Corps
Battles/wars	World War II European Theater
Awards	Legion of Merit American Campaign Medal European–African–Middle Eastern Campaign Medal World War II Victory Medal

L-R: George Stevens Jr., his father George Stevens, and composer Dimitri Tiomkin at premiere of Giant, October 11, 1956

George Cooper Stevens (December 18, 1904 – March 8, 1975) was an American film director, producer, screenwriter and cinematographer.^[1]

Among his most notable films are Swing Time (1936), The More the Merrier (1943; for which he was nominated for the Best Director Oscar), A Place in the Sun (1951; for which he won the Best Director Oscar), Shane (1953; nominated for the Best Director Oscar), Giant (1956; won the Best Director Oscar), and The Diary of Anne Frank (1959; nominated for the Best Director Oscar).

Biography[]

Film career[]

George Stevens^[2] was born in Oakland, California, the son of Landers Stevens and Georgie Cooper, both stage actors. Drama critic Ashton Stevens and film director James W. Horne were his uncles. He also had two brothers, Jack, a cinematographer, and writer Aston Stevens. He learned about the stage from his parents and worked and toured with them on his path to filmmaking. He broke into the movie business as a cameraman, working on many Laurel and Hardy short films, such as Bacon Grabbers (1929) and Night Owls (1930). His first feature film was The Cohens and Kellys in Trouble in 1933.

Stevens with Barbara Bel Geddes on set of I Remember Mama (1948)

In 1934, he got his first directing job, the slapstick Kentucky Kernels. His big break came when he directed Katharine Hepburn in Alice Adams in 1935. He went on in the late 1930s to direct several Ginger Rogers and Fred Astaire movies, not only with the two actors together, but on their own. In 1940, he directed Carole Lombard in Vigil in the Night, and the film has an alternative ending for European audiences in recognition of World War II, which at the time the U.S. had not yet entered.

During World War II, Stevens joined the U.S. Army Signal Corps and headed a film unit from 1943 to 1946, under General Eisenhower.^[3] His unit shot footage documenting D-Day—including the only Allied European Front color film of the war—the liberation of Paris and the meeting of American and Soviet forces at the Elbe River, as well as horrific scenes from the Duben labor camp and the Dachau concentration camp. Stevens also helped prepare the Duben and Dachau footage and other material for presentation during the Nuremberg Trials.^[4] In 2008, his footage was entered into the United States National Film Registry by the Library of Congress as an "essential visual record" of World War II.^[5][6]

One result of his World War II experiences was that his subsequent films became more dramatic. The motion picture I Remember Mama from 1948 was the last movie that he made with comic scenes. He was responsible for such classic films as A Place in the Sun, Shane, The Diary of Anne Frank, Giant and The Greatest Story Ever Told. He ended his directing career with the 1970 film The Only Game in Town with Warren Beatty and Elizabeth Taylor. In that same year, he was head of the jury at the 20th Berlin International Film Festival, which ended in scandal.^[7][8] In 1973 he was a member of the jury at the 8th Moscow International Film Festival.^[9]

Personal life[]

Stevens was the father of television and film writer-producer-director George Stevens, Jr., the first CEO and director of the American Film Institute. George Jr. produced and directed the documentary about his father George Stevens: A Filmmaker's Journey in 1984 and is the father of Stevens's grandson Michael Stevens (1966–2015), who was also a television and film producer-director.

Death[]

Stevens died following a heart attack on March 8, 1975, on his ranch in Lancaster, California, north of Los Angeles. He is interred at Forest Lawn Memorial Park in the Hollywood Hills of Los Angeles.^[10]

Awards[]

As a lieutenant colonel in the United States Army, Stevens headed the U.S. Army Signal Corps unit that filmed the Normandy landings and the liberation of the Dachau concentration camp. For these contributions, he was awarded the Legion of Merit.

Stevens has a star on the Hollywood Walk of Fame at 1701 Vine Street. He won the Academy Award for Best Director twice, in 1951 for A Place in the Sun and in 1956 for Giant. He was also nominated in 1943 for The More the Merrier, in 1954 for Shane, and in 1959 for The Diary of Anne Frank.

Archives[]

The moving image collection of George Stevens is held at the Academy Film Archive. The film material at the Academy Film Archive is complemented by material in the George Stevens papers at the Academy's Margaret Herrick Library.^[11]

Filmography[]

Other work[]

Academy Awards[]

Notes[]

References[]

• Cronin, Paul: George Stevens: Interviews. Jackson, MI, University Press of Mississippi, 2004. ISBN 1-57806-639-5
• Moss, Marilyn Ann: Giant: George Stevens, a Life on Film. Madison, WI, University of Wisconsin Press, 2004. ISBN 0-299-20430-8
• Petri, Bruce: A Theory of American Film: The Films and Techniques of George Stevens. New York, Taylor & Francis, 1987. ISBN 0-8240-0070-6
• Richie, Donald: George Stevens: An American Romantic. New York, Taylor & Francis, 1984 (reprint of 1970 original). ISBN 0-8240-5773-2

External links[]

Wikimedia Commons has media related to George Stevens.

• George Stevens at IMDb
• George Stevens: Movie Movie
• George Stevens papers, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences