Hourglass (James Taylor album)

Hourglass
Studio album by James Taylor
Released	May 20, 1997 (1997-05-20)
Recorded	May, October 1996 Chalker's Creek, Martha's Vineyard, Massachusetts Westlake Audio, West Hollywood, California Right Track Studios, New York City JT and band were recorded in May before the summer tour at JT's house followed by guest contributions in October in NYC and LA.
Length	51:51
Label	Columbia
Producer	Frank Filipetti James Taylor
James Taylor chronology
Live (1993) Hourglass (1997) Greatest Hits Volume 2 (2000)

Professional ratings

Review scores
Source	Rating
AllMusic	[1]
Encyclopedia of Popular Music	[2]
MusicHound	3.5/5[3]
Rolling Stone	[4]
The Rolling Stone Album Guide	[5]

Hourglass is singer-songwriter James Taylor's 14th studio album and his first studio album in six years. It built upon the success of his previous effort, New Moon Shine.

Hourglass was an introspective album with lyrics that focused largely on Taylor's troubled past and family. "Jump Up Behind Me" paid tribute to his father's rescue of him after the Flying Machine days, and the long drive from New York City back to his home in Chapel Hill.^[6] "Enough to Be On Your Way" was inspired by the alcoholism-related death of his brother Alex earlier in the decade.^[7] The themes were also inspired by Taylor's divorce from actress Kathryn Walker, which took place in 1996.^[8] Rolling Stone found that "one of the themes of this record is disbelief", while Taylor told the magazine that it was "spirituals for agnostics."^[9] Hourglass was a huge commercial success, reaching No. 9 on the Billboard 200 (Taylor's first Top 10 album in sixteen years) and also provided a big adult contemporary hit on "Little More Time With You". The album also gave Taylor his first Grammy since JT, when he was honored with Best Pop Album in 1998. The album also won producer/engineer Frank Filipetti a Grammy that year for Best Engineered Album. The majority of the album was recorded using Yamaha O2R and Tascam DA-88 machines, which were early digital devices not typically used by top level artists, as most major label records were still being recorded to analog tape at that time.

There is an enhanced CD version of the album containing interviews, photos, and videos.

The album was dedicated to Don Grolnick who died in 1996 of Non-Hodgkin's lymphoma.

Track listing[]

All songs by James Taylor unless otherwise noted.

1. "Line 'Em Up" – 4:45
2. "Enough to Be on Your Way" – 5:29
3. "Little More Time with You" – 3:53
4. "Gaia" – 5:32
5. "Ananas" – 5:45
6. "Jump Up Behind Me" – 3:30
7. "Another Day" – 2:23
8. "Up Er Mei" – 3:49
9. "Up from Your Life" – 5:17
10. "Yellow and Rose" – 4:55
11. "Boatman" (Livingston Taylor, M. Taylor) – 3:59
12. "Walking My Baby Back Home" (Fred E. Ahlert, Roy Turk) – 2:27
13. "Hangnail" (also known as "Money O Money") – 2:24 [hidden track]

Personnel[]

• James Taylor – lead vocals, acoustic guitar, penny whistle (2), harmonica (10)
• Clifford Carter – keyboards
• Bob Mann – guitars
• Dan Dugmore – pedal steel guitar (10, 11)
• Ross Traut – high-strung guitar (11)
• Jimmy Johnson – bass guitar (1-3, 5–8, 10-12)
• Edgar Meyer – cello arrangements (2, 7), acoustic bass (4, 9)
• Carlos Vega – drums, percussion
• Yo-Yo Ma – cello (2, 7)
• Mark O'Connor – fiddle (2)
• Stanley Silverman – cello arrangements (2, 7)
• Stevie Wonder – harmonica (3)
• Branford Marsalis – soprano saxophone (4), alto saxophone (9)
• Michael Brecker – tenor saxophone (5), EWI (6)
• Rob Mounsey – horn arrangements (5)
• Valerie Carter – backing vocals
• David Lasley – backing vocals
• Kate Markowitz – backing vocals
• Arnold McCuller – backing vocals
• Sting – backing vocals (6)
• Jill Dell'Abate – backing vocals (8)
• Shawn Colvin – backing vocals (10)

Production[]

• Producers – Frank Filipetti and James Taylor
• Associate Producer – Jill Dell'Abate
• Production Assistant – Ted Cammann
• Engineered and Mixed by Frank Filipetti
• Assistant Engineers – Tim Gerron and Pete Karam
• Mix Assistant – Pete Karam
• Technical Support – John Morrison
• Mastered by Ted Jensen at Sterling Sound (New York, NY).
• Art Direction – Stephanie Mauer
• Design – Chris Quinn
• Photography – Herb Ritts
• Management – Cathy Kerr for PAM Artist Management.

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References[]