Juichi Yoshikawa

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Juichi Yoshikawa (吉川 壽一, Yoshikawa Jūichi, born 1943 in Fukui) is a Japanese calligraphist, or sho artist, who studied calligraphy formally under , and later with .^[1] Yoshikawa's avant garde trademark "three and a half dimensions" style applies observation as the additional dimension. To an untrained observer, this approach might be characterized as artistic flamboyance known by the use of giant brushes and stadium-sized canvases^[2] - or, as in the large 1990 Beijing installation, by almost completely covering the 5,000 square metres of Tiananmen Square.^[3]

Yoshikawa's work has been presented throughout Japan, China, and the Middle East,^[4] and he is the author of a 1993 French publication on his form, Sho.^[5]

He has collaborated several times with the lyricist, Chris Mosdell, illustrating what are essentially poetic works with experimental calligraphy. The first collection, (2001 ), is an epic rhythmical chant densely type-set on the page with delicate and often simple brush-stroke accompaniments. The second publication, , couples verse by Mosdell with digitally stylized erotic shunga woodcut prints from the Edo Era overlaid with sensual calligraphy and ink-seepage creations by Yoshikawa. A full-color edition, originally published by in 1997, was fully color-enhanced and re-printed in 2008 by .

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