Hadestown

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Hadestown
Hadestown musical poster.png
Broadway promotional poster
MusicAnaïs Mitchell
LyricsAnaïs Mitchell
BookAnaïs Mitchell
BasisOrpheus and Eurydice
Productions2006 Barre
2006 Vergennes
2007 Vermont/Massachusetts tour
2016 Off-Broadway
2018 London
2019 Broadway
AwardsTony Award for Best Musical
Tony Award for Best Original Score
Grammy Award for Best Musical Theater Album

Hadestown is a musical with music, lyrics and book by Anaïs Mitchell. It tells a version of the ancient Greek myth of Orpheus and Eurydice, where Orpheus goes to the underworld to rescue his lover, Eurydice.

The original version of the musical premiered in the town of Barre, Vermont, in 2006. There was also a production in Vergennes in the same year and a tour between Vermont and Massachusetts in 2007. Then Mitchell, unsure about the future of the musical, turned it into a concept album, released in 2010.[1]

In 2012, Mitchell met director Rachel Chavkin, and the two started to rework the stage production, with additional songs and dialogue. The new version of the musical, developed for the stage and directed by Chavkin, premiered Off-Broadway at New York Theatre Workshop on May 6, 2016, and ran through July 31. Following productions in Edmonton and London, the show premiered in previews on Broadway in March 2019.

The Broadway production opened to critical acclaim and received numerous awards and nominations. At the 73rd Tony Awards, Hadestown received a total of 14 nominations (the most for the evening) and won eight of them, including Best Musical and Best Original Score.

Characters[]

Character Description
Orpheus A legendary musician and hero.[2] He is an optimistic dreamer and sees how things could be. He is naïve but determined.[3]
Eurydice The heroine of the story. She is experienced in life as she has been alone for a long time.[4]
Hades The king of the Underworld and Greek god of the dead.[5] He is the ruler of Hadestown and is seen as cold and uncaring. He is deeply in love with Persephone but his relationship with her has declined.[6]
Persephone The queen of the Underworld and Greek goddess of the seasons and the dead.[7] She is free spirited.[8] Though she loves Hades, her relationship with him has declined and they often fight.[9]
Hermes The Greek god of roads, travels, thieves, and messages.[10] He is the narrator and cares for Orpheus by taking him in.[11]
The Fates The Greek goddesses of fate.[12] They act as a force for many key decisions the other characters make in the show.[13]

Synopsis[]

Act I[]

The story begins with the Greek god, Hermes, introducing the characters ("Road to Hell"). This is followed by Eurydice and the Fates describing the harsh weather and famine of the setting ("Any Way the Wind Blows"). Orpheus, Hermes's ward, introduces himself to Eurydice and asks her to marry him ("Come Home With Me"). Eurydice is doubtful as they both live in poverty. Orpheus tells her that he is writing a song to make spring come again, and they will no longer have to struggle ("Wedding Song")

Orpheus sings the story of Hades and Persephone ("Epic I"). Persephone arrives in the world above and celebrates summertime ("Livin' it up on Top"), while Eurydice begins to truly fall in love with Orpheus ("All I've Ever Known."). Hades comes early to collect Persephone, and she voices her misery of having to return to Hadestown, Hades's underground factory. Despite hearing about the never-ending labor endured by the factory workers, Eurydice is intrigued by the rich praises sung by the Fates as well as the promise of protection that Hadestown offers ("Way Down Hadestown"). The cold weather returns and Eurydice searches for food and firewood, urging Orpheus to finish his song ("A Gathering Storm"). Orpheus continues working on his song ("Epic II"), while Persephone and Hades argue ("Chant").

Hades leaves Hadestown to find someone who will appreciate its safety and security. He comes across a desperate Eurydice and invites her to come to Hadestown ("Hey, Little Songbird"). The Fates appear and urge Eurydice to join him ("When the Chips are Down"). With the cold surging on, Eurydice sees no other choice except to follow Hades. She sings her goodbyes to Orpheus before disappearing ("Gone, I'm Gone"). Orpheus discovers Eurydice's disappearance, and decides to rescue her from Hadestown. He sets off on his journey using Hermes's instructions on how to get to Hadestown without the use of the train ("Wait for Me"). Eurydice arrives in Hadestown and signs the contract, officially becoming a worker. ("Why We Build the Wall").

Act II[]

In an entr'acte, Persephone serves the workers in a speakeasy that she runs behind Hades's back. ("Our Lady of the Underground"). Eurydice begins to realize the consequences of her choice to go to Hadestown: she will soon become a forgotten laborer and can never leave unless Hades consents to let her go ("Way Down Hadestown (Reprise)"). She sings of her regrets as her memories of the world above slowly begin to fade ("Flowers").

Orpheus arrives in Hadestown and promises Eurydice that he will take her home with him ("Come Home with Me (Reprise)"). Hades appears and reveals to him that Eurydice willingly signed the contract, which Eurydice regretfully confirms ("Papers"). Hades orders the workers to attack Orpheus and the Fates tell him to give up hope ("Nothing Changes"). Orpheus vows to find a way to free Eurydice, rallying up the workers and catching Persephone's attention in the process ("If It's True").

Persephone is inspired by Orpheus's determination and pleads with Hades to let Eurydice go ("How Long?"). While the workers begin to truly question the freedom they were promised, Hades bitterly offers Orpheus a chance to sing his completed song, threatening to kill him afterwards ("Chant (Reprise)"). Orpheus sings his song, reminding Hades of his love for Persephone ("Epic III"). Hades and Persephone reconcile, after which Orpheus and Eurydice promise to stay together no matter how hard ("Promises"). Orpheus asks Hades if they may leave, and Hades tells him that he has not reached a decision. The Fates taunt Hades for his dilemma: If he kills Orpheus and keeps Eurydice captive, they become martyrs, but if he lets them go, he loses control over his workers as they have begun to agitate for their freedom ("Word to the Wise"). Hades decides to let Orpheus and Eurydice go on one condition: Orpheus must lead them out. If he turns around to confirm that Eurydice is following him, she will return to Hadestown and remain there forever. ("His Kiss, the Riot").

Hermes explains the condition to Orpheus and Eurydice, and they begin heading out with the workers looking to them for hope. Persephone and Hades decide to give their relationship another chance ("Wait for Me (Reprise)"). Orpheus makes it up to the end, where he is overcome by doubt and turns around, condemning Eurydice to return to Hadestown ("Doubt Comes In"). Hermes reflects on the somber tale and why it must be told. ("Road to Hell (Reprise)"). After the bows at curtain call, the cast raises a cup to honor Orpheus ("We Raise Our Cups").

Musical numbers[]

Source:[14]

New York Theatre Workshop, New York[]

All songs are adapted from Mitchell's album, aside from "Any Way the Wind Blows" from her album Xoa, except where noted.

† Not included on Original Cast Recording ‡ Original material

Citadel Theatre - Edmonton, Alberta, Canada[]

Royal National Theatre - London, England / Walter Kerr Theatre - Broadway[]

Productions[]

Hadestown was performed as a stage production in the cities of Barre and Vergennes in 2006, before going into a seven-day, ten-city tour between Mitchell's home state of Vermont and Massachusetts in 2007.[1][15] Mitchell described the first incarnation of the show as "a D.I.Y. theatre project." The creative team included primary orchestrator/arranger Michael Chorney and original director/designer Ben T. Matchstick, as well as a cast drawn from local artists in Vermont.[16][17] In 2010, a concept album was released.

In her search for a director, Mitchell sought out Rachel Chavkin in 2012 after watching a production of Natasha, Pierre & the Great Comet of 1812 directed by Chavkin. In the transition from concept album to stage musical, Mitchell wrote an additional 15 songs and added dialogue to clarify the story line and deepen characterization. The 15 new songs were developed after Mitchell and Chavkin discussed gaps in the album's story line. Michael Chorney created the primary orchestrations and arrangements, with Todd Sickafoose contributing additional/co-arrangements and orchestrations.[16] Hadestown premiered at New York Theatre Workshop for an initial run from May 3 through July 3, 2016, but was later extended due to popular demand through July 31. The production starred Damon Daunno as Orpheus, Nabiyah Be as Eurydice, Amber Gray as Persephone, Patrick Page as Hades, Chris Sullivan as Hermes, and Lulu Fall, Jessie Shelton, and Shaina Taub as the Fates.[15][18]

On October 14, 2016, an EP was released featuring four songs from the musical, recorded live on June 28 and 29, 2016.[19] A full live album was released on October 6, 2017.[20]

Hadestown was presented in an intended pre-Broadway run as part of the 2017/2018 season at Citadel Theatre in Edmonton, Alberta, Canada. Rachel Chavkin once again served as director, with performances scheduled for November 11 – December 3, 2017, with Amber Gray and Patrick Page reprising their roles from NYTW. The production was presented in collaboration with Mara Isaacs and Dale Franzen, who produced the Off-Broadway run.[21] The NYTW production was also featured in the award-winning documentary series Working in the Theatre produced by the American Theatre Wing.[22]

Ahead of a 2019 Broadway transfer, Hadestown was performed in the Olivier Theatre of the National Theatre in London. Making its UK debut, it ran from November 2, 2018, to January 26, 2019.[23] The production team included Rachel Hauck for scenic design, Michael Krass for costume design, Bradley King for lighting design, Nevin Steinberg and Jessica Paz for sound design, David Neumann for choreography, and Liam Robinson for musical direction.[24] Page, Gray, and Reeve Carney reprised their performances in the National Theatre production, joined by Eva Noblezada, André De Shields (who had participated in some early workshops of the production),[25] Carly Mercedes Dyer, Rosie Fletcher, and Gloria Onitiri.[26]

Hadestown opened on Broadway at the Walter Kerr Theatre, with previews beginning on March 22, 2019, and opening night set for April 17, 2019.[27] Page, Gray, De Shields, Carney, and Noblezada reprise their performances for the Broadway production, and are joined by Jewelle Blackman, Yvette Gonzales-Nacer, and Kay Trinidad.[28] The Broadway production was produced by Mara Isaacs, Dale Franzen, Hunter Arnold and Tom Kirdahy.[29] The production team also reunites Hauck for scenic design, Krass for costume design, King for lighting design, Steinberg and Jessica Paz for sound design, Neumann for choreography, and Robinson for musical direction. As of March 12, 2020, the show suspended production due to the COVID-19 pandemic.[30] The show's production was suspended until September 2, 2021, when it reopened.[31]

In August 2019, it was announced during an episode of Good Morning America that Hadestown would begin a national tour in 2020.[32] Due to the COVID-19 pandemic, the tour has been postponed to 2021. The tour will launch at the John F. Kennedy Center for the Performing Arts in Washington, D.C., and will run for three weeks starting October 15, 2021. Prior to the tour launch, the production will have a tryout at the Peace Center in Greenville, South Carolina, from October 5 to 10, 2021.The national tour will star Nicholas Barasch as Orpheus, Morgan Siobhan Green as Eurydice, Kevyn Morrow as Hades, Kimberly Marable (a cast member from the original Broadway cast) as Persephone, Levi Kreis as Hermes, and Belén Moyano, Bex Odorisio, and Shea Renne as the Fates.[33][34]

Casts[]

Character Vermont / Massachusetts tour
2007[35]
Concept album
2010
Off-Broadway
2016
Edmonton
2017[36][37][38]
London
2018
Broadway
2019
United States / Canada tour
2021[34]
Orpheus Ben Campbell Justin Vernon Damon Daunno Reeve Carney Nicholas Barasch
Eurydice Anaïs Mitchell Nabiyah Be T.V. Carpio Eva Noblezada Morgan Siobhan Green
Hades David Symons Greg Brown Patrick Page Kevyn Morrow
Persephone Miriam Bernardo Ani DiFranco Amber Gray Kimberly Marable
Hermes Ben T. Matchstick Ben Knox Miller Chris Sullivan Kingsley Leggs André De Shields Levi Kreis
The Fates Sarah-Dawn Albani
Lisa Raatikainen
Nessa Rabin
The Haden Triplets Lulu Fall
Jessie Shelton
Shaina Taub
Jewelle Blackman
Kira Guloien
Evangelia Kambites
Carly Mercedes Dyer
Rosie Fletcher
Gloria Onitiri
Jewelle Blackman
Kay Trinidad
Yvette Gonzalez-Nacer
Bel��n Moyano
Bex Odorisio
Shea Renne

Broadway Replacements[]

Hades: Tom Hewitt.[a][39]

The Fates: Jessie Shelton,[40] Mariand Torres.[41]

Recordings[]

Mitchell released a concept album based on the musical, working on it for over a year. It was released on March 9, 2010, through Righteous Babe Records.[1]

A live cast recording of the Off-Broadway production was released digitally and on CD on October 6, 2017, through Parlophone Records. A four-track EP entitled Why We Build The Wall (Selections from Hadestown. The Myth. The Musical. Live Original Cast Recording) was released for digital retailers on October 13, 2016, in promotion of the album.

A Broadway cast recording was released in full on July 26, 2019, through Sing It Again Records.[42][43] A physical two-CD recording will be available at a later date.[44]

Reception[]

Hadestown received generally positive critical reviews. The New York Times described the Off-Broadway production as "inventive" and "gorgeously sung," praising its simplicity and intimacy.[45] The Hollywood Reporter described the added dialogue as "wince-inducing" but favored its high energy and immersive staging.[46] Several reviews drew parallels between the song "Why We Build the Wall" and Donald Trump's 2016 presidential campaign, though the song predates the campaign by about a decade.[45][46]

The production opened on Broadway on April 17, 2019, to largely positive critical reception, with praise especially directed at its direction and performances, particularly those of Amber Gray, André De Shields, and Patrick Page.[47] The New York Times called it "gorgeous" and "hypnotic", especially noting its improvement from the New York Theater Workshop version.[48] David Rooney of The Hollywood Reporter calls it "utterly fabulous", in particular praising the performances of Gray and Page.[49]

Awards and nominations[]

Off-Broadway production[]

Year Award Category Nominee Result
2016 American Academy of Arts and Letters Richard Rodgers Award for Musical Theater[50] Won
2017 Drama Desk Awards Outstanding Musical Nominated
Outstanding Lighting Design for a Musical Bradley King Nominated
Drama League Awards Outstanding Production of a Broadway or Off-Broadway Musical Nominated
Lucille Lortel Awards Outstanding Musical Nominated
Outstanding Choreographer David Neumann Nominated
Outstanding Lead Actor in a Musical Patrick Page Nominated
Outstanding Lead Actress in a Musical Amber Gray Nominated
Outstanding Featured Actor in a Musical Chris Sullivan Nominated
Outstanding Scenic Design Rachel Hauck Nominated
Outstanding Sound Design Robert Kaplowitz Nominated
Outer Critics Circle Awards Outstanding New Off-Broadway Musical Nominated
Off-Broadway Alliance Awards Best New Musical Nominated

Edmonton production[]

Year Award Category Nominee Result
2018 Elizabeth Sterling Haynes Award[51] Timothy Ryan Award for Outstanding Production of a Musical Nominated
Outstanding Director Rachel Chavkin Nominated
Outstanding Performance by an Actress in a Supporting Role Amber Gray Won
Outstanding Set Design Rachel Hauck Nominated
Outstanding Costume Design Michael Krass Nominated
Outstanding Lighting Design Bradley King Won
Outstanding Musical Director Liam Robinson Nominated
Outstanding Choreography or Fight Direction David Neumann Nominated

Broadway production[]

Year Award Category Nominee Result
2019 Tony Awards[52][53] Best Musical Won
Best Book of a Musical Anaïs Mitchell Nominated
Best Original Score Won
Best Performance by an Actress in a Leading Role in a Musical Eva Noblezada Nominated
Best Performance by an Actor in a Featured Role in a Musical André De Shields Won
Patrick Page Nominated
Best Performance by an Actress in a Featured Role in a Musical Amber Gray Nominated
Best Scenic Design in a Musical Rachel Hauck Won
Best Costume Design in a Musical Michael Krass Nominated
Best Lighting Design in a Musical Bradley King Won
Best Sound Design of a Musical Nevin Steinberg and Jessica Paz Won
Best Direction of a Musical Rachel Chavkin Won
Best Choreography David Neumann Nominated
Best Orchestrations Michael Chorney and Todd Sickafoose Won
Drama Desk Awards[54] Outstanding Featured Actor in a Musical André De Shields Won
Outstanding Director of a Musical Rachel Chavkin Won
Outstanding Choreography David Neumann Nominated
Outstanding Scenic Design for a Musical Rachel Hauck Nominated
Outstanding Costume Design for a Musical Michael Krass Nominated
Outstanding Lighting Design for a Musical Bradley King Won
Outstanding Sound Design in a Musical Nevin Steinberg and Jessica Paz Won
Drama League Awards[55] Outstanding Production of a Broadway or Off-Broadway Musical Won
Distinguished Performance Award Amber Gray Nominated
André De Shields Nominated
Outer Critics Circle Awards[56] Outstanding New Broadway Musical Won
Outstanding Book of a Musical (Broadway or Off-Broadway) Anaïs Mitchell Nominated
Outstanding New Score (Broadway or Off-Broadway) Won
Outstanding Actor in a Musical Reeve Carney Nominated
Outstanding Featured Actor in a Musical André De Shields Won
Outstanding Featured Actress in a Musical Amber Gray Won
Outstanding Director of a Musical Rachel Chavkin Won
Outstanding Choreographer David Neumann Nominated
Outstanding Scenic Design (Play or Musical) Rachel Hauck Nominated
Outstanding Lighting Design (Play or Musical) Bradley King Won
Outstanding Sound Design (Play or Musical) Nevin Steinberg and Jessica Paz Nominated
Outstanding Orchestrations Michael Chorney and Todd Sickafoose Nominated
Broadway.com Audience Awards[57] Favorite New Musical Nominated
Favorite Leading Actor in a Musical Reeve Carney Nominated
Favorite Leading Actress in a Musical Eva Noblezada Won
Favorite Featured Actor in a Musical Andre de Shields Nominated
Favorite Featured Actress in a Musical Amber Gray Nominated
Favorite Diva Performance Amber Gray Nominated
Favorite Onstage Pair Reeve Carney and Eva Noblezada Nominated
Favorite New Song "Wait for Me" Won
Chita Rivera Awards[58]
Outstanding Choreography in a Broadway Show David Neumann Won
Outstanding Female Dancer in a Broadway Show Amber Gray Nominated
Outstanding Ensemble in a Broadway Show Nominated
ACCA Award[59] Outstanding Broadway Chorus Won
2020
Grammy Award Best Musical Theater Album Reeve Carney, André De Shields, Amber Gray, Eva Noblezada & Patrick Page (principal soloists); Mara Isaacs, David Lai, Anaïs Mitchell & Todd Sickafoose (producers); Anaïs Mitchell (composer & lyricist) Won

Notes[]

  1. ^ Tom Hewitt will temporarily replace Patrick Page as Hades from September 2, 2021 through October 31, 2021. Page will return on November 2, 2021.

References[]

  1. ^ Jump up to: a b c Browne, David (June 1, 2019). "The Hell With Broadway: The Story of Anais Mitchell's 'Hadestown'". Rolling Stone. Archived from the original on October 10, 2019. Retrieved August 15, 2019.
  2. ^ "Orpheus | Myth, Symbol, & Meaning". Encyclopedia Britannica. Retrieved September 7, 2021.
  3. ^ "Audition for HADESTOWN at National Tour in New York on 01/15". www.broadwayworld.com. Retrieved September 7, 2021.
  4. ^ "Audition for HADESTOWN at National Tour in New York on 01/15". www.broadwayworld.com. Retrieved September 7, 2021.
  5. ^ "Hades | Characteristics, Family, & Mythology". Encyclopedia Britannica. Retrieved September 7, 2021.
  6. ^ "In 'Hadestown,' Greek mythology and climate change come to Broadway". The World from PRX. Retrieved September 7, 2021.
  7. ^ "PERSEPHONE - Greek Goddess of Spring, Queen of the Underworld (Roman Proserpina)". www.theoi.com. Retrieved September 7, 2021.
  8. ^ "Audition for HADESTOWN at National Tour in New York on 01/15". www.broadwayworld.com. Retrieved September 7, 2021.
  9. ^ "In 'Hadestown,' Greek mythology and climate change come to Broadway". The World from PRX. Retrieved September 7, 2021.
  10. ^ "Hermes". World History Encyclopedia. Retrieved September 7, 2021.
  11. ^ "Audition for HADESTOWN at National Tour in Submission on 05/12". www.broadwayworld.com. Retrieved September 7, 2021.
  12. ^ "The Fates". www.greekmythology.com. Retrieved September 7, 2021.
  13. ^ "Audition for HADESTOWN at National Tour in New York on 01/15". www.broadwayworld.com. Retrieved September 7, 2021.
  14. ^ Mitchell, Anaïs (2020). Working on a Song: The Lyrics of Hadestown. Penguin Random House.
  15. ^ Jump up to: a b "Anais Mitchell's 'Hadestown' reborn off-Broadway". Burlington Free Press. Retrieved November 30, 2016.
  16. ^ Jump up to: a b "A Live Cast Album for "Hadestown"". The New Yorker. Archived from the original on December 1, 2016. Retrieved December 1, 2016.
  17. ^ "amitchell". amitchell. Archived from the original on April 25, 2018. Retrieved April 25, 2018.
  18. ^ "NYTW / Hadestown Official Site". New York Theatre Workshop. Archived from the original on April 21, 2018. Retrieved April 20, 2018.
  19. ^ Clement, Olivia (October 13, 2017). "Hadestown EP, With Four Live Tracks, Released Today". Playbill. Archived from the original on December 1, 2016. Retrieved December 1, 2016.
  20. ^ Vine, Hannah (October 10, 2017). "Inside the Listening Party For the Hadestown Live Cast Recording". Playbill. Archived from the original on October 24, 2017. Retrieved October 23, 2017.
  21. ^ Gans, Andrew (February 7, 2017). "Edmonton's Citadel Theatre Will Stage Broadway-Aimed Hadestown Musical". Playbill. Archived from the original on February 13, 2017. Retrieved November 16, 2017.
  22. ^ "Working in the Theatre: Casebook". americantheatrewing.org. Archived from the original on June 5, 2017. Retrieved April 20, 2018.
  23. ^ Lefkowitz, Andy (April 19, 2018). "Acclaimed Musical Hadestown to Play Broadway in 2019; London Run Announced". Broadway.com. Archived from the original on April 19, 2018. Retrieved April 19, 2018.
  24. ^ Olivia Clement, "Hadestown to Play London's National Prior to Broadway" Archived April 21, 2018, at the Wayback Machine, Playbill, April 19, 2018.
  25. ^ Avella, Frank J. "'Hadestown's' André De Shields: That Mature, Sexy Black Man in a Silver Suit". EDGE Media Network. Retrieved April 30, 2019.
  26. ^ "Hadestown | National Theatre". www.nationaltheatre.org.uk. Archived from the original on November 30, 2018. Retrieved November 11, 2018.
  27. ^ Lefkowitz, Andy (November 27, 2018). "Hadestown, from The Great Comet's Rachel Chavkin, to Arrive at Broadway's Walter Kerr Theatre". Broadway.com. Archived from the original on November 27, 2018. Retrieved November 27, 2018.
  28. ^ "Full Cast Announced for HADESTOWN on Broadway; Rehearsals Begin Today!". BroadwayWorld.com. February 11, 2019. Archived from the original on February 12, 2019. Retrieved February 11, 2019.
  29. ^ League, The Broadway. "Hadestown – Broadway Musical – Original | IBDB". www.ibdb.com. Retrieved February 23, 2021.
  30. ^ Clement, Olivia (May 12, 2020). "Check the Statuses of Broadway Shows During the Coronavirus Shutdown". Archived from the original on June 1, 2020. Retrieved May 29, 2020.
  31. ^ Evans, Greg (May 24, 2021). "'Hadestown' To Be Broadway's First Reopening; 'Girl From The North Country' Also Announces Return". Deadline. Retrieved May 28, 2021.
  32. ^ @GMA (August 12, 2019). "JUST ANNOUNCED: @hadestown will launch a national tour in Fall 2020!" (Tweet) – via Twitter.
  33. ^ Wild, Stephi. "HADESTOWN Announces Broadway and Touring Casts Including Original Cast Members Andre De Shields, Reeve Carney, and Eva Noblezada, Plus Tom Hewitt and More!". BroadwayWorld.com. Retrieved August 9, 2021.
  34. ^ Jump up to: a b McPhee, Ryan (August 9, 2021). "Tom Hewitt to Join Hadestown Returning Leads When Musical Reopens on Broadway; Tour Cast Also Set". Playbill. Retrieved August 9, 2021.
  35. ^ Polston, Pamela. "The Making of Anaïs Mitchell's Hadestown". Seven Days. Archived from the original on December 3, 2018. Retrieved June 14, 2019.
  36. ^ Gans, Andrew (October 11, 2017). "Spider-Man's Patrick Page, Reeve Carney, and T.V. Carpio Will Reunite for Hadestown in Canada | Playbill". Playbill. Archived from the original on April 29, 2019. Retrieved October 11, 2017.
  37. ^ "Hadestown - Citadel Theatre". Citadel Theatre. October 13, 2017. Archived from the original on October 13, 2017. Retrieved October 13, 2017.
  38. ^ "Patrick Page, Reeve Carney, and TV Carpio to Lead Canadian Premiere of HADESTOWN at Citadel Theatre". BroadwayWorld.com. October 10, 2017. Archived from the original on October 12, 2017. Retrieved October 10, 2017.
  39. ^ "HADESTOWN Announces Complete Casting for Broadway and National Tour". www.theatrely.com. Retrieved August 12, 2021.
  40. ^ "Hadestown Casts Announced for Broadway Return and New National Tour | TheaterMania". www.theatermania.com. Retrieved August 12, 2021.
  41. ^ Wild, Stephi. "HADESTOWN Announces Broadway and Touring Casts Including Original Cast Members Andre De Shields, Reeve Carney, and Eva Noblezada, Plus Tom Hewitt and More!". BroadwayWorld.com. Retrieved August 12, 2021.
  42. ^ McHenry, Jackson. "Hadestown First Listen: Hear 3 Songs From the New Broadway Cast Recording". Vulture. Archived from the original on May 31, 2019. Retrieved June 1, 2019.
  43. ^ @anaismitchell (June 1, 2019). "David! We got deep into editing & mixing these (beautiful! epic!) performances and realized we just need more time! We care sooooo much about this music and we know you do too— thank you for your patience from the bottom of our hearts! It will be worth the wait!