König Hirsch

*König Hirsch*
*Il re cervo*
König Hirsch; Il re cervo
Opera by Hans Werner Henze
	The composer in 1960
Librettist	[de]
Language	German
Based on	Il re cervo by Carlo Gozzi
Premiere	23 September 1956; Theater des Westens, Berlin

König Hirsch (in English, The Stag King) is an opera in three acts by Hans Werner Henze to a German libretto by [de] after Il re cervo, a theatrical fable (1762) by Carlo Gozzi. He revised it as Il re cervo, premiered in 1963 at the Staatstheater Kassel.

Performance history[]

König Hirsch was first performed in a drastically shortened version by the Städtische Oper Berlin on 23 September 1956 in the Theater des Westens with staging by Jean Pierre Ponnelle and conducted by Hermann Scherchen, as a highlight of the Berliner Festwochen 1956.^[1]

It was rewritten as Il re cervo, oder Die Irrfahrten der Wahrheit (The Stag King or The Odysseys of Truth) and performed at the Staatstheater Kassel on 10 March 1963. This version was also produced at the Santa Fe Opera on 4 August 1965. The complete, original form of König Hirsch was given for the first time on 5 May 1985 at the Staatsoper Stuttgart.

Roles[]

Role	Voice type	Premiere Cast, 23 September 1956 (Conductor: Hermann Scherchen)
The king (Leandro)	tenor	Sándor Kónya
The governor (Tartaglia)	bass-baritone	Leopold Clam
The maiden (Costanza)	soprano	Helga Pilarczyk
The preceptor	bass	Tomislav Neralic
Checco	tenor	Helmut Krebs
Coltellino	tenor	Martin Vantin
Scollatella I	soprano	Nora Jungwirth
Scollatella II	soprano
Scollatella III	mezzo-soprano
Scollatella IV	contralto
Woman in black	contralto
Statue I	soprano
Statue II	soprano
The stag	mime
Voices in the forest, courtiers, animals, huntsmen, soldiers, city dwellers (chorus)

Synopsis[]

The king, who has been cast into the forest as a child by the governor, returns to his kingdom. However he is tricked by the governor and forced to go back to the forest where he turns into a stag. Eventually he goes back once again, the governor is killed, and he is transformed again into human form.

Instrumentation[]

woodwinds: 3 flutes (3rd doubling on piccolo), 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon
Brass: 4 horns, 3 trumpets (3rd doubling on piccolo trumpet in C [ad lib.]), 2 trombones, tuba
percussion (7 players): triangle, tubular bells, suspended cymbals, pair of cymbals, tamtam, 3 tom-toms, tambourine, snare drum, military drum, bass drum (with or without cymbals), claves, maracas, legno, Gegenschlagstöcke, rumba bells, glockenspiel, xylophone
Other: harp, piano, celesta, organ (ad lib.), harpsichord, accordion, guitar, mandolin
On-stage Band: flute, clarinet, 4 horns, 3 trumpets, percussion: triangle, small bells, tubular bells, suspended cymbals, pair of cymbals, tambourine, 2 snare drums, military drum, bass drum, glockenspiel, vibraphone, mandolin, celesta, organ, violin

Recordings[]

To date the opera has not been recorded in its entirety. An excerpt (act 3, scene 5) from a performance recorded by the Südwestrundfunk Stuttgart in 1985 (Julia Conwell, soprano; John Bröcheler, bass-baritone; Helmut Holzapfel, tenor-buffo; Würtembergisches Staatsorchester Stuttgart; Dennis Russell Davies, cond.) is included as part of:

Neue Harmonien: Oper 1948–1962. CD recording, one disc. RCA Red Seal BMG Ariola Classics 74321 73539 2. Musik in Deutschland, 1950–2000: Musiktheater: Oper, Operette, Musical. [Germany]: BMG Ariola Classics, RCA Red Seal, Deutscher Musikrat, 2002.

References[]

^ Die Zeit 27. September 1956 Skandal um Henzes „König Hirsch“ "Liegt denn in alle dem ein Sinn?“ sang getreu nach dem Libretto Heinz v. Cramers in schmelzenden Tönen der Tenor Helmut Krebs. „Nee“, hallte es vom dritten Rang wie ein Peitschenknall in die andächtige, vielleicht auch etwas schläfrige Festwochenpremiere. Das Parkett antwortete mit Beifall. "

Casaglia, Gherardo (2005). "König Hirsch, 23 September 1956". L'Almanacco di Gherardo Casaglia (in Italian).
Warrack, John and West, Ewan (1992), The Oxford Dictionary of Opera, 782 pages, ISBN 0-19-869164-5

[1] Die Zeit 27. September 1956 Skandal um Henzes „König Hirsch“ "Liegt denn in alle dem ein Sinn?“ sang getreu nach dem Libretto Heinz v. Cramers in schmelzenden Tönen der Tenor Helmut Krebs. „Nee“, hallte es vom dritten Rang wie ein Peitschenknall in die andächtige, vielleicht auch etwas schläfrige Festwochenpremiere. Das Parkett antwortete mit Beifall. "

[1]

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List of compositions
Operas	Boulevard Solitude (1951) Ein Landarzt (1951) König Hirsch (1955) Der Prinz von Homburg (1958) Elegy for Young Lovers (Elegie für junge Liebende) (1961) The Bassarids (Die Bassariden) (1965) Der junge Lord (1964) El Cimarrón (1971) Der langwierige Weg in die Wohnung der Natascha Ungeheuer (1971) We Come to the River (1976) The English Cat (1983) Das verratene Meer (1989) Venus und Adonis (1995) L'Upupa und der Triumph der Sohnesliebe (2003) Phaedra (2007) Gisela! (2010)
Ballet	Ondine (1957)
Symphonies	No. 1 (Kammerkonzert 05) No. 2 No. 3 No. 4 No. 5 No. 6 No. 7 No. 8 No. 9 No. 10
Film scores	Muriel ou le Temps d'un retour Young Törless The Lost Honour of Katharina Blum
Other works	Sonata per archi (1958) Doppio Concerto (1966) Fantasia for Strings (1966) Das Floß der Medusa (1968) Compases para preguntas ensimismadas (1970) Heliogabalus imperator (1972/86) Tristan (1973) Voices (1973) Royal Winter Music (1976) Five Scenes from the Snow Country (1978) Royal Winter Music (1979) Requiem: 9 geistliche Konzerte (1993) Sebastian im Traum (2004)
Related	Literaturoper Moment form Postmodern music
Category

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General	Integrated Authority File (Germany)
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