Kira Muratova

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In this Eastern Slavic naming convention, the patronymic is Georgiyivna and the family name is Korotkova/Muratova.
Kira Muratova

People's Artist of Ukraine
Romanian: Kira Gueórguievna Muratova
Muratova.jpg
Kira Muratova in 2006
Born
Kira Gueórguievna Korotkova

(1934-11-05)5 November 1934
Soroca, Kingdom of Romania
(now Moldova)
Died6 June 2018(2018-06-06) (aged 83)
Odessa, Ukraine
OccupationFilm director
Screenwriter
Actress
Years active1961–2018

Kira Georgievna Muratova (Russian: Кира Георгиевна Муратова; Romanian: Kira Gueórguievna Muratova; Ukrainian: Кіра Георгіївна Мура́това; née Korotkova, 5 November 1934 – 6 June 2018[1][2]) was a Soviet-Russian[3][4][5][6] award-winning film director, screenwriter and actress of Romanian/Jewish descent, known for her unusual directorial style. Muratova's films underwent a great deal of censorship in the Soviet Union,[7] yet still Muratova managed to emerge as one of the leading figures in contemporary Russian cinema and was able to build a very successful film career from 1960s onwards.[8] Muratova, along with Nikita Mikhalkov, Vadim Abdrashitov, Aleksandr Sokurov, Aleksei German, and Aleksei Balabanov are considered arguably Russia's lead filmmakers who weathered the collapse of the USSR yet managed to productively continue their filmmaking work from the early 1990s onward.[3]

Muratova spent much of her artistic career in Odessa, creating most of her films at Odesa Film Studios.

Biography[]

Early life and career[]

Kira Korotkova was born in 1934 in Soroca, Romania (present-day Moldova) to a Russian father[9] and a Romanian mother (of Bessarabian Jewish origin).[10][11][12] Her parents were both active communists and members of the Communist Party. Her father, , participated in the anti-fascist guerilla movement in World War II, was arrested by Romanian forces and shot after interrogation. After the war, Kira lived in Bucharest with her mother, a gynaecologist, who then pursued a government career in Socialist Romania.

In 1959, Kira graduated from the Gerasimov Institute of Cinematography in Moscow, specializing in directing. Upon graduation Korotkova received a director position with the Odessa Film Studio in Odessa, a port city at the Black Sea near to her native Bessarabia. She directed her first professional film in 1961 and worked with the studio until a professional conflict made her to move to Leningrad in 1978. There she made one film with Lenfilm Studio, but returned to Odessa afterwards. Muratova's films came under constant criticism of the Soviet officials due to her idiosyncratic film language that did not comply with the norms of socialist realism. Film scholar Isa Willinger has compared Muratova's cinematographic form to the Soviet Avant-garde, especially to Eisenstein's montage of attractions.[13] Several times Muratova was banned from working as a director for a number of years each time.

Kira married her fellow Odessa studio director Oleksandr Muratov in the early 1960s and co-created several films with him. The couple had a daughter, Marianna, but soon divorced and Muratov moved to Kiev where he started work with Dovzhenko Film Studios. Kira Muratova kept her ex-husband's surname despite her later marriage to Leningrad painter and production designer Evgeny Golubenko.

Post-Soviet period[]

In the 1990s, an extremely productive period began for Muratova, during which she shot a feature film every two or three years, often working with the same actors and crew. Two actresses Muratova has repeatedly cast are Renata Litvinova and . Muratova's films were usually productions of Ukraine or co-productions between Ukraine and Russia, always in the Russian language, although Muratova could speak Ukrainian and did not object to the Ukrainianization of Ukrainian cinema[14]). Muratova supported the Euromaidan protesters and the following 2014 Ukrainian revolution.[15]

Muratova's films were premiered at International Film Festivals in Berlin, Cannes, Moscow, Rome, Venice and others. Next to Aleksandr Sokurov, She was considered the most idiosyncratic contemporary Russian-language film director. Her works can be seen as postmodern, employing eclecticism, parody, discontinuous editing, disrupted narration and intense visual and sound stimuli.[13]

Recognition and awards[]

It was only during Perestroyka that Muratova received wide public recognition and first awards. In 1988, the (France) showed a first retrospective of her works. Her film Among Grey Stones was screened in the Un Certain Regard section at the 1988 Cannes Film Festival.[16] In 1990, her film Asthenic Syndrome won the Jury Grand Prix at the Berlinale.[17] In 1994, she was awarded the Leopard of Honour for her life oeuvre at The Locarno International Film Festival (Switzerland) and in 2000, she was given the Andrzej Wajda Freedom Award.[13] In 1997, her film Three Stories was entered into the 47th Berlin International Film Festival.[18] Her 2002 film Chekhov's Motifs was entered into the 24th Moscow International Film Festival.[19] Her film The Tuner was shown at the Venice Film Festival in 2004. Her films received the Russian "Nika" prize in 1991, 1995, 2005, 2007, 2009 and 2013. In 2005, a retrospective was shown at the Lincoln Center in New York City. In 2013, a full retrospective of her films was shown at the International Film Festival Rotterdam.[20]

Muratova in 2010 conducting her personal master class at the Odessa International Film Festival.

Filmography[]

Year Title (Original) Title (English) Director Writer Actress Notes
1961 У Крутого Яра Yes Yes With Aleksandr Muratov
1964 Наш честный хлеб Yes as Agapa With Aleksandr Muratov
1967 Короткие встречи Brief Encounters Yes Yes as Valentina Ivanovna
1971 Долгие проводы The Long Farewell Yes
1972 Россия Russia Documentary; with Theodore Holcomb
1978 Познавая белый свет Getting to Know the Big, Wide World Yes Yes
1983 Среди серых камней Among Grey Stones Yes Renounced by Muratova after major political censorship (credited to "Ivan Sidorov" )
1987 Перемена участи Yes Yes
1989 Астенический синдром The Asthenic Syndrome Yes Yes
1992 Чувствительный милиционер The Sentimental Policeman Yes Yes
1994 Увлеченья Passions Yes
1997 Три истории Three Stories Yes
1999 Письмо в Америку Letter to America Yes Short
2001 Второстепенные люди Yes Yes
2002 Чеховские мотивы Chekhov's Motifs Yes Yes
2004 Настройщик The Tuner Yes Yes
2005 Справка Certification Yes Short
2006 Кукла Dummy Yes Short
2007 Два в одном Two in One Yes
2009 Мелодия для шарманки Yes Yes
2012 Вечное возвращение Yes Yes

Books[]

Upon an initiative of the arts patron Yuri Komelkov, Atlant UMC has published an album on Kira Muratova's work. In this album, the author of the photos, Konstantin Donin, confined himself to the film set frames, acting as a screen reporter of the film Two-in-one.[21]

In 2005, a study on the life and work of Muratova was published by I.B. Tauris in the KINOfiles Filmmakers' Companion series.[22]

See also[]

References[]

  1. ^ Умерла Кира Муратова
  2. ^ Kira Muratova, Renowned Ukrainian Director, Dies at 83
  3. ^ Jump up to: a b Kira Muratova: The Zoological Imperium // Nancy Condee (2009). The Imperial Trace : Recent Russian Cinema. Oxford University Press. p. 115-140. ISBN 978-0199710546.
  4. ^ Women and Russian film: The films of Kira Muratova // David C. Gillespie (2003). Russian Cinema. Harlow. UK, and New York: Longman. p. 92-102. ISBN 978-1-317-87412-6.
  5. ^ Taubman, Jane A. “The Cinema of Kira Muratova.” The Russian Review, vol. 52, no. 3, 1993, pp. 367–381.
  6. ^ Roberts, Graham. (1999). The Meaning of Death: Kira Muratova's Cinema of the Absurd. // B. Beumers (Ed.). Russia on Reels: The Russian Idea in Post-Soviet Cinema. London: I.B.Tauris. 220 p.: pp. 144–160.
  7. ^ Gray, Carmen; Pyzik, Agata; Vivaldi, Giuliano; Goff, Samuel (13 June 2018). "Kira Muratova: a tribute to the dazzling, controversial genius of Soviet and Ukrainian cinema". The Calvert Journal.
  8. ^ Muratova, Kira 1934-2018 (Kira Georgievna Korotkova). encyclopedia.com. 2018
  9. ^ Jonathan Rosenbaum
  10. ^ Kira Muratova. The More Things Change .... filmmuseum.at/en/. 2019
  11. ^ Illegal Communist Movement in Prewar Romania: Natalia Reznic Korotkova (1906–1981).
  12. ^ Viața și moartea unui comunist basarabean Iuri Korotkov, tatăl Kirei Muratova
  13. ^ Jump up to: a b c "Willinger, Isa (2013): "Circus Tricks and Eisenstein's 'Montage of Attractions': Traces of the Russian Film-Avant-garde in Muratova's Oeuvre"". Retrieved 2015-01-09.
  14. ^ Більше читайте тут: https://tsn.ua/glamur/rezhiser-kira-muratova-ya-na-boci-cogo-narodu-ya-z-maydanom-341183.html
  15. ^ Більше читайте тут: https://tsn.ua/glamur/rezhiser-kira-muratova-ya-na-boci-cogo-narodu-ya-z-maydanom-341183.html
  16. ^ "Festival de Cannes: Among Grey Stones". festival-cannes.com. Retrieved 2009-07-31.
  17. ^ "Berlinale: 1990 Prize Winners". berlinale.de. Retrieved 2011-03-16.
  18. ^ "Berlinale: 1997 Programme". berlinale.de. Retrieved 2012-01-14.
  19. ^ "24th Moscow International Film Festival (2002)". MIFF. Archived from the original on 2013-03-28. Retrieved 2013-03-31.
  20. ^ Tempelman, Olaf (January 2013). "Voor alles en iedereen ongrijpbaar". De Volkskrant (in Dutch) (International Film Festival Rotterdam). p. 12.
  21. ^ #Literature.
  22. ^ Bloomsbury.com. "Kira Muratova". Bloomsbury Publishing. Retrieved 2020-04-08.

Literature[]

  • Donin [Донин, К. А.]. Кадр за кадром: Кира Муратова. Хроника одного фильма. К.: ООО «Атлант-ЮЭмСи», 2007. 119 с. ISBN 978-966-8968-11-2. (in Russian)

External links[]


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