Good Hair

Good Hair
Theatrical release poster
Directed by	Jeff Stilson
Written by	Lance Crouther Paul Marchand Chris Rock Chuck Sklar Jeff Stilson
Produced by	Kevin O'Donnell
Narrated by	Chris Rock
Cinematography	Cliff Charles Mark Henderson
Edited by	Paul Marchand Greg Nash
Music by	Marcus Miller
Production companies	HBO Films LD Entertainment Chris Rock Productions
Distributed by	Roadside Attractions
Release dates	January 18, 2009 (2009-01-18) (Sundance) October 9, 2009 (2009-10-09) (United States)
Running time	96 minutes
Country	United States
Language	English
Box office	$4,028,558[1]

Good Hair is a 2009 American documentary film directed by Jeff Stilson and produced by Chris Rock Productions and HBO Films, starring and narrated by comedian Chris Rock.^[2][3] Premiering at the Sundance Film Festival on January 18, 2009, Good Hair had a limited release to theaters in the United States by Roadside Attractions on October 9, 2009, and opened across the country on October 23.

The film focuses on the issue of how Black-American women have perceived their hair and historically styled it. The film explores the current styling industry for black women, images of what is considered acceptable and desirable for Black-American women's hair in the United States, and their relation to Black American culture.^[3]

Overview[]

According to Rock, he was inspired to make the movie after his three-year-old daughter Lola asked him, "Daddy, how come I don't have good hair?" She has curly, wiry hair typical of many people of African descent. He realized she had already absorbed the perception among some black people that curly hair was not "good".^[3]

Rock delves into the $9 billion black hair industry, and visits such places as beauty salons, barbershops, and hairstyling conventions to explore popular approaches to styling. He visits scientific laboratories to learn the science behind chemical relaxers that straighten hair.^[3][4]

Rock intended to explore the topic seriously, but with humor.^[4] The movie features interviews from hair care industry businesspeople, stylists (Derek J, Jason Griggers and others) and their customers, and celebrities such as Ice-T, Nia Long, Paul Mooney, T-Pain, Raven-Symoné, Maya Angelou, KRS-One, Salt-n-Pepa, Kerry Washington, Eve, Reverend Al Sharpton, Andre Harrell, Tracie Thoms, Lauren London, and Meagan Good.^[3] These public figures discuss their experiences with their own hair, and the issue of how different types and characteristics of black hair are perceived in the black community.

Themes[]

Rock explores why black women adopt so many different styles for their hair. Techniques designed to straighten hair appear to be intended to give it characteristics of European (or "white") hair. Other styles create elaborate designs related to African traditions and recent innovations in fashion. Rock is quoted as saying, "I knew women wanted to be beautiful, but I didn't know the lengths they would go to, the time they would spend—and not complain about it. In fact, they appear to look forward to it."^[5]

Interviews with public figures[]

The film features interviews with prominent entertainers and other public figures, including Nia Long, Ice-T, Raven-Symoné, Maya Angelou, Salt-n-Pepa, Eve, Tracie Thoms, and Reverend Al Sharpton. They provide opinions on "good hair" and recount personal experiences in dealing with their hair.

Nia Long says, "There's always this sort of pressure within the black community like, if you have good hair, you're prettier or better than the brown-skinned girl that wears the Afro or the dreads or the natural hairstyle."^{[This quote needs a citation]}

In Jeannette Catsoulis' review of the film, she notes that Rock questions why African-American women adopt a concept of "beauty" that is not based on the natural characteristics of their hair. Some endure sometimes-painful hair treatments in order to achieve this definition of beauty. If the treatments, such as hair relaxers, are done improperly, they can cause hair loss or burns on the scalp.

Al Sharpton says, "We wear our economic oppression on our heads."^[6] He refers to the hair business, which yields billions of dollars in revenues and has shifted from African-American manufacturers to Asian manufacturers, redirecting the profits from the industry out of the African-American community.

To gain insights into the cultural issue, Rock also interviewed students and faculty at Santa Monica High School, customers in hair salons and barbershops, and hair dealers. He visited Dudley Products, one of the few companies owned by African Americans that makes hair products for the African-American community.

Reception[]

The film met with positive reviews from critics. Good Hair currently holds a 95% "certified fresh" rating on aggregate review website Rotten Tomatoes based on 78 reviews, with an average score of 7.4/10.^[7] Another review aggregation website, Metacritic, based on 100 reviews from mainstream critics, gave the film an average score of 72/100 based on 27 reviews.^[8] It received the Special Jury Prize Documentary at the 2009 Sundance Film Festival.^[9]

Good Hair opened in limited release on October 9, 2009, becoming the fourteenth-highest-grossing film for the weekend of October 9–11, 2009 with $1,039,220 in 186 theaters with a $5,587 average.^[10] The film expanded to 466 theaters on October 23.^[11]

In his review, Roger Ebert stated "Few people of any race wear completely natural hair. If they did, we would be a nation of Unabombers."^[12] Rock responded to critics on The Oprah Winfrey Show, saying "it's not important what's on top of your head—it's important what's inside of your head. That is the theme of the movie."^[13]

Lawsuit from Regina Kimbell[]

On October 5, 2009, documentary filmmaker Regina Kimbell filed a lawsuit in a Los Angeles court against Chris Rock Productions, HBO Films, and Good Hair's American and international distributors. Kimbell charged that Rock's film is an illegal infringement of her similarly themed documentary, My Nappy Roots: A Journey Through Black Hair-itage, which she says she screened for Rock in 2007.^[14] Kimbell sought an injunction against the wide release of Good Hair, but a federal judge allowed Rock's film to be released as scheduled.^[15]

Rock on The Oprah Winfrey Show[]

Rock appeared on the Oprah Winfrey Show to promote and discuss his film. During his second appearance, a roundtable of prominent black women, some from the fashion industry, discussed the issue of hair and self-esteem. Mikki Taylor, beauty and cover editor for Essence, and Ayana Byrd, an editor for Glamour, questioned whether the phrase was still apt.^[5]

Recognition and honors[]

The film received the Special Jury Prize for a Documentary at the 2009 Sundance Film Festival.^[16] Chris Rock, Jeff Stilson, Lance Crouther, and Chuck Sklar were nominated for Best Documentary Screenplay from the Writers Guild of America.^[17]

References[]

Further reading[]

• Crawford, Bridget (2010). "The Currency of White Women's Hair in a Down Economy". Women's Rights Law Reporter. 32 (1): 45–55.
• Davis, Patrick (Summer 2003). "Good Hair and Bad Hair: What This Seems to Say About Us". Multicultural Education. 10 (4): 39–41. OCLC 682417517.
• Catsoulis, Jeannette (8 October 2009). "Look but Don't Touch: It's All About the Hair". The New York Times.
• "Chris Rock's Good Hair". Oprah.com.
• Johnson, Dianne (2009). "Hairitage: Women Writing Race in Children's Literature". Tulsa Studies in Women's Literature. 28 (2): 337–355. JSTOR 40783423. Project MUSE 393360.
• Kit, Zorianna (18 March 2010). "Chris Rock's Good Hair Documentary: Something to Talk About". HuffPost.
• "Globalization, beauty regimes, and mediascapes in the New India". The Routledge Companion to Media & Gender. 2013. pp. 381–391. doi:10.4324/9780203066911-42. ISBN 978-0-203-06691-1.
• Chidester, David (March 2011). "Sacred". Material Religion. 7 (1): 84–90. doi:10.2752/175183411X12968355482132. S2CID 218835114.

External links[]

• Good Hair at IMDb
• Good Hair at AllMovie
• Good Hair at Rotten Tomatoes
• Good Hair at Metacritic
• Good Hair at Box Office Mojo