Hypothetical Axis victory in World War II

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The post-war world created by the victories of the Axis Powers in the novel The Man in the High Castle (1962), by Philip K. Dick.

In speculative literature, the Hypothetical Axis victory in World War II is a common subject in works of alternative history (fiction) and of counterfactual history (non-fiction) which examine public and private life in the lands conquered by the Axis powers — Nazi Germany, the Empire of Japan, the Kingdom of Italy — in the Second World War (1937–1945).[1][2]

The stories, novels, and plays of the alternative history genre usually feature the plot device of Axis military victory over the Allies; the initial book is Swastika Night (1937), by Katherine Burdekin, a British novel published before Nazi Germany launched the Second World War in 1939. Later novels of alternative history include: The Man in the High Castle (1962), by Philip K. Dick; SS-GB (1978), by Len Deighton; and Fatherland (1992), by Robert Harris. The stories deal with the politics, culture, and personalities who allowed the Fascist victories against democracy, and with the psychology of quotidian life in totalitarian societies. The novels present stories of how ordinary citizens, men and women, cope with the daily humiliations of fascist military occupation and with the resentments of being a people under colonial domination.[1][3][4]

The literature uses the Latin terms Pax Germanica (German Peace) and Pax Japonica (Japanese Peace) to describe such fictional post–War outcomes.[5] The term Pax Germanica was applied to the hypothetical Imperial German victory in the First World War (1914–1918), which usage derives from the term Peace of Westphalia used in the Latin-language documents that formally ended the Thirty Years' War (1618–1648).[6]

Depictions of the Axis Powers[]

Themes[]

In the essay “Why are We Attracted to Nightmares of Nazi Victory? Wasn’t the Actual Nazi History Bad Enough?”, Helen White stated that a hypothetical world in which Nazi Germany won the Second World War is a harsher and grimmer place to live than the real world in which Nazi Germany and the Axis Powers lost the War in 1945.[7] The literary tone of alternative history fiction presents the military victory of the Axis Powers as a melancholy background, against which the reader sees the unfolding of political plots in a socially strained atmosphere of foreign occupation and socio-economic domination.[1]

Speculative literature about hypothetical military victories by the Axis Powers usually have been English-language literary products of Great Britain and of the United States; speculative and analytical stories about the protagonists’ personal experience of military defeat and of foreign military occupation.[8] The Ultimate Solution (1973), by Eric Norden, shows the Nazified people and society of the US as a morally hopeless nation and state; a state of affairs that concludes with a nuclear war between Nazi Germany and Imperial Japan. The social story of SS-GB (1978), by Len Deighton, concludes with a US commando raid into Nazi Great Britain, to rescue British nuclear scientists, while the British Resistance remain hopeful of eventual military liberation by the US. In Clash of Eagles (1990), by Leo Rutman, the population of New York City rebel against the Nazi occupation of the US. In Fatherland (1992), by Robert Harris, the story concludes with the protagonists exposing the Holocaust to the American people, thereby thwarting Hitler's rapprochement with the US, meant to solve the continual economic crises of the Greater German Reich. In the Presence of Mine Enemies (2003), by Harry Turtledove, presents the Nazi world two generations after their victory in WWII, in a time and place that allowed political liberalization and democratization.[9]

Early depictions[]

The novel Swastika Night (1937), by Katherine Burdekin, presents the post-war world born from the victory of the Axis Powers: A dictatorship characterized by much “violence and mindlessness”, which are justified by “irrationality and superstition”.[3] Published two years before Nazi Germany began the Second World War in 1939, Swastika Night is a work of future history and not a work of alternative history. The book reviewer Darragh McManus said that although the story and plot of the novel are “a huge leap of imagination, Swastika Night posits a terrifyingly coherent and plausible [world]”, that “considering when it was published, and how little of what we know of the Nazi régime today was then understood, the novel is eerily prophetic and perceptive about the nature of Nazism”.

The short story I, James Blunt (1941), by Henry Vollam Morton, is a work of war-time propaganda set in a fictional September 1944 when Great Britain is under Nazi rule. The story is told through the entries of a diary, which describe the social and economic consequences of military occupation, such as British workers sent to the shipyards of Nazi Germany and to Scottish shipyards to build warships to attack the U.S. The novel concludes with the diarist exhorting the readers of I, James Blunt to ensure that the story of the Nazi occupation of Great Britain remains as fiction.[10]

The novel We, Adolf I (1945), by Lászlo Gáspár, presents a Nazi victory in the Battle of Stalingrad (23 Aug. 1942–2 Feb. 1943) which allowed Hitler to crown himself emperor of the world. In Berlin, the Nazis build an imperial palace featuring architectural elements of the Eiffel Tower and the Statue of Liberty. In the course of the story, the despot Hitler enters a dynastic marriage with the Japanese Imperial princess in effort to produce a Fascist heir to rule the world after Hitler.[1]

The Last Jew: A Novel (Ha-Yehudi Ha'Aharon, 1946) by Jacob Weinshall, tells the future history of a Nazi world ruled by the League of Dictators, wherein the last Jew to survive the Final Solution is discovered hiding in Madagascar. The League of Dictators plan the public execution of the last Jew as entertainment during the Olympic Games; however, before they can realise the spectacular death of the last Jew, the Moon's excessive proximity to Earth, a negative consequence of Nazi lunar colonization, provokes a catastrophe that extinguishes life on planet Earth.[11] The novel should not be confused with Yoram Kaniuk's novel The Last Jew, which has been translated to English.[12]

The stage play Peace in Our Time (1947), by Noël Coward, explores the nature of fascist rule in London, and examines the deleterious effects of military occupation upon the mental health of the common man and the common woman. As a playwright, Coward was included to the Gestapo's Black Book of enemies-of-the-state to be arrested upon completion of Operation Sea Lion (September 1940), the Nazi conquest of Great Britain.[4]

Later depictions[]

Additional notable depictions of Axis victory include:

Literature[]

Counterfactual scenarios are also written as a form of academic paper rather than necessarily as fiction and/or novel-length fiction.

The All About History Bookazine series came out with What if...Book of Alternate History (2019). Among the articles are What if...Germany had won the Battle of Britain? and What if...The Allies had lost the Battle of the Atlantic?

Film[]

Television[]

Comics[]

  • "Blitzkrieg 1972", issue 155 of The Incredible Hulk (September 1972), takes place in a battle-torn New York City, where German Nazi forces, from their headquarters on Wall Street, are increasingly defeating the outnumbered US Army forces desperately defending the city - until the Hulk comes to take a hand in the fighting and confront the super-Nazi Captain Axis.
  • In DC Comics, Earth X is an alternative Earth in which the Nazis won World War II.
  • In the 2003-2004 Captain America story arc Cap Lives (Captain America Vol. 4, issues 17-20), Captain America awakens from suspended animation in 1964 to find that - due to a temporal anomaly - Nazi Germany has won WWII and conquered much of the world, including the United States. After dropping a nuclear bomb on the US, Nazi Germany took control of North America, renaming New York City as "New Berlin" and declaring it the capital of Nazi America. The Red Skull has become the Führer of the so-called "New Reich" and seeks to create an army of blonde, Aryan supermen or super soldiers based on Captain America's DNA. Alongside American resistance fighters that include Bucky Barnes, Nick Fury and his Howling Commandos, Peter Parker, Ben Grimm, Johnny Storm, Sue Storm, Reed Richards, Hank Pym, Janet van Dyne, Tony Stark, Donald Blake, Bruce Banner, Matt Murdock, Luke Cage, Frank Castle, and Stephen Strange, Captain America fights against the New Reich and succeeds in returning to the timeline in which he is originally meant to be.[14][15]
  • An alternate reality (designated as Earth 9907) in which the Red Skull survived and assumed leadership of the failing Third Reich, leading it into total world domination, also appears in the A-Next comic series by Marvel Comics.[16]

Video games[]

Cultural studies[]

Academics, such as Gavriel David Rosenfeld in The World Hitler Never Made: Alternate History and the Memory of Nazism (2005), have researched the media representations of 'Nazi victory'.[17]

See also[]

References[]

  1. ^ Jump up to: a b c d Manheim, Noa. "Alternative History: What Might Have Been Had Hitler Won?". Haaretz. Archived from the original on 2017-08-17. Retrieved 2016-12-18.
  2. ^ Fred Bush (July 15, 2002). "The Time of the Other: Alternate History and the Conquest of America". Strange Horizons. Archived from the original on 3 January 2010. Retrieved 2 January 2009.
  3. ^ Jump up to: a b McManus, Darragh (12 November 2009). "Swastika Night: Nineteen Eighty-Four's lost twin". The Guardian.
  4. ^ Jump up to: a b Hardy, Michael (30 September 2014). "Review: Peace in Our Time is a Play for Our Time". Houstoni magazine. Retrieved 18 December 2016.
  5. ^ "Carl Tighe: Pax Germanica — The Future Historical. Journal of European Studies, Vol. 30, 2000". Archived from the original on 2020-04-04. Retrieved 2017-08-31.
  6. ^ "CAPUT LXVIII. Chronologia." Archived 2012-01-18 at the Wayback Machine in CAMENA. See for years 1648 et 1649.
  7. ^ Helen White, Round-up of New Essays in Twentieth History Popular Culture. Alan Wiedemann (Ed.).
  8. ^ Edwards, Sam (20 February 2017). "SS-GB: Why the Renewed Obsession with Alternative Nazi Histories?". The Conversation. Retrieved 2021-02-15.
  9. ^ Michael Kornfeld, "Face It, Sometimes There is Just No Happy Ending, None Whatsoever" in Round-up of New Essays in Twentieth History Popular Culture, Alan Wiedemann, Editor.
  10. ^ ""I, James Blunt", by Kenneth Fields". 18 January 2020.
  11. ^ Eshed, Eli. "Israeli Alternate Histories" (in Hebrew); Israeli Society for Science Fiction and Fantasy, 2 November 2000. [1]
  12. ^ Kaniuk, Yoram (2007-12-01). The Last Jew: A Novel. Grove/Atlantic, Inc. ISBN 9781555848385.
  13. ^ "World War Two: The Rewrite". The Independent. April 23, 2006. Archived from the original on 2015-09-24. Retrieved 2009-06-26.
  14. ^ Hölbling, Walter; Heller, Arno (2004). What is American?: New Identities in U.S. Culture. LIT Verlag Münster. ISBN 9783825877347.
  15. ^ "Marvel Knights Captain America Vol. 4: Cap Lives". Marvel Masterworks.
  16. ^ A-Next #11-12
  17. ^ Moorcock, Michael (July 2005). "If Hitler had won World War Two…".

Further reading[]

  • Rosenfeld, Gavriel David. The World Hitler Never Made. Alternate History and the Memory of Nazism (2005).
  • Tighe, C., "Pax Germanica in the future-historical" in Amsterdamer Beiträge zur neueren Germanistik, pp. 451–467.
  • Tirghe, Carl. "Pax Germanicus in the future-historical". In Travellers in Time and Space: The German Historical Novel (2001).
  • Winthrop-Young, Geoffrey. "The Third Reich in Alternate History: Aspects of a Genre-Specific Depiction of Nazism". In Journal of Popular Culture, vol. 39 no. 5 (October 2006).
  • Klaus-Michael Mallmann and Martin Cüppers. Nazi Palestine. The Plans for the Extermination of the Jews in Palestine, New York: Enigma Books with the United States Holocaust Memorial Museum, 2010.
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